‘We don't do dots ‐ ours is lines’ — Asserting a Barkindji Style

ABSTRACT This paper offers an ethnographic exploration of the assertion of a ‘Barkindji style’ art: why this matters and to whom it matters. Focusing particularly on the Darling River area of Wilcannia and on the period from the 1980s to the present, the increasing interest in art‐making by local Aboriginal people is considered. Through a dialogue with artists, artworks, and others, the work examines the changing form, design and content of art and the role of art in defining ideas of Barkindji Aboriginal culture and tradition. Invocations by key cultural brokers to produce work that is seen to ‘belong to us’ is explored in terms of the cultural, political, and personal work that this involves; particularly as this intersects with ideas of artistic freedoms versus artistic direction by cultural brokers. The paper discusses the personal considerations and tensions that come to bear in the processes connected with production of art and its making. In so doing, this paper engages with, and extends, the work of Tacon et al. (2003), Cooper (1994), Kleinert (1994) and Morphy (2001) as this pertains to art ‘styles’ and material culture from what is widely referred to as south‐eastern Australia.     

Neither ‘America’ nor ‘Québec’: constructing the Canadian multicultural nation

ABSTRACT. Although researchers have deconstructed the myth of stark social differences between the various North American sub‐societies, an assimilating American melting pot and an ethnically oppressive monocultural Québec are still popular representations within Canadian majority discourses, such as the English‐language mainstream media and parts of academia. In this paper, I argue that images of ‘America’ and ‘Québec’ play important roles for the multicultural reconstruction of Canadian nationhood. Examining selected op‐ed articles from two Toronto‐based mainstream newspapers during the 1990s, I develop and exemplify a theoretical understanding of how national identities are constituted and transformed within inter‐ and intra‐national relations of power and alterity. I pay special attention to the particularisation of Canada through the confrontation with American nationhood, the ambiguities of recognising the distinctiveness of Québec inside Canada, and the consequences of projecting Québec's supposedly ‘ethnic’ nationalism outside the boundaries of Canadianness.     

New Boundaries of Influence in Highland Papua: ‘Culture’, Mining and Ritual Conversions

This article considers the new boundaries of influence among Fuyuge speakers in the Udabe Valley (Central Province, Papua New Guinea [PNG]). These new boundaries have arisen through the conjunction of epochal shifts implicating the PNG State, and local forms of ritual. On the one hand the PNG State's particular advocacy of widespread resource extraction is coupled with its need to comply to signed agreements of international bodies such as the World Trade Organization. Both have consequences for the way boundaries are newly conceived with respect to the ‘land’ (‘landowners’) and with respect to ‘culture’ (‘cultural property’). On the other hand, peoples such as the Fuyuge create and recreate local boundaries of influence through the performance of ritual conversions ‐ as regards persons, place names, or collective names. At the same time a local Fuyuge perspective on ‘culture’ suggests that its boundaries be delineated, analogous to the definitions of boundaries for ‘landowners’ compelled by mining operations. The article highlights connections between these local changes and the current concerns of PNG academic scholars to mandate the protection of localised PNG cultural property, an outgrowth of current epochal alterations.     

Penetrating the ‘black‐box’ of ‘remembrance day’ playlist: bereavement and the induction mechanisms of glocalization – a study in cultural sociology

This article examines the musical repertoire broadcast on Israeli state radio stations on Remembrance Day. Commencing with the first Remembrance Day, Israeli radio stations have refrained from broadcasting songs that do not contribute to the glorification of the military mythology or failure to reinforce the consensual perception of national loss. In view of globalization – it might be assumed that Remembrance Day songs would undergo changes in tune with the times. From a musical point of view, new songs that belong to what Regev and Seroussi classify as ‘globalizing Israel’ penetrated into the nationalist arena. But, following Inglehart and Baker, these songs, despite their seemingly secular façade, remain limited hegemonic enclosures organized around the core of founding values. Apparently, this is an example of the process of glocalization of culture. The article seeks answers to the strategies employed to accommodate these new songs to the traditional ideology of the classical Remembrance Day songs and examines whether the mechanisms of legitimacy that enable the inclusion of new voices on Remembrance Day, can be identified. We argue that their choice is not arbitrary and that they illustrate the manner by which voluntary cultural entrepreneurs (musical editors) are co‐opted in the postnational condition.     

The ummah as nation: a reappraisal in the wake of the ‘Cartoons Affair’†

ABSTRACT. In the wake of the 2006 ‘Cartoons Affair’ which saw international protests by Muslims against the publication of cartoons depicting the Prophet Muhammad, it is clear that identity based on membership in the Islamic ummah goes far beyond simple religious affiliation. This essay presents a novel argument for treating the ummah (the transnational community of Muslim believers) as a nation. I begin with a theoretical treatment of the ummah as nation which employs historic and current interpretations of what constitutes nationhood. I then turn to the current state of the ummah; my findings present a potent nexus of information and communications technology (ICT), emergent elites, and Muslim migration to the West that has facilitated a hitherto impossible reification of the ummah. I also discuss how globalisation, Western media practices, and the nature of European society allow ‘ummahist’ elites to marginalise other voices in the transnational Muslim community. Based on the global events surrounding the Danish cartoons controversy of 2005–06, I conclude that there is need to recognise ummah‐based identity as more than just a profession of faith – it represents a new form of postnational, political identity which is as profound as any extant nationalism.     

Charles Gleyre's ‘Les Romains’: Classics and nationalism in Swiss art

This article looks at an example of how classical antiquity was used by a nineteenth‐century Swiss painter and explores the national dimension of one of his works. Through an examination of the painting, Les Romains passant sous le joug, its Swiss artist Charles Gleyre and his commission from the canton of Vaud, it will elaborate an example of how a classical legend was transformed in an artistic representation of the nation.     

‘Anti–Mini Militants Meet Modern Misses’: Urban Style,Gender and the Politics of ‘National Culture’ in 1960s Dar es Salaam,Tanzania

This essay examines a 1968–9 campaign by Tanzania’s ruling party Youth League to outlaw mini–skirts and other ‘indecent’ fashions as ‘decadent’ affronts to Tanzanian ‘national culture’. It situates the intense, public debate on the campaign both in terms of the state’s contested national cultural project, and in relation to intersecting anxieties about shifts in women’s work and mobility in urban space, and the politics of sex in postcolonial Dar es Salaam. Arguing that ‘the city’ ndash; both as an imagined space and as the site of particular, gendered social struggles – is central to understanding the campaign, the essay charts attempts by the ban’s opponents to fashion viable personas and notes the limits of these attempts.     

‘We are the new Jews!’ and ‘The Jewish Lobby’ – antisemitism and the construction of a national identity by the Austrian Freedom Party

In this article I will analyse the role of antisemitism for the construction of a national identity and an exclusive national in‐group in the discourse of the Austrian Freedom Party (FPÖ). The analysis will show that this discourse of the FPÖ, one of the most successful extreme right‐wing parties in Europe, utilises various forms of Holocaust inversion and victim perpetrator reversal in order to delegitimise political opponents. The analysis of these incidents and of the legitimising strategies used by the FPÖ when criticised involves discussing the increasing abstraction of the codes characteristic of latent antisemitism and forms of post‐Nazi antisemitism. I will focus on how the FPÖ's use of the term Holocaust and other terms referring to Nazi atrocities against the Jews corresponds to a universalisation of the term Holocaust in social constellations that are permeated by the culture industry.     

The tyranny of transnational discourse: ‘authenticity’ and Irish diasporic identity in Ireland and England

Through the prism of current state discourses in Ireland on engagement with the Irish diaspora, this article examines the empirical merit of the related concepts of ‘diaspora’ and ‘transnationalism’. Drawing on recent research on how Irish identity is articulated and negotiated by Irish people in England, this study suggests a worked distinction between the concepts of ‘diaspora’ and ‘transnationalism’. Two separate discourses of authenticity are compared and contrasted: they rest on a conceptualisation of Irish identity as transnational and diasporic, respectively. I argue that knowledge of contemporary Ireland is constructed as sufficiently important that claims on diasporic Irishness are constrained by the discourse of authentic Irishness as transnational. I discuss how this affects the identity claims of second‐generation Irish people, the relationship between conceptualisations of Irishness as diasporic within Ireland and ‘lived’ diasporic Irish identities, and implications for state discourses of diaspora engagement.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

Anthropology, ‘Native Schooling’ and Maori: the Politics of ‘Cultural Adaptation’ Policies

This paper examines three policies of ‘cultural adaptation’ formulated in colonial contexts in the 1920s and 1930s — that of the British Colonial Office for education in Africa, that of the New Zealand Native Schools and that of Maori leaders. While clearly inter-related, these policies were developed and promoted by their respective proponents to serve widely different political goals. Particularly significant is the role played by anthropology in that context. Proponents of all three policies looked to anthropologists for insights and scientific validation of their political agendas. Anthropologists, in turn, not only accepted this role but, particularly in the case of the British Colonial education policy, actively claimed it, involving themselves in the processes of colonial control.     

Being ‘there’: At the front line of the ‘European refugee crisis’ ‐ part 2

In the course of 2015, Skala Sykamnias, a fishing village and tourist idyll on the northern coast of Lesbos, by accident of its geographical location, became the informal gate into Europe for more than 200.000 refugees. In this article the author analyzes the massive flows of people and things that transverse his fieldwork site from different directions: the great diversity of actors enacting what are often dissonant ideals and strategies; the various theatres of operation and reception ‘structures’; both frontline and back stage; and the debates that revolve around humanitarian action in the region. The local community is falling apart whilst to those incoming it represents a gateway to freedom. It is becoming a mini theatre of conflicts that echo wider debates on the political future of Europe.     

Being ‘there’: At the front line of the ‘European refugee crisis’ ‐ part 1

In the course of 2015, Skala Sykamnias, a fishing village and tourist idyll on the northern coast of Lesbos, by accident of its geographical location, has turned into the informal gate into Europe for more than 200.000 refugees. In this article the author analyses the massive flows of people and things that transverse his fieldwork site from different directions: the great diversity of actors enacting what are often dissonant ideals and strategies, the several theatres of operation and reception ‘structures’, both frontline and back stage, and the debates that revolve around humanitarian action in the region. The local community is falling apart whilst to the incoming it represents the gateway to freedom. It is becoming a mini theatre of conflicts that echoes wider debates on the political future of Europe.     

‘Fighting from the fields’: developing the British ‘National Farm’ in the Second World War

The Second World War had a profound impact on British Agriculture, with state intervention at an unprecedented level cementing the idea of a ‘National Farm’ in both the popular and the governmental psyche. Critical attention has recently begun to refocus on this period, adding to the somewhat celebratory meta-narratives written in the official histories. Drawing from the practice of micro-historical research and recent work in geography that seeks to understand the production of the landscape ‘from within’, this paper explores how ‘small stories’ can afford an appreciation of the ‘complications of everyday existence’ and bring greater depth, nuance and understanding to these ‘larger’ historical events and their influence on the British countryside. Utilising oral histories from farms in Devon (UK), the paper explores the micro-geographies which shaped as well as destabilised the national farm message as it was translated into the local context.     

The ‘Global’ versus the ‘Local’: Cognitive Processes of Kin Determination in Aboriginal Australia

ABSTRACT Morgan and his informants' interpretation of Australian social categories as ‘marriage classes’ has survived in Dumont's (and Viveiros de Castro's) distinction of a ‘local’ (Dravidian systems) and a ‘global’ (Australian systems) formula. This paper explains that the ‘global formula’ is neither a necessary nor an applied device in Australian kin category determination, even when genealogical memory is short and when there is a non‐limitation of range in the extension of categories. Instead, a heuristic model, which is called the relational triangle, is proposed. This model depicts the procedure through which Australian people pragmatically determine and extend kin categories. Moreover, it also offers a visualisation of the cognitive schema and processes framing discourse and behaviour in relation to kinship and draws some parallels with Greenberg's hypotheses on markedness in kinship classes.     

A Critical Analysis and Philosophical Review of ‘Rapid Reburial’: the Clarence project

In 2012, Australian cultural heritage practitioners and conservation scientists collaborated on a national underwater cultural heritage (UCH) reburial project, known as the Australian Historic Shipwreck Preservation Project (AHSPP) funded by the Australian Research Council. This resulted in the excavation, documentation and reburial of the ‘at risk’ shipwreck Clarence. Following the excavation, the site and associated artefacts were reburied and subsequently covered by shade cloth and finally, with polyvinyl chloride (PVC) tarpaulins. After completion of the in situ reburial, a number of critical issues were put into sharp relief including: what constitutes the accurate identification of a site as being ‘at risk’; and the implications of ‘rapid reburial’.     

The Irish question and the concept ‘identity’ in the 1980s1

ABSTRACT. This article critically investigates the social construction of ‘identity talk’ in relation to the Irish Question in the 1980s. Our contention is that the utilisation of ‘identity’ imagined people as bounded groups in a particular way – as the two traditions or communities in Northern Ireland – and that this way of imagining people was deployed against ‘will’‐based conceptions of politics. The first part of the article places the emergence of ‘identity’ as a concept in its historical context and suggests four phases in the use of ‘identity’. The second part focuses on ‘identity’ as a concept and locates its emergence within the meta‐conflict regarding Northern Ireland. The article concludes by reflecting on Brubaker and Cooper's (2000) analysis of ‘identity’ as a category of analysis in light of our case study of ‘identity’ as a category of practice regarding the Irish Question.