The Sound of Rock Art. The Acoustics of the Rock Art of Southern Andalusia (Spain)

This paper explores the potential of acoustics to interpret the prehistoric rock art of southern Andalusia (Spain). Tests undertaken in two areas, north of the Celemín river and the Bacinete area, will form the basis of our discussion. The results obtained at a selection of rock art sites show that the two key rock art sites, El Tajo de las Figuras and the large shelter at Bacinete, both with the majority of paintings in the earlier Laguna de la Janda style, had good resonance values. In contrast, at most of the other minor sites tested, the values for resonance were negative or insignificant, regardless of whether they were painted in Laguna de la Janda or schematic style. We conclude that the major rock art sites in southern Andalusia were chosen not only for their geological appearance and location in the landscape, but also for their acoustic properties.     

Conservation and management of prehistoric rock art sites on the World Heritage List: A report on the Côa Valley international symposium, 1999

Abstract

A meeting of managers of prehistoric rock art sites inscribed on the World Heritage List was held at the Côa Valley Archaeological Park in Portugal in May 1999. Site managers from Africa, the Americas, Australia and Europe discussed issues of site protection, visitor management and interpretation to the public. The following report summarizes the experience reported at the symposium, which has led to the proposal to create an international network of site managers responsible for rock art sites.     

Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland

In northern Finland, near the canyon lakes of Julma-Ölkky, Somerjärvi, and Rotkojärvi, steep rock cliffs produce distinctive acoustic spaces. On these cliffs, prehistoric rock paintings (5200 to 1000 BC) as well as an ancient Sámi offering site (circa 1100 to present) can be found. Ethnographic sources describe that the Sámi used to sing and listen to echoes while making offerings there. This article presents the results of an archaeoacoustic research project that seeks to explore the role of sound in the development and use of these archaeological sites. The innovative set of methods includes multichannel impulse response recording, angle-of-arrival estimation of early reflections, spectrum analysis, digital image processing, and 3D laser scanning. On the basis of the analyses, it is concluded that the cliffs that have been painted or held as sacred are efficient sound reflectors. They create discrete echoes and, accordingly, phantom sound sources. Especially at the Värikallio cliff near Lake Somerjärvi, the sound appears to emanate directly from the painted figures. These results, together with previously unnoticed drumming figures in the Värikallio painting, provide a clue to the significance of the sound rituals at these sacred sites.     

Rain Making Ceremonies in Iran

Pre-Islamic beliefs and practices abound in Iran, albeit with an Islamic veneer, have been entirely islamicized. One kind of such surviving practices is that of rain making ceremonies. In this article, seven major rain-making ceremonies are categorized, described, and interpreted, including some regional variants thereof. Attention is paid to the fact that these ceremonies are not limited to Iran, but are also found in neighboring countries (Iraq, Turkey, India, Central Asia), thus showing that these are all survivors of common ancient religious archetypes.     

Submerged Paleoindian and Archaic Sites of the Big Bend,Florida

Abstract

The discovery and investigation of submerged prehistoric sites in the Big Bend region of the Gulf coast of NW Florida has revealed occupation ranging from the latest Pleistocene to the middle Holocene age. A summary of the local prehistoric record and the history of sea level rise are used to present the kinds of sites that may exist offshore and how far out on the continental shelf they might be discovered. A local paleoriver channel (the PaleoAucilla) has been traced offshore and parts of it have been surveyed for archaeological sites with excellent results. The local offshore environment is described, the history and methods of research are presented, and the results of selected analyses are briefly discussed.     

Knowledge capture and transfer in rock art studies: Results of a questionnaire on rock art decay in Britain

Abstract

Several thousand prehistoric rock art sites are known in Britain, yet the degree of preservation of these engravings remains a poorly researched and undervalued aspect of the historic environment. Our lack of knowledge has severe implications for how we interpret the rock art sites and how we conserve and manage them. The ongoing ‘Fading Rock Art Landscapes’ project aims to address this gap in our knowledge by gathering information on the rate and nature of decay in prehistoric engravings. As part of the project, a questionnaire was distributed to a number of individuals who, for up to thirty years, have been visiting and recording rock art and who have a detailed knowledge of the sites, how they have changed over time and the types of threat to which they are exposed. In particular, the questionnaire aimed to capture individuals' perceptions of how three groups of agents (physical/chemical, animal, human) influenced the degradation of the engravings. The synthesized results reveal common perceptions of a duality in the rate and nature of decay, with a slow background level of erosion caused by physical and chemical agents, over which is superimposed a rapid, variable degradation from the impact of humans and animals.     

Digital Management of Rock Art: the African Archaeology Archive Cologne (AAArC)

Archaeology is a costly and object-affine practice requiring sophisticated technical equipment, and therefore is largely initiated and run from industrialised countries. Accordingly, also data and objects are largely lodged in these countries. In rock art, this leads to the paradoxical situation that many motifs and sites with outstanding prehistoric art are better known and more often shown in northern hemisphere urban centres than in the global south rural areas where the art in fact is found. This paper will focus on the possibilities and benefits of a digital archive in making pictures, data and other archaeological source material accessible anytime from everywhere. An open online archive will in the long run flatten the hierarchical order of access to the results of archaeological research and heritage archiving. Today, this is still concentrated in the western metropoles and rarest in African hinterlands. The open access to thousands of pictures will facilitate dissemination of motifs in particular since the distribution of smartphones and network coverage are ever growing particularly in Africa’s rural areas. The African Archaeology Archive Cologne (AAArC), being licenced under Creative Commons, provides open access to tens of thousands of rock art photos and to the enormous Brandberg-Daureb Data Base that contains 39,000+ rock art figures. Additionally AAArC stores all kinds of digital archaeological products from across Africa (mainly Sudan, Algeria, Chad and Namibia), including audio and film documentary.     

Discoveries of Neolithic prehistoric sites at Pleistocene carbonate rock shelters on the east coast of the UAE

Three newly discovered prehistoric sites on the east coast of the United Emirates (UAE) are described. All are located on surfaces of Pleistocene carbonates or rock shelters that are generally rare along the eastern coast of the Gulf of Oman. Aqqah 1 (Le Meridien al Aqqah Beach Resort), the most important and best preserved of these sites, is a partially collapsed rock shelter with an exposed section, lithic finds and marine molluscs. Deriving an exact date from the material present is difficult because of a lack of comparanda. A bifacial fletched arrowhead made of yellow jasper and the lithic debris of five different raw materials as well as an undecorated ceramic fragment might suggest a date in the Late Neolithic or Early Bronze Age. The presence of many marine bivalves and snails with operculae, which differ from recent coastal species, indicates the collection and consumption of living molluscs by the prehistoric population of Aqqah. Nearby burials may be related to the rock shelters.     

Minateda rock shelters (Albacete) and post-palaeolithic art of the Mediterranean Basin in Spain: pigments,surfaces and patinas

The inorganic and organic fractions of two microsamples of prehistoric paint from the same site, the Minateda rock shelters, are analysed here for the first time. The two samples correspond to two rock shelters of different styles (Levantine and schematic) – Abrigo Grande de Minateda (The Great Rock Shelter of Minateda) and Abrigo del Barranco de la Mortaja (Del Barranco de la Mortaja Rock Shelter). Since its discovery, historiographical tradition has emphasised the Abrigo Grande de Minateda, with its magnificence and complexity, as emblematic of the origin and evolution of rock art in the Mediterranean Basin of the Iberian Peninsula (a UNESCO World Heritage Site). Four complementary techniques –Microphotography, Scanning Electron Microscopy-Energy Dispersive X-Ray Spectroscopy (SEM-EDX), Raman Spectroscopy and Gas Chromatography–Mass Spectroscopy (GC–MS)– were combined to identify and characterise the physicochemical properties of the paint and of the surface. We present an interpretation of the results that leads us to define complex taphonomic alterations beyond the usual distinction of layers that include the surface, pigments and patinas.     

Promotion of a neglected heritage at Stone Age sites in the Western Cape,South Africa

Abstract

All archaeological sites in South Africa are protected in terms of the National Monuments Act, yet some have been badly damaged by vandals, unauthorized collectors and the effects of natural and anthropogenic erosion. In an effort to minimize such damage, the policy in the past has been either to restrict access or to keep a low profile, in relation both to rock art and excavated sites. Coupled with the fact that, in the past, the precolonial period has not been included in school history curricula, this policy has had a negative effect. South Africans generally have a limited knowledge of the results of research on rock art and archaeology and are not aware of the legislation. Furthermore, there is no infrastructure and no market for promoting such sites for tourism. The National Monuments Council has identified the need for public education in this field within a broader goal of promoting a common heritage for all South Africans in this time of political change. Three examples of recent active intervention are given in this paper. Stone Age living sites at Nelson Bay Cave and Matjes River rock shelter have been developed as local attractions, and protective conservation measures have been put into practice at rock art sites that are open to the public in the Western Cape.     

Bone chemistry and the reconstruction of diet: Strontium discrimination in white-tailed deer

Studies of the relationship between the strontium content of human bone and past diet are still in an experimental stage. Because of the low frequency of carnivore remains at most archaeological sites and the absence of information on local strontium levels, it has been difficult to (1) estimate dietary intake for a prehistoric population, and (2) to compare prehistoric populations from spatially disparate areas. However, examination of strontium/calcium ratios in a modern herbivore may help to alleviate these problems. Bones from modern white-tailed deer (Odocoileus virginianus) were compared with deer diet in Wisconsin. An observed ratio between deer bone and diet in terms of a strontium/calcium index was calculated at 0204, which compares favourably with observed ratios reported for other mammals. Prehistoric white-tailed deer are used in the analysis of two Late Archaic sites in the midwestern U.S.A. The strontium levels in deer can be used as a baseline for comparison between sites. The prehistoric subsistence patterns are generally comparable, with hunting accounting for the bulk of the diet.     

Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)

This article explores the relevance of acoustics as a factor for in the production and active use of Levantine rock art in Spain. The renowned rock art area of La Valltorta Gorge serves as a case study. Two experiments are described; the first assessed whether the sites with the most painted motifs had better acoustics than those with fewer motifs. The second tested which areas in La Valltorta Gorge had better acoustics and whether there was a difference between the acoustics of the decorated area and the contiguous sectors of the Gorge where no paintings have been found. In both experiments different sounds and pitches were used. The results suggest a strong relationship between the painted areas and the sonority of the place, with the major sites generally having provided the best results, with the exception of the sonority when facing the rock art panels. It is suggested that La Valltorta Gorge was chosen to be decorated with a view to increasing the perceptual impact of the rituals that may have been held at rock art sites due to the amplification caused by the echoing and resonance.     

Representation and knowledge in the prehistoric rock art of Africa

This study proposes that prehistoric rock art in Africa represents aspects of the natural and social environment which are aesthetically charged, for practical and symbolic reasons, and which are also problematic, in specific ways, for ordinary, untutored perception. Rock art functions as a medium of communication in three principal contexts. It refers to an extended network of ritual acts and beliefs, to out-of-the-ordinary perception and knowledge, and to adaptively significant local information. Rock art is therefore a particular, specialized instrument of the production process. Investigating the study of prehistoric art from art historical, archaeological, and anthropological points of view, the paper examines the ways in which the original contexts of function or meaning might be reconstituted, given the special nature and constraints of graphic representation as a mode of knowledge. Three major traditions of prehistoric rock art in Africa, the Sahara, Nile valley, and southern, are the focus of discussion and source of examples. The paper takes as a general theme the feasibility or possibility of an adequate archaeology of prehistoric knowledge.

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Résumé La présente étude propose que l'art rupestre préhistorique en Afrique représente des aspects du milieu naturel et social, exprimés de façon esthétique pour des raisons pratiques et symboliques, et qui présentent aussi des problèmes particuliers face à une perception non instruite. L'art rupestre sert de moyen de communication dans trois contextes principaux: il fait allusion à un réseau compliqué de croyances et d'actes rituels, à une perception et à des connaissances hors de l'ordinaire et à des renseignements locaux affectant l'adaptation. L'art rupestre figure donc comme instrument particulier et spécialisé dans le processus de production. En vérifiant l'étude de l'art préhistorique des points de vue historique, archéologique et anthropologique de l'art, l'article examine les façons selon lesquelles les contextes originaux de la fonction ou la signification pourraient être reconstitués, selon la nature et les contraintes spéciales de la représentation graphique comme genre de connaissance. La discussion se centre sur trois traditions principales d'art rupestre préhistorique, celles du Sahara, de la vallée du Nil et de l'Afrique du Sud, d'où sont aussi tirés les exemples. L'article a pour thème général la possibilité d'une archéologie mieux adaptée à la reconstruction des modes de connaissance préhistorique.

     

The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints

The likely sources of iron‐oxide pigments used in prehistoric rock paintings in the Lower Pecos Archaeological Region were identified on the basis of chemical fingerprinting using LA–ICP–MS. The chemical signatures of 13 red rock paint samples collected from two south‐west Texas sites were compared with three potential source materials (ochre, siltstone and rhyolite), and two pigment cakes (crayons) that were excavated near the sampling sites. The significant chemical similarities between the paint and siltstones suggest that siltstone was used as the source of the colour. The overlapping chemical signatures for one of the pigment cakes and siltstone further suggests that some of the prehistoric people inhabiting the area 3000–4000 years ago had acquired the skills to extract iron oxide from siltstone and process it into paint pigments.     

AN ALTERNATIVE ONTOLOGY AND EXPERIMENTAL STUDY OF POTTERY PUNCTATION IN SOUTHERN APPALACHIAN REGION PREHISTORY

Abstract

Implements used in punctation and incising of prehistoric ceramic artifacts were potentially as meaningful as the designs they imparted. Their use may have been prescribed by a perceived relationship between the tool or its source and the vessel in production or its intended function. Replicative experiments reveal use of various styli, but especially feather quills, by native potters of the Appalachian Summit region in applying punctations and incisions to wet clay. Feathers of various birds may have been used because of their roles in the beliefs, rituals, and medicine of Southeastern Indians. Results of this study may benefit typological refinements, studies of vessel function, and traditional craft revitalization and inquiries into prehistoric animism.     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.     

Prehistoric land use and hydrology: a multi-scalar spatial analysis in central Arizona

Human land-use strategies involving the management of rainfall and runoff to promote crop production are found throughout the world. This paper presents a functional assessment using hydrological modeling with modern high-resolution LiDAR datasets and contextual archaeological site data to study prehistoric agriculture. The focus is on rock alignments created by the Hohokam culture in the semi-arid environment of the US Southwest. By incorporating a multi-scalar GIS study for terrain analysis at a regional, community, and site scale, the complex interactions between the prehistoric sites, features and the environment are revealed. The results of these analyses on digital elevation models (DEMs) gave insight to the past functionality of such agricultural features within the cultivated landscapes. The results included:1) The agricultural features were suitably placed for the collection of rainfall and runoff.2) The features were reducing the volume of water flowing through the area to prevent flooding and crop destruction and promoting soil infiltration.This shows the complexity and innovation of prehistoric societies living in marginal environments and how their adaptation to such environments was necessary to sustain their populations.     

Toward an archaeology of late prehistoric Eskimo bands in coastal northwest Alaska

The methodology of analogical explanation of prehistoric Eskimo remains in northwest Alaska is examined. The sociospatial organization of Wales or, Kingigan, settlement and the greater Kingikmiut territory is evaluated as an example based on ethnohistorical studies and archaeological excavations carried out at three sites in the locality since 1926, and relationships between the archaeological material and historic socio-spatial divisions of Kingigan are explored. The review reveals that only two historic family compound locations have been sampled archaeologically, and that several others have not yet been sampled. However, existing samples nevertheless represent the larger Agianamiut, Kiatanamiut and Kurigitavik districts in the settlement, ca. AD 1800–1850 and extending back to prehistoric times from ca. AD 1000. A nomenclature for socio-spatial units is proposed that includes compound families, local bands, tribal capitals and tribes based on examples of historic Eskimo territorial organization. Caution is suggested in applying the nomenclature to prehistoric cultures in cases where continuity of artifact forms, art styles and motifs with historic local cultures are not demonstrable. Application of historic Eskimo analogues to prehistoric entities such as Birnirk and Punuk cultural remains risk fallacious interpretations because continuity with historic examples are not demonstrable and alternative explanations cannot be eliminated.     

THESE ROCKS WERE MADE FOR WALKING: ROCK ART AT LEIRFALL,TRØNDELAG,NORWAY

One of the largest sites with Bronze Age type rock art in Norway is found at Leirfall in Stjørdal, Nord‐Trøndelag. The site, which consists of five panels, is dominated by footprints but at the same time a great variety of motifs is present. The footprints seem to lure visitors to walk from panel to panel, even across the panels, which are located at three different levels. The main focus is on the middle level, where the main panel (Leirfall III) contains more than 700 rock carvings. The walks between and around the panels are described; at the same time the Leirfall rock carvings are seen in a wider context. Most footprints are likely to represent children and it is argued that the site was used for the performance of public rites during initiations. However, symbols normally found only on decorated grave cists are present, too, particularly on the upper panel, which cannot be seen from below. Death rituals may also have been performed.     

Fish and crayfish from the Washpool Midden site,New Zealand: Their use in determining season of occupation and prehistoric fishing methods

A method is suggested whereby modern ecological information on fish behaviour and distribution, together with commercial catch figures, may be used to assess season of occupation of archaeological sites. Monthly catch probabilities for each species are scaled by minimum numbers from prehistoric osteological assemblages to yield an overall likelihood of the fish being caught at different months of the year. A test case on two assemblages from Palliser Bay, New Zealand, suggested year-round habitation, and this was consistent with individual qualitative seasonal markers. The fishbone evidence can also be used to comment on aspects of prehistoric technology connected with marine foods, such as the use of canoes, baited traps, long line hauling, rock fishing and seine netting. In addition, the fish information substantiated subtle environmental changes which are believed to have taken place in this region.