John Owen and John Locke: confessionalism,doctrinal minimalism,and toleration

ABSTRACT

The present article compares John Locke’s and John Owen’s approaches to toleration. Owen, a towering figure of the Puritan revolution and a Protestant scholastic whose work is still the object of significant appreciation in Reformed circles, was Locke’s dean during his time as a student in Oxford. There is a number of treatises on toleration by Owen, especially during the mid-1640s, and later again after the Restoration, in his role as a nonconforming divine. There has also been some speculation regarding the involvement of both Owen and Locke in the circle around Shaftesbury. Together with their writings against Parker and Stillingfleet, this would seem to draw Owen and Locke quite close to each other. Both authors are, however, divided in their approach to Christian doctrine: Owen represents classical confessionalism and Locke modern doctrinal minimalism. The article explores the ways in which these oppositional approaches to doctrine relate to their views of toleration.     

Spiders,Horror, and Animal Others in Late Victorian Empire Fiction

By the 1850s, the representation of the spider in Victorian natural history was beginning to change. No longer associated solely with ingenuity and industry, the spider took on more disturbing connotations in the latter half of the nineteenth century. Unable to pin down the creature's precise rhetorical and metaphorical function, naturalists could not decide whether the spider ought to be loved or feared and at the same time the spider began to emerge as a ubiquitous, protean and unstable Gothic trope in popular fiction. While natural history books warned of the hazards of the foreign spider's bite, in adventure fiction the alien arachnid lurks in liminal spaces far from the safety of British shores. Much maligned as the unfamiliar Other, the spider caused – and mitigated – anxieties about the limits of the human. In the Gothic empire fiction of Bertram Mitford and H.G. Wells, the spider takes on the role of the harbinger of death on both sides of the colonial encounter.     

Jean Renoir,The Rules of the Game,Reputation, and Revisionism

Jean Renoir's film La Règle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it—and they tend to say much the same thing—does not, to put it bluntly, square with the facts. What they say is that La Règle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Règle du jeu evidence of the “corruption” and “exhaustion” in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is—not for what historicist critics want it to be.     

Exile and return in John Mauropous,Poem 47

Abstract

The author reads an epigram by John Mauropous as an engagement with epic and biblical traditions. Critical studies of exile and return from different eras of the Greek literary tradition by Émile Benveniste, Gregory Nagy and Nancy Sultan are used to provide a theoretical approach to the tradition with which Mauropous engages. It is suggested that Mauropous' wanderings in the territory of the xenos and return to the familiar world of the philos, and especially his personification of his home as a trophos (nurse), allude to Homer, and that epic language and motifs strengthen the poet's assertion of selfhood and make ancient literary themes relevant to Mauropous' life as a scholar and churchman.     

Phantasmagorias of the Interior: Furniture,Modernity, and Early Bengali Fiction

The novel in nineteenth-century Bengal was formed under European influence, adopting its techniques of representation from bourgeois realist fiction. Both witness to and participant in the making of colonial modernity, it placed particular emphasis upon the social substantiation of persons through the depiction of domestic interiors. The furniture of the bourgeois house became an important ingredient in that representational process. Drawing upon Walter Benjamin's examination of the way in which furnished interiors came to compose the universe of private man in the nineteenth century, I argue that in the Bengali novel, there is a constant tension between that mode of self-construction and the suspicion and distrust of European furnishings exhibited in representative novelists of the period. Ultimately, in the fiction of Rabindranath Tagore, this distrust manifests itself in a rejection of the bourgeois interior, as well as a questioning of the very tools of realist representation.     

Sovereignty,mercy, and natural law: King James VI/I and Jean Bodin

ABSTRACT

The affinities between Jean Bodin's and King James VI/I's political theories have been recognized, and the fact that James had owned Bodin's Six livres de la république has been recorded, but Bodin's specific influence on James has remained nebulous. This article examines the evidence for James's direct engagement with Bodin, by studying James's copy of the Six livres alongside James's political treatises. It provides substantial new archival evidence for Bodin's influence on James's political thought and, thereby, on Scottish and English theories of sovereignty.