Emotion,Identity, and Death in the Greek Tradition and Beyond

The article examines emotion and identity in the Greek death cult to clarify certain contemporary political phenomena in the Mediterranean where the cult of the dead is a common cultural pattern. Why is this cult so persistent? What is the death cult and how does it manifest itself? The article delves into its importance in Greece, where the author has had several periods of ?eldwork. To illustrate the persistence of this cultural pattern, its characteristic aspects are discussed. Festivals which are dedicated to deceased persons and domestic death rituals are compared with ancient sources. Based on this, a survey of the relationship between the death cult dedicated to deceased mediators, as it is manifested through laments, burials and the ensuing memorial rituals is made. Modern domestic rituals in? uence of?cial rituals, and vice versa. A study of modern cult practices reveals many parallels with the of?cial cult of the ancients, and suggests ways in which modern rituals can illuminate ancient rituals. The article seeks to demonstrate how new ideologies must be adjusted to older rituals and beliefs and how public and domestic rituals are connected. The article ?nally suggests how these similarities might represent a common way of expression within a larger geographical context.     

Fairies,Fractious Women,and the Old Faith: Fairy Lore in Early Modern British Drama and Culture

TABOU ET TOTÉMISME À MADAGASCAR: ÉTUDE DESCRIPTIVE ET THÉORIQUE. Par ARNOLD VAN GENNEP. Paris: E. Leroux, 1904. Reviewed by E. Sidney Hartland.

THE MASAI, THEIR LANGUAGE AND FOLK-LORE. By A. C. HOLLIS, with Introduction by Sir Charles Eliot Clarendon Press, Oxford, 1905, 8vo Pp. xxxii + 364. Price 14s. net. Reviewed by N. W. Thomas.

ENGLISH AND SCOTTISH POPULAR BALLADS. Edited from the Collection of Francis James Child by HELEN CHILD SARGENT and GEORGE LYMAN KITTREDGE. London: D. Nutt 1905. Reviewed by A. Lang.     

Negotiating Indigeneity: Culture,Identity, and Politics

Krause, Richard A. The Clay Sleeps: An Ethnoarchaeological Study of Three African Potters. University: University of Alabama Press, 1985. xii + 203 pp. including bibliography and index. $17.50 cloth.

Arnold, Dean E. Ceramic Theory and Cultural Process. Cambridge: Cambridge University Press, 1985. xi + 268 pp. including photographs, maps, bibliography, and index. $37.50 cloth.     

Place, Culture and Identity: Summer Music in Upper Galilee

The Kfar Blum festival is an annual chamber music festival at a kibbutz in northern Israel involving three public bodies. Soon after its inauguration, it was dominated by audiences of élite groups who gave it a specific character and made it a highly desirable social event. The demand created for participation caused the festival to change in character, and what had been an artistic celebration became a cultural commodity. This challenged the overall purpose of the festival and brought changes in artistic direction, as new audiences were sought through programmes with wider appeal. The Kfar Blum festival is an example of a contested arena reflecting social trends in Israel. Place becomes a metaphor for social trends.     

Ajvatovica: A Bridge Between Tradition and National and Religious Identity

The religious/cultural event Ajvatovica, the most attended Muslim gathering in Europe, provides a vivid example of the “cooperation” that exists between the nation and religion in contemporary Bosnia and Herzegovina (BiH). Although officially a religious event, it has a special place in the ambiguous nation-building project of BiH, relating specifically to the nation-building process of Bosniaks. In this paper, I will address this religious event in its historical and social context, and point to its significance and symbolism. I will pay particular attention to the attitudes of the socialist authorities towards this event, the motives behind its revival and its context, and the modifications made to it during the 1990s, which were closely related to the social and political changes taking place in BiH.     

史学传统与文化认同

五代以降,史家重视历史记载的前后相承,并有目的地记录周边民族政权与中原王朝相互交往的现实内容,文化认同进一步拓宽;辽金元时期重视对前朝史和本朝国史的编纂,这不仅说明编纂者拥有历史传承的明确意识,而且体现出他们对于中原文化的一种自我认同。总之,通过历史经验的总结,发挥了史学的鉴戒功能,彰显了史学传统与文化认同不可分割的密切关系。