共查询到20条相似文献,搜索用时 0 毫秒
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Jussi M. Hanhimäki 《外交史》2004,28(2):285-288
Book reviewed:
Raymond L. Garthoff. A Journey through the Cold War: A Memoir of Containment and Coexistence. 相似文献
Raymond L. Garthoff. A Journey through the Cold War: A Memoir of Containment and Coexistence. 相似文献
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The “war on terror” and remilitarization of political anxiety in the aftermath of September 11th in the West, is both facilitated and challenged by representations of geopolitical danger and the supposed necessity for warriors to fight wars in distant lands. Ridley Scott's three movies, Gladiator, Black Hawk Down and most recently The Kingdom of Heaven explore the morality and identity of warriors. They do so in exotic landscapes and settings that emphasize the confrontation with danger as external and frequently unknowable; political violence is presented as something that has both simple and very complicated geographies. The public discussion of the necessity for warfare and “intervention” in Western states is enmeshed in discourses of moralities, rights and “just war”. The professional Western warrior, whether a special forces operative or garrison soldier in peacekeeping mode, is a key figure of the post September 11th era, physically securing the West, and simultaneously securing its identity as the repository of virtue against barbaric threats to civilization. These themes are key to Ridley Scott's work. Analyzing them in terms of the warrior, empire and the particular geographies of combat adds a specifically military dimension to the critical geopolitical literature on war and representation. 相似文献
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Penrith Goff 《Romance Quarterly》2013,60(4):196-200
Dreams and Discourses (1627) by Francisco de Quevedo is a Baroque satirical work composed by five dreamlike narrations that criticize the moral decadence of seventeenth-century Spanish society. Traditionally, it has been read as a conservative Catholic text that conveys an official view of truth and morality. This article attempts to question that reading by addressing the use of subversive strategies, such as wordplay and ambiguity. Through an analysis of the paratext, the narrative voices, and the satire of popular trades—e.g., bankers—the article sheds light on the text's self-erosion of established moral and epistemological values. It concludes that behind its apparent religious correctness, the work reflects on the fundamental opacity of language. Theoretically, Quevedo's satire is understood as a disseminatory artifact following Derrida in Dissemination. 相似文献