A Socially Engaged Archaeology: Spatiality and Governance of Asylum Seekers in Ireland

This paper draws on Wobst’s concerns ideas of material culture, style and the implications of contemporary archaeology. In a socially engaged “archaeology of now”, I examine the spatiality and material culture of asylum seekers in Irish society as the Irish State governs and thus engineers their social and physical space. Housed in State-operated accommodation centers around the country, the spatial governance of asylum seekers in Ireland creates a structured, exclusionary transnational landscape of difference. The State thereby controls the movement, social borders, place, identity and social relations of asylum seekers in a newly global Ireland.     

Historical duty,palimpsestic time and migration in the Decade of Centenaries

Abstract

This article analyses Sonya Kelly’s How to Keep an Alien (Dublin Tiger Fringe, 2014) and ANU Production’s Vardo (Dublin Theatre Festival, 2014) in relationship to the performative backdrop of the Irish Decade of Centenaries (2012–22) and a series of key extra-theatrical political events have that featured asylum seekers and migrants prominently in Ireland and to a limited extent in Europe at large from 2012 to 2015. Both theatrical productions centrally engage tropes of Irish national memory vis-à-vis engagement with migration through a primary focus on women’s stories and premiered against the backdrop of the Decade of Centenaries. How to Keep an Alien and Vardo’s embrace of what M. Jacqui Alexander terms “palimpsestic time” and their critical focus on gender during this moment of the Decade of Centenaries models a theatrical dramaturgy that aids in reading key theatrical and extra-theatrical events featuring asylum seekers and migrants against one another. These works reveal the relationship between these events and the ongoing redefinition of Irish national memory and political community, a process thrown into sharp relief by the present commemorative mode. They insist that a turn to the past is inseparable from querying the lived political structures of the present, structures that have repeatedly displaced as well as instrumentalised the bodies of migrant women from the post-inward migration of the mid-1990s onwards.     

Multiculturalism and the immigrant “Irish woman” after the Celtic Tiger: marginalisation,gender-based violence and family dysfunction in Ebun Akpoveta’s Trapped: Prison Without Walls

This article breaks new ground in examining how “new Irish” immigrant women have responded to the collapse of Ireland’s Celtic Tiger economy and the different forms of gender discrimination and marginalisation they face both within their minority ethnic communities and the Irish host society. It approaches Ebun Akpoveta’s Trapped: Prison Without Walls (2013) as an exemplary work of fiction which exposes unresolved injustices and inequalities suffered by immigrant women. Akpoveta creates a narrative that complicates previous representations of cultural encounters between newcomers and long-established members of Ireland’s host society, not least because her Nigerian female protagonist arrives as a postgraduate student rather than an asylum seeker or refugee. She fictionalises female experiences of marginalisation, gender-based violence and family dysfunction within an all-Nigerian family that outwardly appears to be a model of integration and social inclusion in an open and welcoming Irish multicultural society.     

The Irish rent … and mended: transitional textual communities in nineteenth-century America

In this paper, traditional folkloric forms that were ritualised and practised in pre-Famine Ireland are examined. So, too, are the strategies that storytellers employed in disseminating the imaginative aspects of the oral tradition to their audiences. Following the disruption of the storytelling tradition precipitated by the Great Famine and emigration, the fabric of Irish storytelling lay threadbare, both in Ireland and abroad. Of interest is the fact that in America the less “heroic” and more subtle strands of Irish folklore resurfaced in the theatrical venues that developed during the second half of the nineteenth century, namely, minstrelsy, Vaudeville, and Tin Pan Alley. By the turn of twentieth century, the Irish were responding to other “heroic” depictions of themselves, not only with protestation but also with “tongue-in-cheek” laughter. Their grounding in a variety of folkloric texts in Ireland enabled them to transition to multiple kinds of accommodation and expressive resistance.     

On national dress and the problem of authenticity in Ulysses

This article considers James Joyce’s representation of Irish dress, arguing that his ambivalent treatment of it accurately reflects his fractious relationship with the Irish Revival movement. The article begins with a discussion of the metaphor of performance and relates this to issues around “authenticity”. From here, it discusses Douglas Hyde’s thoughts on dress, as presented in “The Necessity for de-Anglicising Ireland”, contextualising these within a brief history of nineteenth and early-twentieth-century Irish dress history, and recognising the important work of women in this. Assessing Joyce’s depictions of Irish dress, especially in “Scylla and Charybdis”, “Cyclops” and “Circe”, this article argues that Joyce sees Irish dress as a contingent and fragile cultural performance.     

Community Antagonism Towards Asylum Seekers in Port Augusta,South Australia

An overtly hostile response to asylum seekers was observed in questionnaire responses provided by residents of Port Augusta, South Australia in April 2002. A social construction approach to identity and representation was used to interrogate this antagonism within its social, cultural, political and geographical contexts. Asylum seekers were constructed as ‘burdensome’, ‘threatening’ and ‘illegal’, and opposition to them was set within the discursive framework of a ‘Self/Other’ binary. Enmity towards asylum seekers was articulated concurrently with overwhelming support for the Federal Government's exclusive and deterrence‐oriented asylum policies. However, vehement opposition was expressed regarding the government's decision to construct Baxter Immigration Reception and Processing Centre in close proximity to Port Augusta. Factors contributing to the respondents’ negative perceptions of asylum seekers include xenophobia (specifically Islamophobia), events of geopolitical significance, and problematic government and media representations of asylum seekers. An awareness of these factors is necessary to unpack and, potentially, to destabilise the negative constructions of asylum seekers circulating in contemporary Australian discourses. Their entrenchment in the national consciousness may lead to tangible social implications including fear, friction and ultimately violence between the ‘Self’ and ‘Other’, and this should therefore be countered. Community antagonism also contradicts notions of a culturally tolerant Australia and fosters electoral support for the policies of exclusion and deterrence that undermine Australia's commitment to international human rights frameworks.

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“A fine old time”: feminist print journalism in the 1970s

In 1970’s Ireland, a number of feminist activists became the editors of the women’s pages of the national daily newspapers. Their work radically changed women’s access to the role of journalist as well as fundamentally altering the normative perspective applied to news stories. These women introduced “new journalism” to Ireland, writing about issues in the private rather than the public sphere and doing so from an explicitly feminist point of view. These female editors inhabited a workspace and culture that was heavily masculine, but they negotiated bias and sometimes outright discrimination in order to change the gendered nature of Irish print media. In so doing, these women offered a new social understanding of women’s place in news journalism and in Irish society more broadly.     

Living in a ‘free jail’: Asylum seekers' and local residents' experiences of discomfort with asylum seeker accommodation

This paper shows how asylum seeker accommodation produces a politics of discomfort among both asylum seekers as well as local residents. The paper compares two collective asylum centres located in the city of Augsburg, Germany, one of which is a nationally renowned refugee integration project, the ‘Grandhotel Cosmopolis’, the other, a state-run asylum centre. Data was obtained through participant observation and semi-structured interviews between September 2016 and November 2017. Drawing on carceral geographies, the paper identifies three mechanisms through which the material and institutional standards of asylum accommodation generate discomfort among and between asylum seekers and local residents, which are self-mortification, depersonalization and role-breakdown. Through the sharing of rooms and facilities, asylum accommodation contributes to asylum seekers' self-mortification, referring to changes in the conceptions and beliefs of oneself. The comparison of the two cases highlights how large asylum centres depersonalize asylum seekers by creating images of a homogenized ‘mass’ and contribute to role-breakdown, meaning a reduction of individuals' identities performed with regard to work, home or family life. National discourses of asylum seekers as dangerous merged with the space of asylum accommodation, thereby preventing social interaction ‘as neighbours’ between asylum seekers and local residents. Overall, the paper exposes how a politics of discomfort utilizes affect as a governmental device, thereby turning asylum accommodation into a carceral space by creating social distance and ‘moral closure’.     

“Godforsaken hole called … called …”: place,nation, and spatial crisis in Beckett’s fiction and drama

This essay explores how the figuring of place throughout the fiction and drama of Samuel Beckett registers and critiques narratives of place in Irish nationalist discourse. The Irish place-names of Beckett’s texts are read in relation to a toponymic re-territorialisation in post-independence Ireland, a process which enervated place identities synonymous with a Protestant culture and history. In this way, the essay argues that the celebrated “placelessness” of Beckett’s work and the collapse of spatial agency experienced by his protagonists is informed by the construction of nation-space in the country of the author’s early life. The preponderance of scatological place-names in the Beckett oeuvre is approached in these terms and read as a mode of resistance to the self-sacrifice to nation demanded in emplacement.     

Healthcare not airfare! Art,abortion and political agency in Ireland

Ireland’s near-total abortion ban was, in effect, a policy of offshoring abortions. Before the May 2018 vote to repeal it, the 8th Amendment allowed for conservative and nationalist groups to celebrate the idea of Ireland as an ‘abortion-free’ territory, while forcing women to travel to England for abortion or self-manage abortions with illegal pills at home. Artists in the Irish pro-choice movement have contested the public silence around abortion and abortion-travel; in doing so they have disrupted the political narrative of ‘abortion-free Ireland’ by symbolically re-placing Irish abortion seekers in public spaces. These place-based artistic interventions have larger significance for the changing relationship between women, reproduction, and the state. Drawing on ongoing debates in critical and feminist geopolitics, this article addresses the relationship between geopolitics, art, and political agency to theorize the role of pro-choice Irish artworks in challenging the enforced silence that surrounded abortion travel. It builds on geographical engagement with Jacques Rancière to address the feminist geopolitics critique of geopolitical scales and sites of ‘serious’ geopolitics. The article examines three artworks that depict Irish women’s experiences of abortion-related travel to England as part of the larger political campaign for liberalization of Ireland’s abortion laws.     

The religious geography of Marvell’s “An Horatian Ode”: popery,presbytery, and parti-coloured picts

ABSTRACT

Marvell’s “Ode” (1650) is an English poem about a British problem – a problem further problematized by religion. The “Ode” lauds Cromwell’s Irish and Scottish campaigns, but English responses to these “colonial” wars were in reality complicated by protestant infighting among presbyterians, independents, and sectarians. Writers like Milton and Nedham rallied English support for Cromwell’s Irish campaign by recycling Spenserian stereotypes of Irish catholic barbarity. But Milton and Nedham also undercut English protestant unity by flinging these same anti-catholic stereotypes at Scottish presbyterians in Belfast and Edinburgh. Departing from previous studies, this article argues that Marvell’s “Ode” eschews Milton and Nedham’s anti-Presbyterianism in ways calculated to elide, rather than divide, protestant communities. The article explores how the “Ode” presents Cromwell’s Irish and Scottish campaigns as exclusively anti-catholic (rather than anti-presbyterian) crusades, comparing Marvell’s presentation of Cromwell in the “Ode” with his identification of Cromwell as an anti-catholic crusader in “First Anniversary” (1655). Both poems anticipate in this respect Marvell’s later anti-catholic, but pro-nonconformist, approach to Ireland in Rehearsal transpros’d (1672–1673). The article is therefore concerned to root Marvell’s post-Restoration commitment to protestant tolerationism within the anti-catholic language of the “Ode”.     

E.A. Markham’s St. Caesare: the other “Ulster”?

This essay examines the invented Caribbean island of St. Caesare and its relation to the representational space of “Ulster” in Montserratian poet E.A. Markham’s collection Letter from Ulster and the Hugo Poems (1993). As the title of the book implies, it unites two of the poet’s home islands, Ireland and Montserrat. Ireland was Markham’s home at the moment when he drafted many of these poems, as he was Writer-in-Residence at the University of Ulster at Coleraine from 1988 to 1991. However, as a Caribbean writer of Afro-Irish heritage, Ireland is also home in that it represents a “hinterland”. Of the Caribbean islands, Montserrat is the most closely identified with Ireland owing to its Irish cultural inheritance, which has earned it the nickname “The Emerald Isle of the Caribbean”. This article surveys Markham’s depictions of St. Caesare and “Ulster” as analytical spaces that enable him to chart the palimpsestic topologies of Montserrat and Northern Ireland. The author argues that Markham limns St. Caesare and “Ulster” as transatlantic mirror images to allow for critical relationality between Montserrat and Northern Ireland.     

"Confinement of the higher orders": the social role of private lunatic asylums in Ireland, C. 1820-60

The period 1820-60 marked an era of transition and diversity in Ireland that rapidly transformed the face of Irish society. Inextricably linked with these processes was the expansion of Ireland's private asylum system. This system diverged from its British counterpart both in the socioeconomic cohort it served and in the role it played within the mental health-care system as a whole. The implementation of the 1842 Private Asylums (Ireland) Act, the first legislative measure geared exclusively toward the system, highlighted the growing importance of private care in Ireland as well as providing for the licensing and regulation of these institutions for the first time. To date, historians of Irish medicine have focused almost exclusively on the pauper insane. This article aims to shift this emphasis toward other categories of the Irish insane through exploration of the Irish private asylum system, its growth throughout the period, and the social profile of private patients. I shall also interrogate the trade in lunacy model through exploration of financial considerations, discharge and recovery rates, and conditions of care and argue that while Irish private institutions were a lucrative business venture, the quality of care upheld was apparently high. Finally, I shall argue that Irish private asylums catered primarily for the upper classes and briefly explore alternative provisional measures for other non-pauper sectors of society.     

Forms of secularism and multiculturalism: Charles Taylor and Ireland

This article seeks to frame the work of the Canadian political philosopher Charles Taylor in terms of its significance for Irish culture. Taylor came to wide prominence for his work on multiculturalism, but the varying ways he understands this term are especially important for Ireland. “Multiculturalism 1” speaks to the kinds of difficulties between nationalist and Unionist communities in Northern Ireland. “Multiculturalism 2” speaks to the more widely understood meaning of the term, which is connected to a cultural diversity that is often born of immigration. Taylor has had a strong role in the emergence of the term “interculturalism” to describe a form of cultural diversity that explicitly seeks to balance the needs of minority and majority cultures, and in Canada and Quebec that term has taken on a different understanding than the one that is common in Ireland. That work on interculturalism also strongly underwrites Taylor’s work on secularism, and he traces that social phenomenon in ways with clear relevance for Ireland. Although Taylor’s explicit engagement with Ireland is rare, it is clearly time to bring his work into the mainstream of studies of Irish culture.     

“Talk & talk & talk”: Virginia Woolf's responses to Ireland

The complexity of Virginia Woolf's relationships with Empire can be illustrated by considering her responses to Ireland. Woolf's relationship with Ireland and Irish writers has received only cursory attention. Those critics who have addressed the topic have assumed that she responded positively to her experience of Irish “talk” on her holiday in Ireland in 1934. However, her response on that holiday reveals some underlying imperial presumptions and a sense of Ireland as stereotypically a land of “talk, talk, talk”. Indeed, this is in keeping with her responses to a wide range of Irish writers over many years (most notably, it chimes with her reading of Ulysses). This essay brings together for the first time Woolf's comments on Ireland and Irish writers, from her diaries, letters, essays and reviews, in order to show that she consistently characterised them as loquacious. Ireland was thus merely a subject of talk, a “question” that could only by discussed, and then only in stereotypical and liberalist terms. Further, Woolf associated talk with looseness and bad writing, and sought to maintain a mode of semi-privacy, apart from the “talk” that went on around her.     

Religion,politics and socio-cultural change in twentieth-century ireland

The Catholic Church assumed vast power and influence in early twentieth century Ireland based on political, social and religious developments in the course of the nineteenth century. The first Irish governments under Costello and de Valera were deferential in relation to the power and place of the Catholic Church in Irish life. The 1950s represented the final phase of the dominance of the Catholic Church. Since then, a wide variety of influences from emigration to the mass media to issues related to family planning have undermined the social framework of Church dominance in Irish life. By highlighting the ideas and arguments of priests and prelates, this article summarizes the remarkable changes that have come to Ireland undermining the status and privilege of the Church in Irish politics and society.     

‘Vile liars and truth distorters’; Truth,trust and the asylum system (Respond to this article at http://www.therai.org.uk/at/debate)

Immigration detainees and failed asylum seekers constitute some of the most mistrusted persons in British society. There is some basis to this stereotype – many people do provide information they know to be untrue or request asylum when they have no valid claim under the Refugee Convention. One could of course challenge this picture by critiquing the definition of ‘lies’, identifying flawed bureaucratic assumptions about what information people can be expected to know, and highlighting the reductive narrowness of immigration categorisation. However, rather than examine the association of asylum seekers with lying, this paper draws on ethnographic research to explore how those within the asylum system experience, understand and explain the bureaucracy they are embedded in. It suggests that deception, uncertainty and mistrust are as much characteristics of asylum seekers' perspective of the immigration system as of the reverse. In so doing, the paper contributes to a wider discussion about the fairness and consistency of immigration systems, as recently addressed in this journal by Caroline White and Zachary Whyte (White, 2012; Whyte, 2011).”     

A vision of Ireland, 1967: John Montague’s aisling ghéar

More than fifty years after its publication as a broadsheet ballad, John Montague’s “The Rape of the Aisling” (1967) retains its satirical force. Whilst not the first instance in Irish writing to acknowledge sexual abuse of young people by priests (two years earlier John McGahern’s The Dark had been banned partly on the grounds of its rendering of clerical malfeasance), Montague’s rough ballad nonetheless places sexual abuse at the very heart of its assault on the Catholic Church’s baleful influence on a society on the cusp of dramatic social change. By adopting, and radically adapting, that most malleable of literary forms – the aisling or dream-vision poem – Montague seems to suggest that in mid-twentieth-century Ireland it is not the “Saxon occupier” who poses a risk to Republican ideals. Now, it is members of a home-grown patriarchy, the “access-all-areas men in black” who abuse and rape children and young people in their care, who seek to compromise the Proclamation’s promise to cherish “all of the children of the nation equally”.     

The greening of Oscar Wilde: situating Ireland in the Wilde wars

The importance of Ireland to an understanding of Oscar Wilde has been the subject of contentious discussion in recent years. For one group of critics Wilde has been considered “a militant Irish republican”, an Irish “terrorist by another name”, whose literary practices resembled those of “guerrilla warfare”, an ardent Home Ruler and Parnellite, and committed Irish nationalist whose work is suffused with references to Ireland and the Irish Question, very influenced by his Irish background and political views, possibly shaped by a genuine interest in and awareness of Irish folklore and the Irish oral tradition, and deeply engaged with issues of Irish identity and culture. For an opposing set of critics Wilde should at best be considered a “reluctant” Irish patriot, who referenced his Irish “identity” only when it suited him commercially, was more interested in exploiting intellectual fashions and fads than making genuine political points, was a shallow thinker in most areas of life and certainly didn’t use his writing to pursue Irish nationalist issues, was probably more of a British imperialist than an Irish nationalist, knew precious little about Irish folklore or Irish oral traditions, and his works contain few if any references to Irish issues or themes. The differences between these two interpretive communities certainly seem quite large, and these differences have been emphasised in a disputatious manner which has shed more heat than light on the messy matter of Wilde’s national identity. In this article I want to begin to clear up some of the misunderstandings I think have crept into this critical dispute and suggest fruitful ways in which opposing critics can come together in if not harmony then perhaps a less acrimonious, more productive way.     

“Un-Irish and un-Catholic”: sports,physical education and girls’ schooling

ABSTRACT

This article charts the development of physical education and sports in girls’ schools in Ireland during the late nineteenth and early twentieth centuries. It notes how early developments were undoubtedly influenced by traditions and practices in English public schools, with games such as hockey and cricket becoming popular in Irish girls’ schools. The “Swedish” gymnastics movement, which became popular the 1870s, led to the introduction of callisthenics and drill in many Irish schools. By the turn of the twentieth century, drill and dance displays had become a highlight in the convent school calendar of events. Official policy following the introduction of the Revised Programme for National Schools (1900) placed unprecedented emphasis on the importance of physical education. While many embraced these developments, others were critical of girls’ involvement in competitive games and sports, particularly those considered “foreign” and “un-Irish”. Drawing on convent school archives, official sources, and newspaper articles, this article provides new insights into the evolution of physical education and sports in Irish girls’ schools.