La virtud sospechosa: Teresa de Jesús y su condición femenina

ABSTRACT

Teresa de Jesús (1515–1582) lives in a patriarchal society opposed to the intellectual and spiritual development of women, something that she will not only not accept but also fight against, claiming a series of rights (the right to life, to expression, to autonomy, to the free development of her abilities, to have an active role in the Church, to relate to God through prayer, etc.) in spite of the restrictions of censorship and the cloud of suspicion that hung over her for being a mystic, the founder of convents, and the daughter and granddaughter of a converso. Furthermore, Teresa, with her reforms, would present an alternative life for women, as her convents would be spaces for freedom and women's solidarity.     

‘Recíbanlos con cautela y consideración’: las pugnas por el poder entre el personal de la Compañía de Jesús en la Nueva España durante el generalato de Claudio Acquaviva (1581–1615)

Los obstáculos impuestos a los americanos para entrar a la Compañía de Jesús fueron una constante en la Nueva España durante el generalato de Claudio Acquaviva (1581–1615). Si bien aquellos pueden ser considerados como la prolongación de un debate que había comenzado con la llegada de los primeros franciscanos en 1524, y como parte de tensiones que existían a nivel global sobre la viabilidad de aceptar no europeos en las órdenes religiosas, esta cuestión evolucionó conforme a los nuevos estándares de la Iglesia postridentina, y a los cambios sociales y políticos del virreinato. Las tensiones provocadas por diversos grupos sociales emergentes al reclamar sus propios espacios dentro de la sociedad novohispana, ocasionaron que la discusión en torno a la creación de un clero indígena se subsumiera en una serie de pugnas entre diferentes facciones de la Compañía de Jesús, bajo la sombra de los poderes de la Corona española y Roma. Así, en una época en donde la Compañía de Jesús se debatía sus prioridades apostólicas con la disyuntiva colegios/misiones, el caso de la Provincia de México nos muestra cómo este problema estuvo inmerso en una lucha de bandos por los puestos de poder.     

La prudencia de Cortés: teoría política y práctica retórica en la Historia de la conquista de México de Antonio de Solís

The Historia de la conquista de México, published by Antonio de Solís in 1684, and later extensively reissued and translated, has been praised for the ‘elegance’ and ‘sweetness’ of its style. From very early on these qualities made the Historia to be read as a prose model worthy of imitation. Different scholars have studied Solís's sources and the way he manipulated them on the one hand, and, on the other, the extent of the reliability of his account. However, very little has been said about the actual writing practices of the Historia in the context of contemporary historiographical theories, or the author's own ideas about history or politics. This paper analyzes how some of these rhetorical techniques (I particularly focus on the use of oratio figurata, sententia, and epiphoneme) gave shape to Solís's political ideas, in particular the concept of prudence.     

“Voy a empeñar la Edad de Oro”: Historia,música y política en la crisis española (2011–2016)

ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Consejero de Felipe III en su Real Consejo de Indias: venalidad y corrupción en el servicio a la Monarquía

During the reign of Philip the III, one of the most famous legal proceedings of the 17th century took place. It was conducted against Pedro Franqueza and Alonso Ramírez de Prado, who were charged for taking advantage of the king's trust to obtain personal benefits and in detriment of the Monarchy. Two of the charges were referred to the case of an adviser from Indias: Lic. Francisco Alonso de Villagrá, who might have obtained the position through fraudulent activities with the all-powerful Pedro Franqueza. Based on the analysis of the documents pertaining to this case, the aim of this research is to unravel the events that took place, understand the causes that led Villagrá to become involved and the consequences of the way in which the position was acquired.     

Cartografía emocional entre la China y la Gloria: Agustín de Foxá, Víctor Ruiz Iriarte y la Modernidad

Both Agustín de Foxá and Víctor Ruiz Iriarte premiered their first plays very near the end of the Spanish Civil War in 1939. The two playwrights appear to belong to the same imaginative and poetical vein, but in fact Foxá yearns for an impossible return to an idealized past, in a pessimistic lamentation against Modernity—that is, precisely, his exotic drama Cui-Ping-Sing. The poetical theatre Ruiz Iriarte endorses in Un día en la Gloria, and thinks apt to Modern times, is based in a radical optimism—the idea that fantasy can always transform and improve a disappointing reality.     

El codescubridor Juan Niño y el puerto de San Juan en el marco de la marinería andaluza y de los viajes de Colón

Este trabajo de investigación ofrece resultados inéditos en relación con Juan Niño —maestre y propietario de la carabela Niña— que colaboró de forma relevante con Cristóbal Colón en la preparación de la armada en 1492 y en su primera travesía oceánica a tierras americanas. Asimismo, desvela el lugar concreto de vecindad y de residencia de este marino en el puerto de San Juan (Huelva, España) mediante documentación contrastada, así como el periodo en el que se produjo su fallecimiento permitiendo aclarar especulaciones historiográficas que ofrecían determinados datos erróneos sobre su trayectoria vital después del descubrimiento de América. Por último, aporta datos indicativos sobre el estatus socioeconómico y el nivel de rentas disfrutado por el codescubridor de América y por su familia.