Cleaning up down South: Supermarkets,ethical trade and African horticulture

Supermarkets in Great Britain have joined the country's Ethical Trading Initiative (ETI) in order to demonstrate their commitment to social welfare and environmental standards in their supply chains. They have been particularly concerned to enforce ethical as well as food safety standards in the African horticultural industry, which has historically depended on cheap labour to produce high-value vegetables. The supermarkets' 'ethical turn' appears to signal an important change from forms of commodity fetishism that obscured exploitative relations of food production in the South. This paper, however, argues that in an era of high food anxiety for both retailers and consumers, ethical standards are themselves fetishized. It also shows how the effort to impose such standards on Zambia's horticultural export industry resembles the colonial 'hygienic mission', and faces a similar contradiction.     

Shopping with Karl: Commodity Fetishism and the Materiality of Marx’s London

Scholars have postulated that commodity fetishism represents Marx’s theory of capitalist materiality, but the content of that theory is contested. I offer an archaeology of Marx’s material world in order to understand the development of the concept. During his time in London, Marx wrote and published Capital: A Critique of Political Economy (1867), in which he outlined the concept of commodity fetishism. I demonstrate that he formed his analysis of commodity fetishism from daily practices including shopping, and consuming tobacco, in combination with his research at the British Museum. I take an experiential approach to archaeology that foregrounds Marx living in a world of objects, and posit a relationship between his experiences and his understanding of commodities. In so doing, I show how Marx’s “everyday life” shaped his concept of commodity fetishism, and how this concept could be useful to historical archaeologists.     

Opération Amérique: Québec’s Soft Power Applied to French Language Teaching in the United States

ABSTRACT

Opération Amérique refers to the coordinated efforts of René Lévesque’s Parti Québécois government beginning late 1970s to promote Québec’s interests in the United States. The general goals and strategies of Opération Amérique suggest that it presents a case of soft power. However, the specific actions implemented as well as their effects have barely been explored. An analysis of original documents pertaining to Opération Amérique indicates that specific groups in the United States—namely, French professors—were targeted with the hope that they would improve perceptions of Québec in the United States. An examination of French textbooks used in the United States in the 1970s and 1980s shows an increase in Canada/Québec content, which may reflect the influence of Opération Amérique on French teaching practices.     

Afghanada,or How to be a Good (Canadian) Soldier

The CBC radio show Afghanada, a “grunt’s-eye” view of the Canadian Forces’ deployment in Afghanistan (2006–2011), is one of the few fictionalized engagements with the conduct and consequences of the war. Despite its significance, Afghanada has only received limited critical attention and was usually interpreted as a symptom of the “militarization” of Canadian culture. This article argues that Afghanada is more adequately conceptualized as a cultural site where the most important issues brought up by war were negotiated and new boundaries of legitimacy and acceptability drawn. Afghanada tackles the question of combat versus peacekeeping as the primary task of the Canadian military, cooperation with the United States, and national unity. While the show extends the boundaries of societal acceptability by portraying combat as necessary, it also negotiates new limits within which combat is legitimate and enables multiple interpretations regarding the desirability and costs of the evolution of Canada’s military.     

Establishing a ‘Cultural Base’? The Creation of the Fulbright Program in Portugal

This paper deals with the cultural and educational relations between the United States and Portugal during the Cold War. It is built upon the premise that cultural policies and cultural relations between states are a fundamental part of international relations. History of International Relations, therefore, should overcome an analysis based only upon political and diplomatic dimensions to address what can also be referred to as ‘cultural diplomacy’. The Cold War period, because of its historical features, is particularly relevant to the study of processes of cultural diplomacy and some authors even consider it as the ‘golden age’ of cultural diplomacy.¹1. William Glade, ‘Issues in the Genesis and Organization of Cultural Diplomacy: A Brief Critical History’ in The Journal of Arts Management, Law, and Society (Winter 2010), vol. 39, issue 4, 242. For cultural diplomacy during the Cold War see Jessica Gienow-Hecht, ‘Culture and the Cold War in Europe’ in Leffler, Melvyn & Westad, Odd Arne, The Cambridge History of the Cold War Vol. i, (Cambridge University Press, 2010), 398–419; Akira Iriye, ‘Culture and International History’ in Michael J. Hogan and Thomas G. Paterson (ed), Explaining the History of American Foreign Relations, 2nd ed. (Cambridge: Cambridge University Press, 2004); Richard T. Arndt, The First Resort Of Kings: American Cultural Diplomacy In The Twentieth Century (Virgínia: Potomac Books, 2005).View all notes     

2010 cultural heritage legal summary

Abstract

The year 2010 was a relatively quiet one for legal developments with respect to archaeological heritage. Some court decisions that were expected this year, such as that concerning foreign sovereign immunity for artifacts on loan from Iran to the Oriental Institute of the University of Chicago, did not materialize, while other disputes remain on appeal, such as that involving the disposition of 500,000 gold and silver coins taken from an early 19th century Spanish shipwreck by Odyssey Marine. One of the most closely watched cases, the trial in Italy of the former J. Paul Getty Museum curator, Marion True, ended inconclusively when time ran out for the prosecution. Nonetheless, recovery and restitution of cultural objects that were brought illegally into the United States continued, as did controversies concerning the bilateral agreements concluded between the United States and other nations, pursuant to the 1983 Convention on Cultural Property Implementation Act, the United States' legislation implementing the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. The following review focuses on legal developments primarily in the United States, as the United States participates in international treaty regimes to protect cultural heritage.     

Following the caterpillar fungus: nature,commodity chains,and the place of Tibet in China's uneven geographies

Following caterpillar fungus as it travels from the Tibetan Plateau to wealthy Chinese consumers, this article makes several interventions into geographical studies of commodity chains. First, it argues for an expansion beyond the usual call to connect the political economy of production with cultures of consumption; the cultural politics of production and political economies of consumption must also be considered. Second, it argues for bringing together political economy and more-than-human analytical approaches to commodity chains, showing how nature and the nonhuman play a key role in an assemblage that has allowed Tibetans to navigate livelihoods in a rapidly changing economy. This challenges a tendency to assume a universal figure of ‘the human’ in more-than-human geographies. Third, by connecting the erasure of Tibetans from representations of various natures used to sell caterpillar fungus with the broader politics of Tibetans within the People's Republic of China, we show that commodity fetishism can conceal not just labor relations, but also political struggles not reducible to class. Finally, we show that following a small fungus can shed light on the unevenness of China's capitalist development obscured in monolithic narratives of China's rise, demonstrating the value of expanding commodity chain studies beyond those that end with Western consumers.     

“The music never stopped”: naming businesses as a method for remembering the Grateful Dead

ABSTRACT

Memorialization on the cultural landscape is a common method of celebrating the legacy of an event or person significant to the history of geographical location. The Grateful Dead is a band that continues to define the ideals of the late-1960s San Francisco Sound through their music’s creative freedom and inclination toward experimentation. Although the original lineup of the Grateful Dead is no longer intact, the spirit of the music they created and their psychedelic appeal has been preserved on the cultural landscape. Despite differing reasons for naming their business after the band, hundreds of business owners in the United States have collectively preserved the Grateful Dead’s presence on the cultural landscape. In this paper we explore the distribution of businesses in the United States with Grateful Dead-related names, and how the presence of these business names enriches the cultural landscape with the memory of the band’s music as a product of the iconic San Francisco Sound.     

On bullshit in cultural policy practice and research: notes from the British case

In 2005, Harry G. Frankfurt, a retired professor of moral philosophy at Princeton University, made it into the best‐sellers chart with his book On Bullshit. Taking his essay as its starting point, this article explores the analysis of bullshit and the prevalence of bullshitting in the contemporary public sphere. Frankfurt’s short essay indeed provides an intellectual framework to interpret and understand contemporary rhetoric and practice in the cultural policy field, as well as recent trends in cultural policy research. Through a discussion of selected New Labour’s cultural policy documents in Britain, the article aims to show that many of the key actors in the cultural policy debate indeed display the ‘indifference to how things really are’ and the cultivation of vested interests which Frankfurt attributes to the activity of bullshitting. The final part of the text discusses the implications of the present status quo for ‘critical’ cultural policy research.     

Unpacking the landscape of female sex tourism in Kenya: a film analysis of Paradise: Love

This article examines Paradise: Love (2012, Dir. Ulrich Seidl), a compelling filmic account of the problematics of race, ethnicity, gender, and nation that organize contemporary accounts of female sex tourism. The storyline and visual imagery of the film positions Kenya – and a Eurocentric, homogenized, and reductive (mis)understanding of parts of ‘Africa’ – as an imagined site of racial and sexual adventure for older white Western women seeking intimate relationships with a category of local black men, many of whom enter into these sexual relationships in order to supplement personal and family economic shortfalls. This economy of intimate exchange is positioned as a trade of these black Kenyan men’s desire for money, local status, and the potential to travel to the West, for white Western women’s desire for sexual fulfillment from young black men’s bodies and their assumed sexual prowess. Deconstructing the discourses of female sex tourism through Paradise: Love centres the visual and representational components of processes of racialization and sexualization, wherein beach boys and white Western women gaze upon and ‘Other’ each other through essentialist and fetishized understandings of racial and sexual difference. In focusing on the power dynamics of female sex tourism in particular, the film plays up the shock value of women sexually exploiting men, pushing viewers to question: who counts as a sex tourist? Ultimately, this article seeks to enrich and extend scholarship that troubles intersecting power structures that shape and inform transnational inter-racial intimacies within economies of eroticized exchange.     

Approaching selfhood

Often overlooked is the fact that postmodern theory brought to the fore a crisis in the humanities. The implied universalism of the current “iconic turn” in postmodern thinking is a blow to the traditional sciences grouped around national literatures and cultures. In the 1980's, postmodern practitioners in the United States began to assault the discursive practices of the mainstream under the banner of cultural studies. The current crisis in the humanities surfaced in the emancipation of the various studies from their traditional fields in the humanities. The German Studies practiced today in the United States for instance, has no counterpart in Germany's traditional departments of Deutsche Philologie. Whereas the icon in the United States has become an object of investigation for the various studies, it has not yet displaced the littera in Germany's literary sciences. However in the 1990's, the historical sciences in Germany responded to the challenge of the various studies by directing their attention not to cultural studies, but to cultural history, with its well-defined set of methodologies. But what kind of cultural history is it? Is it built on 19th century German foundations, or is it grafted to current North American notions of post-industrial culture? In this paper I show that the supposed opposition between cultural studies and cultural history is artificial. Through a close reading of Hayden White's extremist questioning of historical practice in Metahistory (1973), I demonstrate that there is no opposition between the icon and the littera in this recent radical critique of mainstream humanistic science. The vehement German reaction to his North American assault on European Kultur is based on a misunderstanding of White's premises. Rather than being constructed on a hodgepodge of postmodern approaches, I show that White's postmodern history is in fact conventionally grounded in 19th century Nietzschean thinking.     

The Disappearing Body

Although Chile was the first country in Latin America to report cases of anorexia nervosa in 1982, the issue had already gained notoriety during the 1970s, the decade when North American policies and the United States capitalist economy began to infiltrate Chilean society. The category of eating disorders, which may be manifested in a variety of diseases (such as anorexia, bulimia, and compulsory overeating), has only recently become the focus of Chilean literature and, in turn, literary criticism, which has primarily focused on the metaphorical interpretations of these illnesses. One novel that treats the multifaceted manifestations of eating disorders, not merely the metaphorical representations, is Marcela Serrano's Antigua vida mía (1995). The societal demands of unhealthy body images have been the concern of feminist criticism such as Susan Bordo's Unbearable Weight: Feminism, Western Culture, and the Body (1993). In Marcela Serrano's novel the treatment of eating disorders reflects the evolving expectations on women in contemporary Chilean culture. Through the application of Bordo's analysis of the cultural pressures and significances of body expectations, this article delves into the various manifestations of unhealthy eating practices in Serrano's Antigua vida mía and reveals the self-destructive and self-isolating consequences of an often-occulted illness while also recognizing that by treating body image and illness, the author engages in a cultural discourse regarding the expectations and repercussions of cultural demands.     

US attitudes towards China before and after the Washington Conference based on US mainstream media reports

ABSTRACT

The problems China faced in the world order after World War I and the position and measures China took in the tussling between Western countries needs to be analyzed not only using historical records in Chinese and from the perspective of China itself; researchers should also consult foreign documents to determine the attitudes and ways of thinking of other countries, so as to reflect on the choices China needed to make and the roles that Western countries played at that time. Only in so doing can we fully understand how much space and strength China then had to strive for its rights in the international arena. This article examines the social basis of the attitude and policies of the United States (US) towards China in the period between the May Fourth Movement (1919) and the Washington Conference (1921–1922) by focusing on reports on China in the US mainstream media, including the New York Times, the Christian Science Monitor, the Washington Post, and the Los Angeles Times. The US government’s attitude towards China was determined by the interests of the United States, the Far East, and the other countries of the world. However, the US mainstream media’s reports on China also reflected the values of American society and popular sympathy for China’s destiny. When discussing how to support China, the US media distinguished between support for the Chinese government and support for the Chinese people on the way to democracy and governance by law. In this case, the media reflected different views on how to assist China.     

Beyond Brassens: Twenty-First Century Chanson and the New Generation of Singer-Songwriters

This article considers the relevance of the notion of ‘generation’ for the study of cultural shifts in the production and critical reception of singer-songwriters in contemporary France, in the period 2005–12. Defining a ‘generation’ as an age cohort sharing socio-cultural characteristics and patterns of socialisation, it focuses on Camille, Benjamin Biolay, La Grande Sophie, Barbara Carlotti and other singer-songwriters who were all born in ‘the long 1970s’, and who achieved notoriety and success in the period in question. It demonstrates that the traditional discourse of chanson, dominant since the 1950s, defined by literariness and embodied by Georges Brassens, is being replaced by an emphasis on seduction, Anglophilia and multi-instrumental sophistication. Although these features have been central to the compositions of a number of ‘older’ singer-songwriters, including Serge Gainsbourg, Françoise Hardy and Alain Souchon, the deployment by today's critics of the notion of ‘generation’ helps to give superficial coherence and symbolic originality to the younger artists who uphold these values and techniques. As a result, and because the music reviews referenced in this article are extracted from ‘high-brow’ magazines (including Télérama), this article also considers the changing place of chanson in the elite discourse of contemporary France.     

Visions of Statesmanship Across The Atlantic: Presidential Masculinity and the American Response to Benito Mussolini

This article explores how hegemonic masculinity forged discourses of modern statesmanship in the United States and Italy in the first three decades of the twentieth century. It unpacks the ‘presidential masculinity’ of Theodore Roosevelt and Woodrow Wilson and compares these gendered performances of political leadership in the United States to Benito Mussolini's Fascist rule in Italy during the 1920s. In doing so, this article contends that the manliness of these three modern leaders rested on a contrasting of pairs: if Roosevelt embodied the hegemonic ideal of the ‘frontiersman-as-president’, Wilson personified its ‘unmanly’, bourgeois-liberal countertype and thereby engendered the initially hospitable view of Mussolini's Fascist masculinity in the United States during the Jazz Age. The article covers the publications in The Atlantic Monthly to reveal how the American disillusion with Wilson's liberal internationalism transformed the Duce into a Fascist surrogate for Roosevelt. In a decade of political, economic and social upheaval, the transatlantic ‘public relations state’ in both the United States and Italy discursively positioned Mussolini as the personification of the masculine ideals of acumen, willpower and virility for the American public; a ‘Doctor-Dictator’ who, akin to Roosevelt, became a symbol of modern manliness that signified stability, progress and reform. In the process, the Duce's Fascist manhood shaped hegemonic ideals of statesmanship across the Atlantic while hinting at the paltry support for the liberal democracies of the West.     

A Geographical Product Differentiation Model of Trade Competition in Third Markets

Product differentiation trade models have been developed in order to account for some contemporary patterns of international trade that are inexplicable under the theory of comparative advantage. This paper presents the case for the geographical differentiation of products. A generalized geographical product differentiation model of trade competition in industrial third markets is outlined within a discrete choice framework. The model treats product price and quality, as determined by country of origin, as distinct variables in export competition. An indirect empirical test of the model's validity, using the cases of export competition between the United States and the Federal Republic of Germany and the United States and Japan, indicates that the generalized model is worthwhile in its ability to account for successful trade competition.     

Epicureanism at the Origins of Modernity

ABSTRACT

Across a broad range of late nineteenth-century French medical texts that described the newly denoted sexual pathologies of frigidity, inversion, fetishism, nymphomania, sadism and masochism, one finds a term being used for which no current equivalent exists. This term is l’amour morbide – morbid love. Its use was initially as common in respectable medical texts as it later became in erotic fictional writings. In some cases, it appeared to refer to a particular sexual pathology, albeit one which troubled the very notion of perversion as aberrant or abnormal. This article considers the role that l’amour morbide played in the sorting of medical terminology for describing sexual perversions in late nineteenth-century France, and examines what its relationship was to degenerationist thought. Engaging with Ian Hacking’s notion of “transient mental illnesses” produced by unique cultural ecologies, it is proposed that morbid love occupied the space between decadent culture of fin-de-siècle France on the one hand, and on the other hand degenerationist frames adopted by French doctors in the context of international medical and psychiatric conversations.     

Eine Frage der Politik: Wissenschaft und Ideologie im 21. Jahrhundert

A Political Matter: Science and Ideology in the 21^st Century . In the last two decades, history of science and science studies have been quite reluctant to adopt the notion of ideology when analyzing the dynamics of science. This may be an effect of the decreasing popularity of neo‐marxist approaches within this disciplinary field; but it is also due to the fact that alternative approaches have been developed, for example Michel Foucault's notion of problematization, Roland Barthes' semiotic mythology, Bruno Latour's re‐interpretation of the ontological difference between fact and fetish in science, or Donna Haraway's semi‐fictional re‐narrations of the techno‐scientific world. This contribution undertakes to sketch the impact of two strands of 19^th century immanentism on the authors named above, and on their use of concepts related to the notion of ideology, namely fetish, fetishism, myth and mythology respectively. It is argued that in some respect, Marx' concept of commodity fetishism is worth being re‐examined, since it articulates a dialectical relation of ‘reality’ and ‘seeming’, and its impact on Barthes' mythology is deeper than it might appear at first glance.     

Consumption,Environmental Sustainability and Human Geography in Australia: a Missing Research Agenda?

‘Consumption’ is a central concept in the global environmental sustainability agenda. However, one important argument from Agenda 21 — that all social actors must now practise ‘sustainable consumption’— has been publicly and politically marginalised in high‐income countries such as Australia. Geographers potentially have a role in bringing consumption back onto the agenda by constructing a critical geography of consumption. Such research can help understand how the contextual use of natural resources is perceived and practised, and how consumption helps to shape contemporary social relations. This body of knowledge is vital for building sustainable development into everyday lives. Yet a focus on urban consumption perceptions and practices appears somewhat lacking in Australian geography. Ways forward can be drawn from international geography, such as in the United Kingdom where a substantial body of work has drawn a complex picture of contemporary consumption and environmental understanding. It has also challenged prevailing ‘ecological modernisation’ policy approaches, which ignore consumption's cultural facets. In sum, considering consumption in Australia can offer insights into cultural practices expressed through consumption; can challenge and add to European geographical literatures, and can also contribute to sustainability debates by offering alternatives to currently ineffective policy discourses.     

Towards ‘Embedded Non-creative Work’? Administration,digitisation and the recorded music industry

Abstract

For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a foil to define and value creativity against. This paper develops existing categories to augment the task-focused notion of ‘embedded creativity’ with a more situated view of work’s cultural and institutional embedding. It first interrogates this ‘embeddedness’, taking a ‘cultural economy’ approach to intermediation and administrative support. Drawing on observations from an in-depth qualitative study of employees in major record labels, the second part articulates the heightened importance of ‘admin’ to recorded music industries, after ‘digital disruption’. Routine bureaucratic labour presents an atypical example, revealing much about the hidden relational and identity work that goes into constructing ‘creative industries’ as such. The intention is not to show that ‘embedded non-creative workers’ are in fact ‘creative’ but, on the contrary, to articulate the distinct contributions and value of support work in this context, questioning a persistent reliance on creative/non-creative dualisms. Policy research would benefit from enriched understanding of culture's assembly in marketable objects, reorienting understandings of ‘cultural’ labour markets and careers, and reimagining the role of traditional cultural ‘administration’ in the contemporary ‘creative economy’.