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1.
Doing a Florida thing: the creative class thesis and cultural policy   总被引:1,自引:0,他引:1  
In this paper, we discuss the screen media businesses and production milieu that has developed in the predominantly rural region of the Northern Rivers, Australia, over the past 20 years. Spread across a number of towns and small cities each at some distance from each other, this screen milieu would seem to go against the prevailing logic for screen media to concentrate in globally connected cities. Taking up Allen J. Scott’s suggestion that the new capitalism of the twenty-first century is producing restructuring effects in many of the interstitial spaces between large cities, this article examines the spatial assemblages of the screen media and related creative industries sectors in one such space. We demonstrate how screen media actors in this rural region are participating in the wider cultural economy and explore its cultural policy implications.  相似文献   

2.
While screen production is notoriously centralised, it is still found outside major media cities where the central problem for actors in these subordinate media cities is how to create sustainable levels of screen production capabilities in circumstances of increasing centralisation and globalisation in media production and its design. This article discusses how the screen production sectors of two subordinate media cities, Brisbane and the Gold Coast, are organised. Each city represents a different pathway for the sustainability of a media sector. The Gold Coast is a production location for globally and nationally dispersed high-budget feature film and TV drama production; while Brisbane is mostly a ‘national production’ location for domestically oriented news, documentary, infotainment and sports programming with a focus on lower budgeted feature filmmaking and occasionally, television drama. These different city pathways are the product of the creative resources and infrastructure evident in each city.  相似文献   

3.
ABSTRACT

In recent decades economic globalization and neoliberal restructuring have constricted longstanding pathways to middle-class citizenship in Japan and other postindustrial economies. Much attention has been given to how the shift from ‘lifetime’ salaried employment to ‘flexible’ labor markets has disenfranchized many young people, leaving them struggling to reconcile dominant middle-class expectations of adulthood with neoliberal economic realities. Taking an anthropological approach, this article reconsiders this prevailing assessment of labor casualization by examining ways in which young casual workers in Tokyo’s retail, service, and creative industries navigate the transforming economy. Their circumstances, choices, and self-representations shed light on the active role they play in the formation of alternative transition regimes that challenge normative transitions to work and adulthood in Japan. These findings have broader implications for the limits of conventional social scientific approaches to the impact of economic crises and neoliberal restructuring on youth in the early twenty-first century.  相似文献   

4.
This article situates Florida's (2002) work on creative regions in the United States in the context of a critical discussion of place and gender and investigates the gender–class structure of his most and least creative regions. It analyzes the distribution of creative class, working class and service class occupations by gender within those 21 regions as well as earnings, household income, poverty and educational attainment using data from the US Census 2000. Women and men are compared within and across the two categories of most and least creative regions. The major finding is that the gender gap in earnings within categories of regions is larger than the creativity gap, i.e. the earnings gap within genders across regions. As new technology industries have been layered over old industries, altering spatial divisions of labor, gendered labor remains integrated in largely traditional ways.  相似文献   

5.
This paper traces different formations of subjectivities negotiated within the transnational circuits of mountaineering media and cultural production. Drawing from ethnographic research in Nepal and Canada in 2000, I examine various representations of the second Nepali woman to climb Everest in order to demonstrate the linkages between scales and geographies of media narratives and subjectivities. Appearing in newspapers, a research interview with myself (a foreign researcher) and on the Internet, these differently scaled narratives render Lhakpa Sherpa in terms of local and global subjectivities, which shift after her successful climb, and are complex and dynamic. I engage with feminist critiques of globalization to encourage a view of globalization as enacted rather than merely resisted and to analyse ‘the global’ and ‘the local’ as inseparable and contingent and productive of particular gendered subjectivities. The disjuncture between her popularity in Nepal and the lack of knowledge about her in Canada reveals the uneven processes of globalization wherein Lhakpa Sherpa struggles against gender and racial politics in mountaineering at the same time that she is privileged to climb as a sponsored mountaineer, a new subjectivity for a Nepali mountaineer.  相似文献   

6.
在经济地理学的研究中,劳工常常被看作是与自然资源、资金、技术等同类的经济要素,只重视劳动成本,忽视了劳工作为社会活动主要参与者的角色。近年来,劳工地理研究取得了长足的进展,弥补了传统地理学研究的不足。全球化背景下的工人运动、劳工组织和地方劳工控制体制,劳工市场的空间分割,不同政治、经济和文化背景下的农区劳工地方化逐渐成为劳工地理的重要研究方向。  相似文献   

7.
媒介-空间辩证法:创意城市理论新解   总被引:1,自引:0,他引:1  
李蕾蕾 《人文地理》2012,27(4):44-48,82
本文采用思辨方法,以作者对现代城市空间的观察,以及"媒介物"和"媒介表征"在城市空间的渗透,作为出发点,探讨媒介与城市空间的辩证关系,增进有关媒介和城市及其相互作用的认识。文章指出媒介-空间辩证法的知识基础,来自于新兴交叉学科"媒介与传播地理学";然后对媒体的空间性和空间化过程及其在城市空间的具体表现和可能影响,进行了初步分析,建立了媒体与城市空间的交互分类体系;通过借用"媒介的物化"和"物的媒介化"思想,将媒体与城市空间的辩证关系,与创意城市的理论探讨相关联,指出媒介-城市空间辩证法对于创意城市的理论建构,具有重要的启发意义。  相似文献   

8.
This study aims to reconsider and re-evaluate the rapid circulation of global creative city policy from the viewpoint of its creative workforce by focusing on the case of Seoul, South Korea. By locating creative workers’ experiences in Korea within the growing scholarship on the precariat, this research not only attempts to fully understand the complexity of labor subjectivities of creative workers but further explores how creative workers can actually become political subjects who can resist their given precarious working and living conditions. By using Jacques Rancière’s concept of ‘political subjectivation’, it attempts to show how creative workers can empower themselves as ‘political subjects’ who strategically disavow their given self-identities as ‘individualized creators’, and through this language they are able to recall the often neglected subjectivity of ‘solidified labor’. In doing so, this research contributes to theoretical insights so that we can better understand what leads to political formation of creative workers.  相似文献   

9.
The Ordinary City   总被引:2,自引:0,他引:2  
As debates on globalization have progressed from an earlier phase in which commentators saw the intensification of world-scale flows and processes as the negation of local identities and autonomies, the city has been 'rediscovered' as the powerhouse of the globalized economy. Against the view that questions, for example, the continued specificity of the urban in an era increasingly mediated by locationally liberating, advanced telecommunications and rapid transport networks, some strands of urban research assert that cities are becoming more important as the key creative, control and cultural centres within globalizing economic, cultural and social dynamics. Building on these strands, this paper evaluates the assets that cities and metropolitan regions provide in an era of globalization. It attempts to develop an alternative perspective on the city based on the idea that contemporary urban life is founded on the heterogeneity of economic, social, cultural and institutional assets, and concludes by using this perspective to develop implications for urban policy and the quest for social and territorial justice.  相似文献   

10.
This article examines the link between cities and culture from the point of view of the production of cultural goods, including media products. It focuses on the institutional structure of present-day cultural production and the media industry and on their geographical organization at the local and global levels. The cultural economy is a prime mover for globalization processes in the urban system, in which cultural production clusters act as local nodes in the global networks of the large media groups. The models frequently used to analyse the global city system will be supplemented and partially modified by an empirical analysis of the 'world media cities'. The analysis of the world media cities enables those locations to be identified, from which globalization in the spheres of culture and the media proceeds and is 'produced' in practical terms. Global city research has predominantly emphasized the role of advanced producer services—in contrast this article concludes that for the process of globalization the globally operating media firms are at least as influential as the global providers of corporate services, because they create a cultural market space of global dimensions, on the basis of which the specialized global service providers can ensure the practical management of global production and market networks.  相似文献   

11.
Creative firms are neither capital‐ nor land‐intensive in production. They predominantly rely on creative and specialized labor and, assuming a strong competition for workers, are therefore increasingly dependent on the location of their (potential) employees. If these creative and highly qualified employees are attracted by consumption amenities such as bars, clubs, and restaurants, then it follows that these same amenities may determine the location of creative service firms. I investigate this hypothesis by examining whether Berlin Internet start‐up firms locate in urban amenity‐rich places. Identification builds on the fall of the Berlin Wall. A 1 percent increase in amenity density raises the probability of a start‐up location by almost 2 percent. A comparison with other service industries suggests that amenities are significant to the location choice of creative sectors, whereas no effect can be observed for nonreative firms.  相似文献   

12.
ABSTRACT This paper investigates the relationship between firm location and skilled‐labor location. While existing new economic geography (NEG) models could not explicitly analyze the relationship due to their assumptions, I construct a new NEG‐type model allowing for different location dynamics of firms and skilled labor for this objective. The main results are as follows. First, a relatively large pool of skilled labor attracts firms when trade costs are small, while it might repel firms when trade costs are sufficiently large. Second, assuming that skilled workers are mobile between regions, the model shows that skilled workers agglomerate faster than firms with decreasing trade costs. Third, the model supports the hypothesis that firms follow skilled labor rather than the reverse. These results are consistent to Indian and Chinese experiences, and some “creative‐class” or “skilled‐city” stories.  相似文献   

13.
Small towns account for a significant fraction of the total population in many regions, but there has been a relative lack of research into small towns, with researchers' attention being drawn more to the effects of globalization and technological change on large cities and city regions. Yet, as the effects of globalization have become increasingly imprinted on small towns, transnational grassroots movements have emerged to address the needs, challenges and opportunities of small-town communities. Many of these movements involve partnerships and networks linking the local and international levels. They are often framed in terms of sustainability of their community, with an emphasis on liveability and quality of life. This article places the emergence of cross-border collaborations between small towns in the broader context of shifts from the “first” to the “second modernity”. Through in-depth case studies of movements such as Italy's Slow Food and Slow City movement, Sweden's eco-cities, economic gardening in the US and the creative cities project in Albania, we highlight four sensibilities that have emerged: local, organic and slow food; environmentalism; entrepreneurship and creativity.  相似文献   

14.
创造阶层与城市可持续发展   总被引:2,自引:0,他引:2  
随着知识经济的发展和经济全球化,人才资源(人力资本)成为第一资源,以人为本,重视人力资本特别是创造型人才并发挥其创新作用,是城市可持续发展及竞争力的根源和保证。创造阶层理论为城市可持续发展发现了新道路。创造阶层的兴起将深刻地影响城市的可持续发展,中国城市应当采取措施兴起创造阶层。城市可以通过规划建设提高人居环境质量、增加城市便利性,通过制度创新扩展人的自由、提供创新的制度环境,而积累人力资本特别是兴起创造阶层,从根本上增强城市可持续发展能力。  相似文献   

15.
We are two feminist geographers working as practitioners and researchers in creative geographies and the discipline’s creative re/turn. Human geographers interested in new representational and non-representational methods and methodologies are, as we explore in this article, increasingly turning to artistic and creative modes of expression, including (amongst others) literary and visual arts, in which we are both involved. For some time now, we have been curious about what we experience as a lack of expressly politicized critical interrogations of the discipline’s creative re/turn and a shortage of expressly critical and politicized creative outputs. In this article, then, we explore geography’s embrace of creative practices as research methods and as means of developing outputs but, more specifically, we ask about where and how decolonizing, feminist, anti-racist, and/or queer voices, practices, and theorizations might fit within the creative re/turn. Using two different creative geographic works (one a book of poetry, the other a curation project), we trouble what we conclude may be ongoing (perhaps unconsciously) masculinist, often White and colonial, perhaps overly heteronormative, modes of geographic inquiry and practice within geography’s creative re/turn. In this context, we reflexively consider our own creative practices as ones that may offer examples to open new critical spaces and modes of representation for creative geographers.  相似文献   

16.
This paper explores how religion influences place-making for forced migrants, taking the case of a replica of a prominent shrine built by displaced Kashmiri Hindus in Jammu and Kashmir. I explore how the replica provokes a discussion among forced migrants about their relationship to homelands left behind and to places of exile. I also show how place-making for the displaced is marked by uncertainty and creative engagement.  相似文献   

17.
Reasons for Clustering of Creative Industries in Italy and Spain   总被引:1,自引:0,他引:1  
Creative industries and creative employment tend to concentrate around medium and large cities, forming creative local systems. We follow a multidisciplinary approach, based on cultural and creative economics, evolutionary geography and urban economics, in order to analyse the forces behind the clustering of employment in creative industries in a comparative analysis of Italy and Spain. The results show different patterns of clustering of creative employment in both countries. The historical and cultural endowments, the average size of creative industries, the size of the place, the productive diversity, and the concentration of human capital and creative class have been determined to be common factors leading to a concentration of creative firms and creative employment in both countries.  相似文献   

18.
本文运用科学计量法与文献研究法,对我国地理学界关于跨国投资的研究进行了综述,发现我国学界在投资时空演变格局、区位选择、驱动因素与效应等方向取得了较为显著的进展,近年来研究的国际化趋势明显。目前中国已经从单纯的外资输入发展为引进与输出结合的双向投资结构,中国的对外投资是近 10年近年的热门话题。 总体而言,相关研究以实证分析为主,经历了从单一理论的借鉴到多理论的整合,视角更多元、内容更多样、方法更综合。空间视角下的计量分析方法和可视化表达是当前跨国投资研究较为热门的方法。未来的研究仍需理论创新,对西方主导的研究视角进行批判性思考,突出地理学科特色。  相似文献   

19.
Israeli rule over the territories it occupied in the June 1967 war has been the subject of animated international debate in the past half century. This article explores the policy-making process behind Israel’s immediate postwar propaganda and public diplomacy, or “hasbara” in Hebrew, intended to put before foreign audiences the necessity and legitimacy of the occupation. Based on unpublished archival sources, this paper will delineate and analyze the Israeli government’s numerous difficulties in explaining the occupation, faced by media and other reports of Palestinian postwar hardship and resistance to Israeli rule, as well as the harsh measures enforcing Israeli military control and the beginning of Israeli settlement. It also demonstrates the problem of conflicting demands placed on the Israeli government by its domestic audience. It finally argues that the perceived dent to Israel’s image so often discussed by its government and public, has much to say generally about the limits of any propaganda and public diplomacy.  相似文献   

20.
Dominica is a small island nation in the eastern Caribbean Sea that has long struggled with issues of poverty and development. To improve these conditions, the government formed a preliminary agreement with Venezuela to build a multimillion dollar oil refinery on the island. Some discussion about this proposal took place in local forums, such as radio talk shows, but additional discussion took place online. Internet-based media, including online reproductions of traditional media and new types of media such as interactive discussion forums and weblogs, were used not only to continue the discussion but also to raise awareness among a wider audience. The framework for appealing to such a disparate set of interests both locally and abroad was already in place: the island's ‘nature island’ identity. The project was perceived as a threat to quality and aesthetic appearance of the nature island as well as a threat to the concept of Dominica as the ‘nature island’. This paper examines the role of Dominica's identity at the heart of this perceived threat in the construction of environmental discourses through internet-based media, such as online newspapers with associated discussion forums and blogs.  相似文献   

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