Sacred Topography and Social Memory: Religious Change and the Landscape in Early Modern Britain and Ireland1

This article analyses the relationship between the tumultuous religious changes of the sixteenth and seventeenth centuries and the landscape of the British Isles. It examines the immediate impact and long‐term cultural repercussions of the Protestant and Catholic Reformations on perceptions of and practices associated with the natural world and physical environment, as well as the influence exerted by intellectual and cultural trends associated with developments in science, medicine, and antiquarianism. Reformed theology fundamentally undermined traditional assumptions about the presence of the sacred in the material universe, but the religious ruptures of the era were tempered and complicated by elements of continuity and movements of counter‐reaction. Springs, trees, stones, and other notable topographical landmarks retained powerful religious resonances after the Reformation. Potent reminders of the pre‐Reformation past, they also provided a stimulus to the making of new myths and legends and acted as catalysts of the transformation of social memory.     

Self-Ownership and Moral Relations to Self in Early Modern Britain

Summary

This paper scrutinises early modern thinking about our moral relations to ourselves. It begins by reiterating the too-often-ignored point that full self-ownership was not a position defended in Britain—by Locke or anyone else. In fact, the actual early modern positions about the moral relations we have to ourselves have been obscured by our present-day interest in self-ownership. The paper goes on to organise the moral history of the self by examining the reasons available for prohibiting self-harm. Those reasons typically had their source in God, self, and others. Major divisions in the period arose over which kinds of reasons could be invoked and why. The defining feature of this intellectual landscape was the debate between ‘other-regarding’ and ‘dignity’ theorists, who differed over the moral status of the self and over its importance as a source of moral reasons. More dramatically and controversially, various freethinkers and sceptics questioned the importance of God as a source of prohibitions for self-harm. After offering an interpretation of this history, the paper concludes by noting some connections and contrasts between early modern and present-day moral and political philosophy on the moral status of the self.     

Werra Ware in Britain,Ireland and North America

Abstract

Werra slipware is a high-quality tableware, made in the Werra valley of northern Germany during the period c. 1570–1630. The history of the study of this ware is described. Its occurrence on 175 sites in Britain and Ireland, and 13 in North America, is documented and discussed. The market for this ware was very largely coastal and urban. In some instances its use may be related to communities of Strangers. The dating, vessel forms and decoration of this ware are also considered.     

Medieval Britain and Ireland in 1982

ARCHAEOLOGY and art history are closely allied disciplines, particularly for the study of the medieval period. This paper seeks to compare and contrast archaeological with art historical approaches to medieval material culture in terms appropriate to an archaeological audience, much as Stanis?aw Tabaczyński examined the relationships between archaeology and history in the pages of this journal only a few years ago.¹ Rather than emphasize the distinctions between archaeology and art history, an attempt is made to focus on where these two disciplines intersect and how art history at the cusp of the new millennium differs from what archaeologists on both sides of the Atlantic often assume. This seeks to bring recent changes in art historical methods and theory to the attention of medieval archaeologists, suggesting that interdisciplinary cooperation between archaeology and the humanistic disciplines, including art history, should be strengthened.