The interaction of methodology with an impegno del dopo in Nuto Revelli's collections of oral testimonies

Among his varied publications, Nuto Revelli (1919–2004) produced three collections of oral testimonies gathered from the contadini (peasants) of Piedmont: La strada del davai, Il mondo dei vinti and L’anello forte. This article argues that these collections were the product of the same specific impegno del dopo (‘obligation of afterwards’) as his initial autobiographical writings, which had arisen from his experiences as an officer on the Russian Front during the Second World War. From this premise, the article then examines the interaction of Revelli's sense of impegno del dopo with the methodology he developed. The article concludes with an assessment of Revelli's stated aims and his actual achievements.     

Matthew Paris on the writing of history

Matthew Paris was one of the most prolific and influential historians of the central middle ages. Matthew's significance rests both on the range of his interests and the scope of his writing. Yet, even basic questions about his outlook on writing, his concept of history, or the relationship with his audience, have hardly been asked. These issues are central themes of this article, and will be used to consider wider questions about Matthew's concept of truth, his handling of information, and his view of the world around him. The article, furthermore, extends coverage beyond the Chronica majora or Matthew's vernacular writings to consider his concept of history as it emerges from the totality of his oeuvre.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

Challenging the Quimera (Sirena) Negra: Unamuno Reads Pardo Bazán

This article examines the literary relationship of Emilia Pardo Bazán and Miguel de Unamuno by analyzing Unamuno's 1905 review of La Quimera, as well as his tribute to Pardo Bazán on the occasion of her death in 1921. These two critical pieces, together with Unamuno's Dos madres and La tía Tula, reveal that while Unamuno dismisses Pardo Bazán's realism in his discussion of her works, he develops in his own fiction alter egos who struggle with dominant female figures, just as he competes with Pardo Bazán's model of authorship.     

Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

Le modèle des petites filles: structure familiale dans l'œuvre de la comtesse de Ségur

This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.     

Hobbes on the supernatural from The Elements of Law to Leviathan

Hobbes's unusual religious views in his classical work, Leviathan, are often seen as a product of his attempt to reconcile Christianity with his philosophical materialism. Yet given Hobbes's materialistic view in his earlier works too, this explanatory framework alone is not sufficient for grasping distinctive features of Leviathan. This article remedies this lacuna by paying close attention to an understudied aspect of the development of Hobbes's religious theory from The Elements of Law to Leviathan: his treatment of the supernatural and, particularly, of matters of faith known by supernatural revelation as opposed to natural reason. I argue that over time Hobbes developed an epistemological analysis of supernatural revelation and refined his argument about the sense in which matters of faith are supernatural and about the extent to which they are found in the Bible. It was not materialism per se but the more sophisticated analysis of the supernatural in Leviathan that enabled Hobbes to admit the sphere of the supernatural to a much smaller extent than in De Cive and to discuss in detail what he sees as a matter of faith and beyond the scope of philosophy in De Cive.     

Comments on Jan Harding (2005): Rethinking the Great Divide: Long‐term Structural History and the Temporality of the Event. Norwegian Archaeological Review 38, 88–101.

After agreement with Magister Knut Odner, his article was chosen as a subject for review and discussion in the first number of Norwegian Archaeological Review. Offprints of the article were sent to 12 Scandinavian specialists who have worked on problems in Stone Age chronology similar to those discussed by Odner here, and they were invited to participate in the review. We received a positive answer from 5 archaeologists, Egil Bakka, C. J. Becker, Irmelin Martens, Kristen M?llenhus, and Povl Simonsen, and their reviews are published after Odncr's short abstract of his article. Odner's reply follows at the end.     

Orderic Vitalis and the First Crusade

This article examines the narrative of the First Crusade written by the Norman monk and historian Orderic Vitalis, which spans Book IX of his Historia ecclesiastica. Though hitherto little-studied, Orderic's account of the First Crusade, which was probably written in 1135, occupies an important place in the Historia and reveals much about his wider historical method. The significance of Orderic's editorial interaction with Baldric of Bourgueil's Historia Ierosolimitana, through the omission and addition of material, forms the focus of the study. By making only a small number of insertions into the story of the First Crusade which he had inherited from Baldric, Orderic transformed its meaning so that it became suitable for incorporation into the Historia as a whole, linking the First Crusade to the history of his monastery, Saint-Evroult.     

The history and philosophy of social science

Carlo Ginzburg is best known as the author of a popular and widely commented work of microstoria Il formaggio e i vermi, published in 1976. Rather than focusing on Ginzburg's contributions to the genre of microstoria, or on the development of his long and very productive scholarly career, my aim in this article is to reflect on a set of themes that recur, with impressive persistence, in his work, from his earliest publications in the mid-1960s, to his most recent works. Above all, I suggest that two elements recur in his work, and that these, jointly, impart upon it its defining character. They are the concern with epistemological issues of knowing, and the ethical conception of the historian's work, which Ginzburg expressess and defends with urelenting rigour.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Reconsidering John Sergeant's Attacks on Locke's Essay

The Catholic polemicist John Sergeant published three major works of philosophy towards the end of his literary career, The Method to Science (1696), Solid Philosophy (1697) and Metaphysics (1700). They were highly critical of what Sergeant saw as the idea‐grounded epistemology of the Cartesians and John Locke, whom he labelled ‘ideists’. Previous scholars have interpreted Sergeant's texts as manifestations of his lifelong obsession with certainty, as initially developed in his Restoration polemics against Anglican divines. Using a previously neglected autobiographical letter, it is demonstrated that Sergeant's intentions were very different. Like Edward Stillingfleet and other critics, Sergeant saw Locke's philosophy as inspiring contemporary heterodoxy. The article identifies the specific channels by which Sergeant saw Lockeanism seeping into irreligion. Moreover, unlike Locke's Anglican critics, Sergeant resorted not to polemical accusations, but to abstract philosophy. This must also be explained contextually: Sergeant wished his works to become textbooks at the universities, concerned as he was by the pedagogical impact of the Essay. A premise of this article is that reception history is less useful for elucidating on the meaning of the received text than for telling us something about the intentions of the receiver, and about the intellectual culture in which the process of reception occurs. With this in mind, the article finishes by recontextualizing Sergeant's works within a broader narrative: his was an attempt to reassert the place of philosophy as a propaedeutic to theology in an age when such a conception of philosophy's social role was coming under intense scrutiny.     

Simon of Tournai's Stroke: The Image of an Irate Unbeliever

For centuries after his death in the late twelfth century, Simon of Tournai, a master of theology in the Parisian schools, had a reputation for being an unbeliever punished by God with a stroke. This article gathers the eight known medieval sources for his stroke and examines them from a mythogenetic perspective to demonstrate how different authors writing with different purposes, genres, and biases recast the image of Simon as an unbeliever for their own moral or polemical programs. I argue that since Simon's stroke was interpreted as divine action, presenting him as sinful was required to preserve divine goodness. The article also discusses the representation of Simon as irate as an element of didactic intent against unbelief, blasphemy, pride, anger, and luxuria. The article revises the date of Simon's stroke from c. 1201 to the 1180s or very early 1190s.     

“From one April to another”: remembering and acknowledging the Holocaust in the poetry of Michael Longley

Michael Longley has written and spoken of the responsibility to commemorate the Holocaust in a manner which is free from historical or political distortion. This article will consider his poetry about the Holocaust in the light of these statements, arguing that the epigraph in Gorse Fires (1991) from the work of Paul Celan provides an indication of Longley's strategy. The close association of elegy and botanical life in Longley's work manifests in the reconfiguration of remembrance poppies in relation to Celan and the Holocaust. The article discusses Longley's work in relation to Ireland's refugee policies during the Second World War, with recourse to the poems “Buchenwald Museum” and “Poppies”. Finally, the article considers Longley's personal link to the Holocaust through his friend Helen Lewis. The representation of the Holocaust in Longley's poetry is always associated with other traumatic events and this article extracts the threads which entangle Longley's evocations of historical violence.     

Life Beyond Judgment: Communication. Response to Section III of The Ways of Judgment by Oliver O'Donovan

Abstract

This article is a response to Section III of Oliver O'Donovan's The Ways of Judgment, addressing his account of the Church's "higher sociality" as the proper context for all theological reflection on politics. In particular, it explores the importance of the theme of communication, affirming many of O'Donovan's central instincts in this area though questioning his emphasis on the role of the individual believing heart as the privileged site of ecclesial transformation of the world.     

Spiritual Warfare in Machiavelli's Prince

Machiavelli uses metaphors to convey meaning beyond the surface of his text. Access to his metaphors often begins via his “mistakes,” such as his calling (in chapter 12 of the Prince) Philip II of Macedon a “mercenary,” when in fact Philip was no such thing. This article focuses on chapters 12–14 of The Prince and explores the metaphoric meanings of Machiavelli's four types of soldiers—mercenary, auxiliary, mixed, and one's own—to explicate Machiavelli's account of how the mind of the West was conquered via “spiritual warfare.” It then explains Machiavelli's strategy for re-conquest by a new spiritual army trained by Machiavelli that will fight to defeat the regnant spiritual power and further Machiavelli's new principles.