“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.     

“The Gudeman of Ballangeich”: rambles in the afterlife of James V

This article concerns a corpus of legends in which James V of Scotland disguised himself as the “Gudeman of Ballangeich” in order to enjoy amorous adventures. The traditions may or may not be contemporary, and equally there is no certainty about whether they reflect actual behaviour (although kings in general, including the Stuart kings, have been known to disguise themselves for a variety of reasons, including pleasure). However, in later centuries, allusions to the “Gudeman of Ballangeich” were used by Scots to refer surreptitiously to a Scots king, by Jacobites to refer to a Stuart king, and members of The Beggar's Benison, an eighteenth‐century libertine club, used tales of James V to evoke memories of a better, pre‐Union, pre‐Calvinist Scotland of cultural creativity and sexual liberty. The legends of James V helped maintain the positive, popular image of this monarch as the “poor man's king” in the face of less kind judgements from contemporary elites and subsequent generations of historians.     

“The Agitator’s Wife” (1894): the story behind James Connolly’s lost play?

The centenary of the Easter Rising in 2016 and the 150th anniversary of James Connolly’s birth in 2018 afford an ideal opportunity to reappraise this unique figure. Rightly renowned for his polemical journalism and political theory, Connolly is less celebrated for his creative writing. His 1916 play, Under Which Flag?, long considered lost, resurfaced fifty years ago without causing significant ripples in Irish literary circles, but interest in Connolly’s role in the struggle for Irish independence continues to grow, and critics are becoming increasingly aware of the fusion of feminist and socialist thought that shaped his particular anti-imperialist agenda. In this context his creative writing takes on new significance. A second lost play of Connolly’s, The Agitator’s Wife, has never been found, but its discovery would surely deepen our understanding of this gifted radical thinker. In this essay we suggest that an anonymous short story bearing that very title, published in a short-lived Christian socialist journal of the 1890s, may be a crucial missing piece in solving the puzzle of Connolly’s forgotten drama.     

The complexity of aspiration: the role of hope and habitus in shaping working-class young people’s aspirations to higher education

In this paper, I explore how working-class young people in Leicester hope and plan for their futures as they consider the possibility of attending university. I respond to Pimlott-Wilson’s [2011. “The Role of Familial Habitus in Shaping Children’s Views of Their Future Employment.” Children’s Geographies 9 (1): 111–118] call for further research to investigate how individual dispositions and habitus affect how young people hope and aspire towards the future. I do this in three ways. First, I empirically test Webb’s [2007. “Modes of Hoping.” History of the Human Sciences 20 (3): 65–83] hope theory to understand how aspirations are formed on an individual and societal level. In doing so, I critically question what is understood by the term ‘aspiration’. This allows me to question what it means for young people to ‘raise aspirations’ towards university. Second, I explore how a spatial analysis can contribute towards an understanding of how habitus, hope and aspirations interlock to shape young people’s futures. Third, I argue that hope can be regarded as a form of capital which in turn influences habitus.     

“Neptune to the Common-wealth of England” (1652): the “Republican Britannia” and the continuity of interests

ABSTRACT

In the seventeenth century, John Kerrigan reminds us, “models of empire did not always turn on monarchy”. In this essay, I trace a vision of “Neptune’s empire” shared by royalists and republicans, binding English national interest to British overseas expansion. I take as my text a poem entitled “Neptune to the Common-wealth of England”, prefixed to Marchamont Nedham’s 1652 English translation of Mare Clausum (1635), John Selden’s response to Mare Liberum (1609) by Hugo Grotius. This minor work is read alongside some equally obscure and more familiar texts in order to point up the ways in which it speaks to persistent cultural and political interests. I trace the afterlife of this verse, its critical reception and its unique status as a fragment that exemplifies the crossover between colonial republic and imperial monarchy at a crucial moment in British history, a moment that, with Brexit, remains resonant.