“Neither too much nor too little” France,the USSR and the Helsinki CSCE

In the early 1970s, the Conference on Security and Cooperation in Europe (CSCE) was the cornerstone of French foreign policy regarding East-West relations. It was considered by Paris as the best way to maintain dialogue with Moscow as well as an instrument to reach the Gaullist goal of overcoming the European status quo. This double objective explains why the French adopted an ambiguous attitude during the CSCE: even though their goal was to challenge the Brezhnev doctrine and initiate a process to meet the aspirations of peoples under Soviet domination, they knew that this would be a lengthy process. For them, it was necessary to avoid provoking the Soviets by putting forward expressively liberal proposals. The French leaders of the 1970s saw the CSCE as the multilateral prolongation of the Gaullist policy of ‘détente, entente, cooperation’.     

“The producers on the one side,and the capitalists on the other”: Labor Reform,Slavery, and the Career of a Transatlantic Radical

Abstract

Through exploring the neglected career of John Campbell, an Irish-born Chartist refugee who ascended to a leadership role in the antebellum American labor movement, this article seeks to shed light on how revolutionary upheaval in Europe, debates over immigration, and sectional conflict affected working-class politics. Focusing on the period 1848 to 1851, and tracing Campbell's rapid evolution from a radical opponent of slavery to an ardent supporter of black subjugation, I argue that labor historians need to pay closer attention to shifting local and national contexts to understand the racial politics of labor agitators. Yet even as Campbell's views changed, his commitment to a producerist vision remained constant; by 1851 he had simply added people of African descent to a list of “idle” nonproducers who lived off the labor of workingmen. His proslavery twist on producer ideology suggests historians of antebellum social relations may need to go beyond interrogating the racial dimensions of artisan republicanism to gain a fuller understanding of the variety of working-class attitudes to race.     

The “War on Terror” and the Military–Archaeology Complex: Iraq, Ethics, and Neo-Colonialism

The archaeological response to the 2003 invasion and occupation of Iraq is often portrayed as a crusade to rescue antiquities, destroyed either directly by the military action itself or indirectly by the looting of archaeological sites and museums. I argue in this paper that this narrative is awfully inadequate, and masks the ethical and political dimensions at the core of this historical episode. I contend that, in their often well-intended attempts to rescue antiquities, most archaeologists involved have projected a professionalized, apolitical and abstract response, devoid of the social and political context, and based on the fetishisation of a narrowly and problematically defined archaeological record. I argue further that the increasing collaboration of many archaeologists with the invading militaries and occupation authorities since 2003, assisted by the “cultural turn” especially within the US military, have laid the foundations for an emerging military-archaeology complex. I trace the contours of this phenomenon by examining various archaeological and museum discourses and practices. This new development (with historical resonances that go as far back as the 18th century, if not earlier) is linked directly with the ontology and epistemology of archaeology, and deserves further close scrutiny and analysis. The thesis advanced here does not advocate inaction and withdrawal in situations of warfare, but a critical engagement that safeguards the autonomy of the scholar; critiques the political agendas and power structures of contemporary warfare; deconstructs its discursive basis and its ideological overtones; and shows its catastrophic consequences for people and things alike, past and present.     

Bilbao's Art Scene and the “Guggenheim effect” Revisited

The article analyzes the effects of the Guggenheim Museum Bilbao (GMB), adopting a new research perspective and trying to pursue the links between the museum and Bilbao's art scene. Until now, the impact of the museum has been analyzed from two different perspectives. The first focused on the urban development and regeneration aspects and the success of the museum as a tourist magnet and an image-making device. The second perspective concentrated on the direct economic benefits of the museum, i.e. direct returns and effects on the economy. The missing lens in previous analyses, however, was the impact of the museum on the city's art landscape, including the art support activities. In this context, the article describes for the first time in a detailed way how the GMB has contributed to the shaping and propulsion of changes on commercial and non-profit art spaces in Bilbao. Although it is clear that other factors may play a role, it can be asserted that the effects of the museum are not only limited to an increase in tourism or fiscal return, but also contribute to the development and spatial articulation of the local art scene and public support of the arts.     

Disorienting Rhythms: Gypsyness, “Authenticity” and Place on the Greek–Albanian Border

Against a located background—a focus that highlights the significance of place in the constitution of Gypsy identifications and runs counter to most of the assumptions shared by recent studies on Gypsies—the article tries to explore the tensions, ambiguities and contradictions generated by the involvement of the Gypsy musicians of Parakalamos, a village on the Greek–Albanian border, in issues concerning “tradition” and “authenticity”. More specifically, the article considers how Gypsy music playing practices initially allowed Gypsy practitioners to be included in the nation‐state project in a somewhat “dishevelled” form as local musicians; however, in the face of recent shifts in politics, culture and representation in Greece concerning multiculturalism and “cultural heritage”, Gypsy musicians find themselves in the position of being recognised as “musical outsiders” that should by implication adhere to their distinct musical tradition. In this respect, although it has hardly been admitted, such a move runs counter to what constitutes the core of Gypsy musicianship: their locatedness. The article argues that within such “identitying” practices lurks an occlusion of the ways Parakalamos Gypsyness has been, and continues to be, dependent on place and music, and not on a separate, distinct and self contained Gypsy identity, thereby casting doubts on assumptions about what constitutes identity as such.     

Walks on the dark side: “Sick societies,” Interpersonal violence,and anthropology's love affair with the folk society

Edgerton, Robert B., Sick Societies: Challenging the Myth of Primitive Societies. New York: The Free Press, 1992. vii + 278 pp. including notes, bibliography, and index. $24.95 cloth.

Scheper‐Hughes, Nancy, Death Without Weeping: The Violence of Everyday Life in Brazil. Berkeley: University of California Press, 1992. xiii + 614 pp. including notes, glossary, bibliography, and index. $35.00 cloth, $15.00 paper.

Linger, Daniel Touro, Dangerous Encounters: Meanings of Violence in a Brazilian City. Stanford: Stanford University Press, 1993. x + 289 pp. including appendices, glossary, bibliography, and index. $42.50 cloth.     

Theocracy,Eschatology, and the Ephemeral Church: Graham Ward and the “Crisis of Democracy”

This article offers a critical assessment of Graham Ward’s political theology and critique of modern democracy. Ward argues that modern democracy expresses a nihilistic metaphysics and lacks an adequate account of the embodiment of sovereignty within the social, with the result that it tacitly harbors totalitarianism. As an alternative, Ward advances a theocratic model of the social, with the aim of providing an account of the social embodiment of sovereignty lacking in democracy. The article argues that Ward is ultimately unsuccessful in this attempt. His eschatological focus separates the church from the world, undermining his account of the embodiment of sovereignty and reinforcing the very emptiness at the heart of the social his theology is intended to counter.     

On “the Concrete”: Labour,Difference and Method

This paper develops a genealogy of concrete labour, paying particular attention to debates within marxist, feminist-marxist and Black feminist writings. Our argument pivots around the dual character of (re)productive activities and an argument that the concrete is both an “aspect” of labour and the concentration of many different relations. We begin with a critique of the false universalisms in certain invocations of the concrete, noting how the far right has mobilised this “false concrete” in the figure of the people. Teasing out long-standing debates over the dual character of labour enables us instead to better understand the social differentiation within concrete lived activity. Through discussing the internal relations that constitute the concrete as labour and method we propose a critical strategy that challenges false universalisms, provides a way to understand relationally defined positionalities, and that is also a place from which to struggle and organise.     

(de)Constructing Place-Myth: Pitcairn Island and the “Bounty” Story

Abstract

This paper is concerned with the relationship between literature and the construction of place-myth relating to the story Mutiny on the Bounty. In 1790, nine British mutineers together with their Tahitian companions settled on Pitcairn Island where they remained hidden for nearly 20 years. The story of the mutiny is not myth but has served to mythologize Pitcairn through the various tropes of literature written about the Bounty saga. As literary place Pitcairn represented the image of a ‘utopian paradise’. This discussion, through qualitative literary analysis and the process of textualization, evokes the idea of mapping, naming, and imagining islands. It identifies how the utopia/paradise place-myth of Pitcairn has persisted through time and become ultimately inseparable from its textual topography. But conversely, discussion exposes the paradoxical problem between myth and reality of islands and their representations. It highlights complex internal and external boundaries of identification that arise in the host visitor experience. Literary place-myth is rendered as powerful, persistent, mutable, and historically-rooted.     

“Dying out”: conversion and the complexity of neighbourliness on the Polish Belarussian border

This paper addresses the way that religious affiliation and conversion shape ongoing tensions over historical periods of exile, resettlement, exodus and elimination in a small town on the Eastern Polish border. I explore how local Roman Catholic and Eastern Orthodox Christian’s negotiations of a troubled past are materialized and managed through narrating family histories of conversion, In particular, this paper focuses on the compromises that enable mixed faith marriages and the conflicts that emerge over the burial of religious converts. In these negotiations, members of both congregations deploy the local model of “neighbourliness” and the ideal of the borderlander, to greater and lesser success. Day-to-day the practice of considered neighbourliness helps local people to acknowledge and minimize religious and ethnic difference. However, conversion brings the realms of religion and relatedness into conjunction in a risky manner: marriage may offer an opportunity to enhance neighbourly connections, but burial is an event where the tensions over histories of conflict become apparent disrupting neighbourly relations and practices.     

Extraction and the Ocean “Frontier”: Dispossession,Exclusion, and Resistance in Namibia

The perceived neglect of the ocean to state and industry actors has seen frontier rhetoric emerge as it is rendered visible under the Blue Economy agenda. By framing the marine scape as underutilised, capitalist expansion is being legitimised. Drawing on the case of Namibia, I argue that the afterlives of colonialism and apartheid are being repurposed to present the ocean as a Blue Economy opportunity. The physical disconnection of citizens from the marine scape, and the dominance of fishing and mining industries, has been used by state and development actors to present it as empty of socio-cultural relations. However, to declare Namibia’s coasts and ocean as forgotten unless articulated through capital is to conceal that they have been labelled “no-go” zones. I argue that, by considering exclusions and looking beyond proximity in discussions of equity and representation, the marine scape is articulated by civil society, to elucidate forms of resistance.     

Baudelaire's “Teacher”: Joseph de Maistre and Le Spleen de Paris

For a total of twenty years (1856–76), Gustave Flaubert corresponded with a woman whom he would never meet and who had first written to him to express her admiration for his novel, Madame Bovary. These forty-five letters are among the most fascinating and important that he was to write, reflecting on his life, on art and esthetics, and on his determined dedication to the practice of writing. The letters to Marie-Sophie Leroyer de Chantepie occupy a central role in Flaubert's Correspondence, between the long series of letters he wrote to two other women, Louise Colet and George Sand. They are all dominated by the idea of the centrality of art, literature, and the activity of writing, and of the subordinate status of all other experiences and interests.