试析京瓷企业价值观的个性特征

企业的价值观是企业在经营过程中为使企业获得成功而形成的基本信念和行为准则。任何成功的企业都有其价值观,它是企业的灵魂,是企业的精髓所在。日本京瓷企业(以下简称京瓷)从一个40余年前仅有28名员工,300万日元资本金起家的名不见经传的小企业,发展至今天拥有海内外员工近4万人,年销售额达7千亿日元以上,驰骋海内外的知名跨国集团,是其企业价值观为其提供了强大的发展动力。     

《左传》女性人物形象探析

《左传》是我国先秦时期重要的历史典籍之一,具有很高的文学价值。新时期以来,《左传》中女性人物形象受到研究者的广泛关注,但是对《左传》中女性人物形象的全面研究相对较少。本文拟对《左传》中出现的所有女性人物形象进行总结、归纳和分类,并对其中的典型人物形象展开讨论。     

Enterprising Tibetan Medicine in the TAR

Editor＇s Notes： Ms Lei Jufang, the President of Qee Zheng Tibetan Medicine Group, isquite a normal but famous female in the Tibet Autonomous Region. She made the traditional Tibetan Medicine modernization and created a myth, Qee Zheng. Here is an interview with her by China＇s Tibet magazine＇s reporter.     

Political Image Making in Portraits of Isabella d'Este,Marchioness of Mantua

Isabella d'Este (1474–1539), marchioness of the northern Italian city state of Mantua, commissioned portraits of herself from some of the foremost painters of her day, including Titian and Leonardo da Vinci. These works have mostly been analysed through the prism of artistic connoisseurship and Isabella's motivations for commissioning them have been seen in gendered terms as idiosyncratic and trivial. This article explores the ways in which Isabella deployed portraiture as a political tool and investigates how she integrated this avenue of self-fashioning with other forms of identity branding to underpin her reputation as a woman capable of exercising authority and deserving of respect for her administrative and diplomatic skills. By analysing the trajectory of Isabella's portrait commissions in the context of her changing levels of political influence, and by considering them as a group, I aim to make sense of their iconography and show that the idea that she merely wished to be memorialised for a beauty she never possessed in reality fails to take into account the sophistication of her political image making.     

杀猪女--木金发

丽江的杀猪女早年有十七、八个,现今据说只剩下两个,因为纳西是个女性执掌经济权柄的民族,加上母系社会的遗风,古城有一批纳西族女屠户便在情理之中.     

女人·旅人

<正>阳春3月,花开雁来的时节,旅游季节的开始,也是属于女人的节庆。暖日清风初破冻,3月的天,似乎是为女人设计,春风灿烂一笑,春雨妩媚一泣,都流露出女人那份婉约的温柔。女人对旅行有着独特的理解:开心时可以旅行,寂寞时也要旅行;奖赏自己要旅行,惩罚自     

论满族崛起时的积极进取精神

满族从一个弱小分散的女真部落,最终统一全国,建立了中国历史上三百年的王朝,对中国历史发展做出了重要贡献。本文从五个方面论述了满族崛起时所蕴含的积极进取精神,这种精神成为满族发展和中国现代发展的宝贵精神财富。     

Woman in Nineteenth-Century America

The political use of Woman as a universal category, transcending social divisions, has fallen into disrepute. Yet it is necessary, in looking at gender history, to understand not just its obfuscations but its sources and political effects. The essay proposes an intellectual and political history of the uses of the term Woman and a social history of the heterogeneous mixtures of women from different social groups who seized the term and gave it force. Discussing recent scholarship on white and Afro-American women, Stansell argues for the importance of moments of extravagant universalising to the history of women in politics.     

The Exotic Portrayal of Women in Isabella Bird Bishop's Journeys in Persia and Kurdistan

Isabella Bird Bishop's Journeys in Persia and Kurdistan is presented as an objective picture of Persia, purportedly reflecting eye-witness accounts. Setting the narrative in its historical context and employing the concept of exoticism, this paper aims to unearth its subtle imperialist underpinnings. It argues that Bird's portrayal of Persian women and their mores and manners as exotic is an effect of a mode of representation which depicts and constructs difference based on a British-oriented system of evaluation, in line with its imperialist interest in Persia. As such, the exotic representation of Persian women in need of British benign tutelage and a chivalric mission could be interpreted as lending implicit support to Britain's colonial intervention in and imposition on Persia.