Asylum seekers,Ireland, and the return of the repressed

Abstract

In 2014 residents in Direct Provision Centres for asylum seekers staged a series of protests. The protests, which coincided with the appointment of a new Minister for Justice who announced the Irish government’s plans to reform the asylum system, voiced three clear demands. Firstly, the protestors demanded that all asylum centres be closed; secondly, they demanded that all residents be given the right to remain and work in Ireland; and thirdly, they demanded an end to all deportations. The government’s response to these protests was to appoint a working group in October 2014, made up of representatives of migrant-support NGOs (but without any significant representation of asylum seekers themselves) while also announcing that it intends to reform rather than abolish the system.

Against this background, this paper makes three interlinked theoretical propositions. Firstly, I propose that just as the Irish state and society managed to ignore workhouses, mental health asylums, “mother and baby homes”, Magdalene laundries and industrial schools, they also “manage not to know” of the plight of asylum seekers, precisely because the Direct Provision system isolates asylum applicants, makes them dependent on bed and board and a small “residual income maintenance payment to cover personal requisites”, and makes it difficult for them to organise on a national level. “Managing not to know”, or disavowing, entails the erasure of the Direct Provision system from Ireland’s collective consciousness at a time when increasing emigration is returning to haunt Irish society after years of refusing to confront the pain of emigration. I argue that asylum seekers represent the return of Ireland’s repressed that confronts Irish people, themselves e/migrants par excellence. Secondly, I propose that by taking action and representing themselves, the residents of Direct Provision Centres can no longer be theorised as Agamben’s “bare life”, at the mercy of sovereign power, to whom everything is done and who are therefore not considered active agents in their own right. The third proposition responds to the theme of this special issue, that multiculturalism is “in crisis”, arguing in the conclusion that this “crisis” hardly applies to Ireland, where the brief flirtations with “interculturalism” by state, society but also Irish studies disavow race and racism in favour of a returning obsession with emigration, which enables the continued disavowal of the experiences of asylum seekers in Direct Provision.     

The Darkest Corner: documenting institutional abuse and its consequences at the Abbey Theatre

Documentary theatre, as a theatrical genre, has not maintained a continuous presence in Irish theatre. The Darkest Corner series, produced in 2010 by the Abbey Theatre, Dublin, Ireland's National Theatre is, therefore, one of the first examples of Irish theatre using the genre to address political and social issues. Presenting three plays, Gerard Mannix Flynn's James X, Richard Johnson's The Evidence I Shall Give and Mary Raftery's No Escape, the series examines the widespread abuse of children in state institutions. Before analysing the documentary play commissioned by the Abbey, Raftery's No Escape, this article will begin with an exploration of documentary theatre in Ireland. It will then examine the material used for the play, the Ryan Report, published following the Commission to Inquire into Child Abuse, something of great political and social interest to contemporary Ireland and, finally, the play itself.     

“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916

ABSTRACT

At the time of the Easter Rising of 1916 Britain had been engaged in the Great War against Germany for almost two years and on a scale and intensity previously unprecedented. This broader Great War backdrop is significant when analysing the 1916 Easter Rising, as it not only influenced the events which occurred in Dublin, but also the interpretation and presentation of the political violence. Despite the Easter Rising being well-documented in secondary literature, with a resurgence accounted for by its recent centenary, the British press and its portrayals of the events of 1916 has been one aspect which has not received as much scholarly attention. By analysing key stages in the uprising’s portrayal, it can be determined that the Manchester Guardian’s utilisation of the German connection had a two-fold implication. Utilising historical precedents of German-Irish “friendship”, such as the gun-running episodes of pre-War 1914, the newspaper justified its portrayal of Germany provoking violence in Ireland to disrupt British war efforts. Additionally, for the Manchester Guardian, the Irish rebels were depicted negatively in its articles as it attempted to halt the growth of republicanism, thereby ensuring the promotion of a more “moderate” form of nationalism.     

Community Antagonism Towards Asylum Seekers in Port Augusta,South Australia

An overtly hostile response to asylum seekers was observed in questionnaire responses provided by residents of Port Augusta, South Australia in April 2002. A social construction approach to identity and representation was used to interrogate this antagonism within its social, cultural, political and geographical contexts. Asylum seekers were constructed as ‘burdensome’, ‘threatening’ and ‘illegal’, and opposition to them was set within the discursive framework of a ‘Self/Other’ binary. Enmity towards asylum seekers was articulated concurrently with overwhelming support for the Federal Government's exclusive and deterrence‐oriented asylum policies. However, vehement opposition was expressed regarding the government's decision to construct Baxter Immigration Reception and Processing Centre in close proximity to Port Augusta. Factors contributing to the respondents’ negative perceptions of asylum seekers include xenophobia (specifically Islamophobia), events of geopolitical significance, and problematic government and media representations of asylum seekers. An awareness of these factors is necessary to unpack and, potentially, to destabilise the negative constructions of asylum seekers circulating in contemporary Australian discourses. Their entrenchment in the national consciousness may lead to tangible social implications including fear, friction and ultimately violence between the ‘Self’ and ‘Other’, and this should therefore be countered. Community antagonism also contradicts notions of a culturally tolerant Australia and fosters electoral support for the policies of exclusion and deterrence that undermine Australia's commitment to international human rights frameworks.

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Abstract

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ABSTRACT

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Abstract

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Abstract

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Abstract

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