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This article focuses on two Ottoman silk flags and discusses not only their original contexts of production but also traces their biographies until their reception as booty items and their further use after the Siege of Vienna in 1683. Banners and standards were symbolically charged signs used for military organisation. The higher the rank of a flag, the more coveted it was as booty. It was not so much their material value, which was in fact negligible, but rather their symbolic worth that made them so desirable. In their new context in the hands of the enemy they could be used for propaganda purposes, as indeed they were during and after the second siege of Vienna in 1683. This article investigates the trajectories of two flags captured at the siege and a year after its end and explores the intentions behind their use for propaganda purposes. It thus attempts to untangle the political rivalries, imperial vanities and cultural misunderstandings underlying their complex biographies.  相似文献   

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Traditionally scholars have downplayed the importance of southern calls to reopen the transatlantic slave trade in the 1850s. Those who have paid serious attention to this effort see it as another endeavor by aristocratic planters to enshrine their social, economic, and political power in the antebellum South. The advocates were, as one puts it, “no champions of the common white man.” Two Irish-American leaders who supported the reopening, John Mitchel and Andrew Gordon Magrath, complicate this view of the attempt as just a planters’ plot. Their actions and opinions indicate that some proponents did see importing African slaves as something that would benefit all whites and not just the elite, and, as a result, protect the overall “interests” of the South. Mitchel and Magrath's support of Ireland and Irish immigrants and their opposition to British power influenced their positions on the matter.  相似文献   

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ABSTRACT

Given the significance of new technologies to the literary and visual cultures of the early-twentieth century, it is surprising how little has been written about W. B. Yeats and cinema. Viewed by some scholars as emphatically resistant to what he termed “the leprosy of the modern,” Yeats has long been a difficult writer to situate in relation the progressive impulses of modernity. Building on Kevin Rockett’s identification of the parallels between the work of Abbey Theatre and a nascent Irish cinema culture, this article argues that Yeats played a prominent role in early attempts to develop an indigenous film industry, and to cultivate representations of Ireland on screen abroad. During the period I consider, the Abbey Theatre and the film industry were similarly affected by state censorship programmes and various forms of cultural nationalism. Exploring the Abbey Theatre Minute Books and archival materials discovered in Trinity College Dublin, I suggest that Yeats’s Abbey was a shaping force in Irish cinema history, despite the fact that most attempts to create a national cinema met with limited success.  相似文献   

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In 1858 Dr. Brown-Séquard arrived in London. During his stay there, he was appointed physician at the National Hospital for the Paralysed and Epileptic (now the National Hospital), and was elected Fellow of the Royal College of Physician's of London, as well as Fellow of the Royal society. During this time he also published his 'Course of Lectures on the Physiology and Pathology of the Central Nervous System' an early exposition of what is now know as 'his' syndrome. During his time in London, Dr. Brown-Séquard made many well-known acquaintances, amongst others Charles Darwin, T.H. Huxley, and Louis Pasteur. Three years after his appointment as physician at the National Hospital, he left London. Increasingly, he was to abondon fashionable practice to concentrate on his study of what are now known as the endocrinal glands. In this way, he became a pioneer of the study of endocrinology.  相似文献   

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In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.  相似文献   

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The French physiologist François Magendie showed, in 1822, that the anterior roots of the spinal nerves are motor and the posterior sensory. The English anatomist Charles Bell claimed the discovery, but his claim was based on republications of papers in which the wording had been altered to be consistent with Magendie’s findings. Bell also appropriated Herbert Mayo’s discoveries of the functions of the fifth and seventh cranial nerves. Bell repeated his claims in a number of influential publications, supported by his brothers-in-law John and Alexander Shaw. And for a century and a half, Bell figured as the discoverer in most references to the subject. During this period, several reviewers did go back to Bell’s original papers, disclosing Bell’s falsifications in the republished texts. But Magendie was not definitely acknowledged as the discoverer of the function of the spinal nerve roots until Cranefield’s (1974) treatise. Cranefield, as did all other reviewers, overlooked accounts from 1825 by P.W. Lund and F.D. Eschricht. They critically reviewed Bell’s early publications and reached conclusions similar to those of Cranefield concerning the roles of Bell and Magendie in the discovery of the function of the spinal nerve roots.  相似文献   

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The benefits of transnational flows and the concern for national security have framed development in the U.S.–Mexico borderlands since the formative beginnings of both nations. As national discourses, trade and security work against each other in borderland spaces, the former requiring openings in the border, the later seeking to control it. This paper considers the material implications of these discourses on the border landscape with particular attention to historical boundary development, urbanization, and impacts of chronic flooding. It argues that material discursive dynamics not only constitute the contemporary landscape, but create spatial incongruities that influence the impacts of natural processes, such as storm water flow. Using the southern Arizona border as a case study, the paper uses archival research to explore the historical geography of chronic flooding in the twentieth century and the shift in dynamics of flooding due to border boundary build up.  相似文献   

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The introduction discusses the origins of this themed section of the Journal of Modern Italian Studies, based on a 2017 interdisciplinary conference about migration and the migrant experience in Italy. The co-editors recognized early on that the U.S. media was paying inadequate attention to migrant landings in Italy during the so-called refugee crisis around 2015–16, and engaged scholars active in Italy, the U.K. and the U.S. to provide further nuance to this particular migratory flow, and in particular to question how the term ‘crisis’ was used in describing it. In response to a public debate increasingly prone to alarmism, the articles produced after the conference investigate the contradictions of the Italian reception system of migrants and refugees; the often glossed-over labour, race, and gender aspects of the flows; and the critical conditions of the Mediterranean crossing as represented in film and theatre. The contributions specifically bring forward the migrants’ voices to challenge the exclusionary practices adopted in Italy and Europe in favour of structured legal channels, and to reveal the growing crisis of E.U. democratic principles.  相似文献   

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