“The Black Tile in the Mosaic”: Austin Chesterfield Clarke and the Canadian Literary Tradition

This paper engages selected moments in Austin Clarke’s literary journey to argue that in spite of his involvement in the development of Canadian literature (CanLit) during the 1960s and 1970s, the Canadian literary establishment continues to pay little critical attention to his contributions. This lack of recognition is specifically evident in recent writings about Canadian literature and the literary figures who spearheaded its development after Canada’s Multiculturalism policy of 1971. Canada’s becoming officially multicultural required a new narrative of Canada and new literary depictions of Canadians in their national literature, as ethnically diversified but of a single citizenship. I argue that Clarke’s legacy as a Black writer should be given more prominence in Canadian institutions because today this legacy is under threat of erasure as the number of Canadian Black voices telling mainstream stories about Black people’s experiences is evidently in decline.     

‘Fertility’ and the Carnival 2: Popular Frazerism and the Reconfiguration of Tradition in Europe Today

This article examines European festive culture through the lens of two ethnographic case studies of carnivals, conducted in Italy and the Czech Republic. The article analyses processes of meaning construction, cultural circulation, and reconfiguration of local traditions that are currently widely at work in rural and marginal European contexts. It explains why I propose to name the cultural complex shaped by those processes ‘popular Frazerism’. The article also argues that these phenomena are representative of a certain post-modern romantic imaginary of magic, antiquity, and primitiveness, and explores the symbolic sources and the social needs from which this imaginary draws its strengths and legitimacy.

This article is the second part of a broader study divided into two parts.     

Wellington and the Army of Occupation in France, 1815–1818

MARCEL BEARTH. Weizen, Waffen und Kredite fur den Indischen Subkontinent: Die amerikanische Südasienpolitik unter Präsident Johnson im Dilemma zwischen Indien und Pakistan, 1963–1969. Stuttgart: Franz Steiner Verlag, 1990. Pp. vii, 323. DM 64

H.W. BRANDS. India and the United States: The Cold Peace. Boston: Twayne Publishers, 1990. Pp. xii, 195. $25.95 (US)> cloth; $10.95 (US), paper

DENNIS MERRILL. Bread and the Ballot: The United States and India's Economic Development, 1947–1963. Chapel Hill and London: University of North Carolina Press, 1990. Pp. xiv, 282. $39.95 (US).     

Royal burial and the cult of kingship in France and England, 1060–1330

In the late-eleventh and early twelfth centuries, French and English royal burials were relatively unceremonial, low-key affairs, a contrast with the obsequies of other contemporary rulers such as the Holy Roman emperors. One reason for that may be the dominance of reforming ecclesiastics in arranging the funeral rites in England and France; another, the importance attached by the monarchs to obtaining personalised intercession from ascetic monks. By the early fourteenth century, however, the French and English sovereigns were commemorated after death in magnificent ceremonies and monuments. In the intervening centuries, those kings and their followers had shown a growing interest in the creation and promotion of royal saint-cults; in the honouring of royal remains; in public and splendid funeral ceremonies and lawish tombs; and in the creation and development of imposing burial-churches at Saint-Denis and Westminster. During this time there was an increasing emphasis upon the image and panoply of monarchy in both kingdoms which was rooted to a large extent in the personal and political rivalry of their rulers. The new splendours of royal burials can be seen as one important part of those developments.     

Frontier Landscape – Lapland in the Tradition of Finnish Landscape Painting

Abstract

Finnish artists depicted Lapland as a frontier. The position of the Lappish landscape as a part of the Finnish landscape painting tradition is explored through a framework based on art and cultural history as well as humanistic and cultural geography. Paintings from three historical periods are analyzed: the early and later period of Finland as an autonomous Russian Grand Duchy (1809–1917), the first decades after the independence of Finland (1917–1939) and the Second World War (1939–1945). Lapland is today the borderline of leisure and work and the frontier of Finnish and Sámi cultures. Earlier Lappish landscapes were places of Sámi nomadism and Finnish farming, which can be seen in the Lappish landscape paintings from the 1890s to 1920s. Finnish art tradition, however, was not ready to accept Lapland, the northern frontier, as a part of Finland. During the 1920s, 1930s and 1940s the meaning of the northern borderline grew and Lapponism, the golden years of Lappish landscape and tourism, began. During the Lapponism period there were few paintings depicting Sámi culture, because the Sámi were thought to be primitive or Mongolian, and were not accepted as part of Finnish culture.     

Tradition and critique in Paul Muldoon's “Madoc: A Mystery”

Paul Muldoon's “Madoc: A Mystery” remains his longest poem and most thorough vision of an alternative history. This article argues that Muldoon's poem works to stage not only a visionary history of America but also, via the uneasy relations that develop between its two main characters (semi-fictionalised versions of Samuel Taylor Coleridge and Robert Southey), a dramatisation of the conflict that obtains between competing modes of historical understanding. Muldoon's Coleridge and Southey represent stances that may be usefully regarded as parallel to positions advanced in the famous debate regarding interpretation between Hans-Georg Gadamer and Jürgen Habermas, thinkers whose names appear in the poem itself. To read the poem in light of this connection between its fantastical transatlantic history and the history of critical theory allows a reading of Muldoon's treatment of both literary and political histories as secondary to the work's playful exploration of struggles between modes of historical interpretation.     

Walking the Middle of the Peace Road? The Emergence of JCall in France

On 3 May 2010, a ‘Call to reason’ (Appel à la raison) was presented to the European Parliament in Brussels by a number of prominent figures from European Jewish political and intellectual classes, launching JCall, which is supposedly the European version of the US J Street. JCall explicitly positions itself as pro-Israel on one hand but against the Israeli state's occupation and increased settlement of Palestine, including East Jerusalem, on the other hand. The ‘reason’ it calls for is thus a negotiated two-state settlement to the Israeli–Palestinian conflict and the organisation urges EU governments to apply pressure on both Israel and the Palestinian Authority to this end. This article looks at JCall within the French context, first in distinction to J Street in the USA, with which JCall shares a political position but not organisational links, and second in relation to the broader French political debate about Jewishness, Muslimness and the Middle East. Criticised by the right for its supposed disloyalty to Israel and even ‘anti-Semitism’, and by the left for its non-support of boycott, divestment and sanctions and its ongoing support of the Israeli state, JCall at first appears as somewhat middle-of-the-road in the French context. It also, from this writer's point of view, regrettably lacks a strong female presence or gendered perspective. It has, however, emerged as a serious political voice in the debate over the Middle East and could be less of a lightweight in the French political battles over Israel and Palestine than it may have first appeared.