Heteroglossic heritage and the first-place of the Kalahari

Abstract

Using Bakhtin’s concept of ‘heteroglossia,’ this article examines the layering and intersections of multiple claims to heritage places that form dialogics about heritage truths. Social groups derive their collective-self, in part, through association with a place, or places, to which they attribute their origin, described here as a ‘first-place.’ Identity maintenance can occur through the praxis of heritage tourism in which group members exhibit emotional performances during their visits to a first-place. Through the extended example of the Tsodilo Hills in Botswana and the various social groups – local ethnic communities, national citizens, and segments of the global community – who each form a collective-self using Tsodilo as a first-place, this article addresses the roles of science (archaeology) and tourism, and their interplay, in enabling several languages or dialects of belonging to coexist without dissonance. The argument is that heteroglossic heritage is possible because visitors’ affect-mediated encounters with heritage places facilitate the reaffirmation of their shared group identity. While all heritage discourse is heteroglossic, the article focuses on claims to a first-place set within a postcolonial context of nation building and modernising that involves the politicisation and re-spatialization of heritage places through tourism development.     

Difficult heritage and digital media: ‘selfie culture’ and emotional practices at the Memorial to the Murdered Jews of Europe

ABSTRACT

This article sheds light on the entanglements of difficult heritage and digital media through an ethnographic analysis of digital photography and social media practices at the Memorial to the Murdered Jews of Europe in Berlin. After a discussion of the project ‘Yolocaust’, through which an artist publicly shamed the ‘selfie culture’ at the memorial, the article argues that the sweeping condemnation of digital self-representations in the context of Holocaust remembrance remains simplistic. Instead, many visitors explore and enact potential emotional relationships to the pasts that sites of difficult heritage represent through digital self-representations. This observation raises critical questions about the role of digital media in current transformations of touristic memory cultures.     

The heritage tourist: an understanding of the visitor experience at heritage attractions

This study seeks to explore the visitor experience at heritage sites pre, during and post visit. A conceptual model depicting the heritage visitor experience was proposed. A self-administered survey (n?=?195) was completed by visitors at six heritage sites across Northern Ireland. Visitor characteristics and pre-experience were analysed and results showed that heritage visitors are primarily motivated by recreation and base their visitation decision on advice from friends and family. Results from the exploratory factor analysis showed that audio and visual communication, atmospherics, on-site engagement, information and heritage preservation were the most influential factors during a visit. Post-experience results indicate that 54% of the sample was satisfied with their visit and 85% would revisit the heritage site. The final model suggests a range of factors which positively contribute to the visitor experience at heritage sites though this requires further testing.     

An irreconcilable first-place: the precarious life of tourism and heritage in a southern European historic centre

Abstract

This article discusses the ambiguous relationship between heritage tourism and everyday life in the historic centre of Naples. This area, long characterised by a lower-class residential population and intermittently considered off-limits to tourists, has over the last two decades become the focus of a burgeoning heritage tourism industry. The article adopts the idea of precariousness – understood contra conventional formulations as a condition that elicits both anxiety and emancipatory release – in order to make sense of the allure and repulsion that the historic centre exerts in tourist encounters with the city. Through three examples – a bus sightseeing tour, online responses to a New York Times article about Naples and local people’s perceptions of a pedestrianised piazza as a tourist contact zone – the article illustrates how the historic centre as a tourist destination is constituted by a mix of foreboding and excitement; where affective experience tends to trump the monumental gaze. Thinking in terms of precariousness not only underlines the contradictory role that this area plays in the local production of cultural heritage but also poses a challenge to those accounts that see in the advent of a visitor economy the inevitable ‘museumification’ and gentrification of historic centres.     

The significance of values: heritage value typologies re-examined

A critical discussion of value typologies for heritage conservation and management is offered, from the perspective of objects and urban conservation, in light of a review of published literature on heritage values. It is suggested that value typologies are often designed and implemented without understanding the implicit consequences of the inclusion and omission of ‘values’. It is also suggested that typologies often fail to prompt the necessary questions to develop satisfactorily detailed understandings of heritage significance, resulting in decisions being based on implicit, rather than explicit, value assessments in practice. Mindful of the problems associated with ‘universalising’ context specific typologies, a broad framework for assessing and communicating significance is proposed. In order to encourage holistic approaches, the framework is designed to combat the false dichotomies of cultural/natural and tangible/intangible heritage; it is hoped this will make the framework widely applicable. Without downplaying the necessity of diverse participation in assessing significance, the framework is designed to identify aspects of weakness and preference in cases where adequate consultation is not possible.     

Historicizing the present: Brussels attacks and heritagization of spontaneous memorials

This research article traces the process of transition from spontaneous to ‘official’ memorialisation of the 2016 Brussels terrorist attack by questioning which factors trigger the heritagization process of spontaneous memorials and their contents. With a view to critically assess the significance of heritage values in relation to terrorism, this article scrutinises how these values are grasped, narrated and articulated by the local authorities, government and archival institutions in the preservation, conservation and heritagization of spontaneous memorials. There is an emphasis on the two facets of heritagization: how meanings attached to a memorial and its objects are created and expressed by the community of bereavement, and how the transformation of places, practices, objects into diverse forms of ‘heritage’ evolves. This article brings a new perspective on the heritagization of spontaneous memorials, seen as important in determining how a traumatic event such is a terrorist attack will settle in the collective memory on the long term, by becoming historicized.     

Acts of Desertion: Abandonment and Renouncement at the Sonoran Borderzone

What are ‘acts of desertion’, how do they feature in contemporary border struggles, and what might an emphasis on such acts bring to the analysis of the politics of mobility? This article seeks to address these questions in the context of the Sonoran borderzone, which crosses Mexico and the US. It develops an analysis that sheds light on contemporary border struggles in terms that acknowledge both the intensity of security practices as well as the significance of migratory acts, without pre‐fixing the relation between the two. The analysis shows how ‘acts of desertion’ involve differentiated dynamics of abandonment and renouncement, which demand appreciation of the ambiguities of contemporary border struggles. As acts that variously involve a dynamics of refusal, the article argues that acts of desertion challenge the limits of liberal citizenship, without wholly transcending its limitations.     

Archaeo-Ethnography, Auto-Archaeology: Introducing Archaeologies of the Contemporary Past

After significant research effort and publications over the course of a decade, a new generation of writings and research into archaeologies of the contemporary past is beginning to emerge, with a social and political awareness that appears more acute and more focused than before. Perhaps it is not too much of an exaggeration to say that this new generation of contemporary archaeologies can contribute in some small way to addressing specific problems and challenges that face contemporary and future society. In this introduction we begin to touch on this possibility, and introduce the papers and authors that explore it in further depth.     

New Britain,new heritage: The consumption of a heritage culture

Abstract

Each month in Britain marks a further, official, distancing from the past and its memorials, as we move closer to the selected Millennium marker. Heritage has a particularly low profile at present with policies for destruction of the House of Lords encouraging increasing ridicule aimed at legacies from the past. In terms of media coverage, at least, the heritage bubble has burst, as indeed it had to. As soon as modest, individual or community, breaths were marshalled into corporate puff, the sheer size of the national preservation and presentation enterprise hinted at its own demise. Nicholas Howard, he of Castle Howard, provided an appropriate caution in 1993, when he noted:     

Discordant landscapes: Managing modern heritage at Twyford Down,Hampshire (England)

ABSTRACT

The recently increased interest in transnational, serial nominations for UNESCO World Heritage status and comparable forms of official recognition demonstrates the critical role of heritage as diplomacy. There are both opportunities and challenges, nevertheless, when treating difficult heritage as diplomacy, such as in the case of colonial prisons embedded in memories of punishment and imprisonment across borders. In a study of two defunct prisons in Seoul and Lushun, both of which were part of the Japanese-occupied territories, we illustrate the dynamics of an ongoing cross-border collaboration towards a joint nomination. We trace how heritagisation involving China and Korea has unfolded amid the ever-shifting geopolitics in northeast Asia, exposing the multilateral nature of heritage as diplomacy. In a region where geopolitics remains difficult, difficult heritage may even become heritage off diplomacy when other diplomatic challenges arise.     

Manipulating the metonymic: the politics of civic identity and the Bristol Cenotaph, 1919–1932

The city of Bristol was one of the last major cities in Great Britain to unveil a civic memorial to commemorate the Great War 1914–1918. After Leicester (1925), Coventry (1927) and Liverpool (1930), Bristol's Cenotaph was unveiled in 1932, 14 years after the Armistice. During that lapse, its location, source of funding, and commemorative function were the focus of widespread disagreement and division in the city. This paper examines the nature of these disputes. The authors suggest that the tensions in locating a war memorial may have their origins in historic enmities between political and religious factions in the city. By examining in detail the source and manifestations of these disputes, the authors offer a detailed exemplar of how memory is shaped and controlled in British urban spaces.     

Debating heritage authenticity: kastom and development at the Vanuatu Cultural Centre

In October 2003, 28 cultural expressions from around the world were proclaimed Masterpieces of the Oral and Intangible Heritage of Humanity, complementing the adoption of the Convention for the Safeguarding of the Intangible Cultural Heritage by UNESCO. This proclamation has been part of the broader remit of the international organisation to protect the world’s cultural diversity from modernity and globalisation. Inherent in this is an underlying notion of cultural authenticity, implying that certain expressions, which are considered to be endangered and therefore in need of institutional protection, constitute ‘original’ and ‘pure’ manifestations of cultural identity. Taking forward debates on the safeguarding of intangible heritage, this paper examines cultural authenticity in the context of the Vanuatu Cultural Centre, the principal cultural organisation, museum and research institution of the Melanesian archipelago. The proclamation of the practice of sandroing (sand drawing) as a masterpiece of intangible heritage, and other heritage interventions taking place in Vanuatu and recorded during fieldwork in 2007, provide an interesting perspective for examining how global cultural initiatives are negotiated by local constituencies. Here, heritage preservation is coupled with calls for development, which invites new ways for thinking about authenticity not according to predefined criteria, but with respect to local understandings.     

Conservation of the sacred at Angkor Wat: further reflections on living heritage

Abstract

This article reflects on and complements the paper 'Conservation of a “living heritage site”: a contradiction in terms? A case study of Angkor World Heritage Site', published by Keiko Miura Conservation and Management of Archaeological Sites, 7(1), (2005) 3–18. It develops further the notion of conserving sacred heritage in the light of a case study of Angkor Wat within the World Heritage site. Heritage management is always a balance between preserving different values – historic, aesthetic, use, spiritual, etc. Each of these categories of value has its own set of needs which are often not fully compatible with one another. Heritage management originally stemmed from the desire to protect the aesthetic and historic values of tangible heritage. Yet an over-emphasis on preserving these values alone is not tenable in a 'living heritage site'. At Angkor Wat it causes spiritual degradation and secularization. Highlighting instances in which this phenomenon has been apparent, this article suggests a way forward.     

Electoral salience and the costs of voting at national, sub-national and supra-national elections in the UK: a case study of Brent, UK

This paper considers the impact of distance to polling station upon electoral turnout. Using polling station level data from a London borough, it examines three types of election – parliamentary, European and local elections – over a twenty year period. The UK is notable among western liberal democracies for its relatively large turnout gap – the percentage point difference between turnout at elections for the Westminster parliament compared to that for other institutions, including local councils and the supra-national European parliament. This research considers the hypothesis that in high information, high salience elections for the national parliament the costs of voting associated with travelling to a polling station to vote in person are perceived as either low or insignificant but that in low information, low salience elections, those costs are perceived as higher and may act as a deterrent upon voting. A series of multi-level models consider the relationships between the dependent variable, percentage turnout, and a range of independent variables, including socio-economic characteristics, marginality as well as the spatial context. We show that there is indeed a relationship between distance and voter turnout, and other spatial and contextual variables, which are stronger for the lower salience European and local elections than for the higher salience national elections. Hence we conclude that the local geography of the polling station can have a significant impact on voter turnout and that there should be a more strategic approach to the siting of polling stations.     

Middle of nowhere: contesting rural heritage at the World Famous Gopher Hole Museum

Abstract

The World Famous Gopher Hole Museum in Torrington, Alberta, Canada, is a rural museum located in a relatively isolated hamlet of less than 200 people. Inside the museum, small diorama boxes feature taxidermied gophers dressed in tiny clothing and posed as townspeople dining in restaurants, shooting pool and chatting at a beauty parlour, among other activities. Drawing on methods stemming from critical museum theory, critical rural studies and critical heritage studies, this article analyzes the ways in which both local residents and visitors from outside the region understand the museum, considering why it is indeed world famous, attracting over 5000 international tourists each year. It argues that the Gopher Hole Museum succeeds in part because its organisers are active agents who take pride in the museum without attempting to refute the sometimes negative responses to it, or control the ways in which outsiders interpret it. The museum in Torrington is a complex ‘open text’ that both employs and critiques the conventional methods used in natural history and heritage museums to offer multiple narratives about childhood, heritage and rural life, addressing local people as well as tourists.     

Global heritage: perspectives from the Northern Territory,Australia

This article examines the way in which selected cultural institutions, government and non‐government organisations and individuals in Australia’s Northern Territory have responded to globalising influences on the preservation, interpretation and public face of its history and heritage. It draws upon a number of interviews with local practitioners and professionals in the field to explore the multiple understandings of cultural heritage, history and identity in the Territory, to investigate how competing interests and expectations are managed at the state and local level, and to address issues of sovereignty in the context of global heritage. Respondents indicate that, despite a strong resurgence of local cultural identities, without people on the ground who care about their heritage, efforts by international bodies will have little effect. There has been increasing concern about the protection of local cultures in the face of globalisation, and research such as this is critical in providing feedback to international heritage organisations. Without strong local support for cultural heritage and identities, they can become increasingly vulnerable in a rapidly globalising world. In Australia’s Northern Territory, however, there seems little indication of this happening.     

Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan

Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.     

Vernacular memorialization in the military: personal acts of remembrance at RAF Thorpe Abbotts

ABSTRACT

In September 2017, an archaeological excavation at RAF Thorpe Abbotts (also known as Station 139) uncovered 7 identification ‘dog’ tags belonging to airmen of the United States Army Air Force (USAAF). It is the thesis of this article that these were purposefully buried by individuals within the 100th Bomb Group (Heavy) as acts of remembrance. Alongside the dog tags were a number of other artefacts, including coins, bottles, and a canteen cup. These likely formed the material culture of self-developed grieving rituals established by the primary group responsible for the deposition of the dog tags.