Slave Communities and Pottery Variability in Western Brazil: The Plantations of Chapada dos Guimarães

In the region of Chapada dos Guimarães, Western Brazil, planters relied heavily on slave labor during the eighteenth and nineteenth centuries. In this article, we examine the locally produced pottery found on slaves contexts in five rural sites of this region. Based in data from probate inventories and the pottery decorative variability we suggest that slaves used decorated pottery to express cultural and social differences.     

The Precarity of Young People’s Housing Experiences in a Rural Context

Young people’s housing, economic and labour market circumstances have become increasingly insecure due to the combined effects of the 2007/2008 economic crisis, neoliberal welfare reforms, rising costs of higher education and the shortage of affordable housing. Discussions of young peoples’ experiences in these domains have largely neglected their spatial variability but evidence suggests that young people living in rural parts of the UK have distinctive experiences of housing, which are closely connected to labour markets and educational opportunities. By drawing on qualitative data from young people and housing professionals, this article explores some of these rural distinctions and frames them within theoretical debates about the ‘precariat’. It argues for a more theoretically informed and geographically nuanced understanding of contemporary housing issues as rural youth potentially face greater precarity than their urban peers.     

The History of Cartography in Brazil in the 1940s: Jaime Cortesão's Lecture Courses

Abstract

During the Napoleonic Wars the military croquis, or sketch map, played an important role in the spatial management of the various campaigns. Presumably, many of these sketch maps were destroyed or discarded after their immediate use. Those that survive have received little scholarly notice. Attention is drawn in this article to a large and well-documented collection produced during the campaign in Russia in 1812 and subsequently amassed by the Saxon cartographer Ferdinand Heinrich August von Larisch. The operational value of the military croquis is examined and the relationship between cartographic poetics and historical representation considered.     

No laughing matter? The ethics of racial humor in Tres sombreros de copa

ABSTRACT

Miguel Mihura's Tres sombreros de copa is often celebrated as an irresistibly funny critique of the values of the bourgeoisie in early twentieth-century Spain. Yet the enjoyment of some (myself included) is tempered by a discomfort at the handful of references to race and blackness in the play. Drawing on an approach to the ethics of humor that recognizes its performative aspect, this article considers several productions of Mihura's comedy from 1983 to 2011 and analyzes the various ways in which they do or do not engage with the potentially “racist” humor of the published text and with the issue of how to perform the character of Buby on stage.     

Regional Polycentrism in a Mountainous Territory: The Case of Covilhã (Portugal) and Alpine Cities

The Portuguese mountain city of Covilhã possesses a singular industrial tradition. Today, many of the urban interventions undertaken result in an urban space and landscape disconnected from the mountains. Alpine mountain cities emerge as emblematic, given the representativeness the Alps assume within the context of European mountains. In the Alpine region, the polycentric system of cities condenses the characteristics associated with the topographical particularities and singular types of inter-municipal and cross-border relationships, where the economic changes and regional policies can be observed with greater clarity due to their specificity. In general terms, the quality of life, based on the landscape values, the identification of the citizens with their territory, and on the territorial planning at different scales, emerges as being linked to the construction of a brand identity based on sustainable urban development. It is in this sphere that the study of Alpine cases can inspire good practices to be applied in the Portuguese territory of the Beira Interior, namely in the medium-sized cities and in the synergies between them and the natural spaces. Thus Covilhã finds itself in an advantageous position to use its situation to construct a city brand in harmony with the mountain territory.     

The Stade de France. The Last Expression of French Centralism?

The Stade de France was built for the 1998 World Cup finals. The success of the French team and the substantial infrastructure investment that came with the stadium transformed the image of the formerly industrial suburb of Plaine-Saint-Denis where the stadium is located. However, the impacts of the Stade de France have been uneven and the northern suburbs still present substantial challenges for economic and social renewal. Whilst the key decisions about locating the stadium were taken by central government, the arrival of the Stade de France coincides with radical change in the governance of urban renewal, and future planning of the area will be managed through complex arrangements of inter-communal cooperation and inter-governmental coordination.     

Disruptive marginality: The representation of wildness in Lope de Vega’s Baroque dramatic art

Abstract

The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valentín in 1588. Enduring popularity until Bances Candamo’s 1693 comedia, La piedra filosofal, this steady preoccupation with the concept of wildness offers unique insights on the evolving landscape of Baroque ideologies over time, which are rarely considered diachronically. Dramatic representations of wildness signify the transgression of a prescribed norm—be it social, political, racial, or otherwise—which leads to its necessary elimination to resolve the conflict of a given play. In this article, I will plot the trajectory of dramatic conventions in their diminishing ability to resolve the recurring problem of wildness, thus offering a literary history of the comedia’s social efficacy as it struggled to sustain the weight of its own ideological commitments. Furthermore, I will examine the implications of my approach on longstanding debates on the ideological function of Baroque Iberian drama by analyzing the theoretical problem inherent in the existence of the marginal terrain wildness inhabits. My approach considers who stands to benefit from social order and those who, like the wild figure, find themselves excluded. At a time of renewed energy for exclusionary ideologies, aspirations of encompassing the marginalized are as important today as they were in 1588.     

Cogs in the Machine: The Experiences of Female Munitions Workers and Members of the Australian Women’s Land Army in South Australia, 1940–45

Mobilisation on the Australian ‘home front’ during the Second World War enabled some women to move temporarily into employment usually reserved for men, and to earn significantly higher wages than they were accustomed to, but the benefits of this have been often overstated. Focusing on South Australian women in the city and rural areas who took up the new working opportunities — in munitions factories and the Australian Women’s Land Army in particular — this article demonstrates that relatively few women were entitled to higher wages, such wages were lower and paid later in South Australia than in other states, and that working conditions were unattractive and often dangerous. At the war’s end, the social imperative to marry and raise children, coupled with demands that they give up their place for male workers, then saw many women return to domesticity or less-rewarded and lower status ‘female occupations’.     

Roland Barthes's Soirées de Paris : An alternative view of Parisian night life

This article concerns Roland Barthes's posthumously published Soirées de Paris , a text comprising a series of diary entries dating from the period shortly before the author's death. The article discusses the critical reception of this work in terms of two extreme positions; the first is that the publication of this text is an immoral act of voyeurism, whilst the second is that this text reveals the 'true' homosexual Barthes who was for so long repressed. The article does not concur with either of these views, but argues instead that Barthes's Soirées de Paris does not break radically with his previously published works, but rather develops and continues many of the main themes of his earlier writings, in particular the autobiographical preoccupations to which he had recently turned.     

The Historic Port of El Real de Salinas in Campeche, and the Role of Coastal Resources in the Emergence of Capitalism in Yucatán, México

The emergence of capitalism in the peninsula of Yucatán is generally presented as a process resulting from the capitalization of the agricultural sector and the export of products from its sugar, cotton, and henequén plantations in the nineteenth century. In addition to these products, the peninsula also had a dynamic coastal economy in which the harvesting of salt and the extraction of logwood (Haematoxylum campechianum), played a major role and contributed to the flow of goods to international markets. We present a preliminary archaeological survey and historical documentation of El Real de Salinas, a salt-producing port on the north coast of Campeche, which was also involved in the extraction of other coastal products and closely linked to the inland plantation system.

The changing nature of the peri‐urban zone in Africa: Evidence from Dar‐es‐Salaam,Tanzania

Research on the peri‐urban zones of African cities since the mid‐1980s has focused around three main themes, these being peri‐urban agriculture as a survival strategy, debates about the relative efficiencies of peri‐urban agriculture, and the question of production priorities. Drawing on recent evidence from Dar‐es‐Salaam in Tanzania, this paper suggests that a combination of structural adjustment measures and the eased economic crisis in Tanzania has changed conditions, the result of which has been the increasing commodification of land in the peri‐urban zone during the 1990s. This has turned the peri‐urban zone more into a zone of investment and economic opportunity, rather than a zone of survival, with the result that the poorer urban groups are being increasingly excluded. A further complication concerns confusion arising out of current Tanzanian land law, and particularly the tensions between customary and statutory law.     

The development of ∂/interconsonantal laryngeal in Iranian

Conclusion The examination of the material has shown that the only indisputable counter-example against Meillet's theory is Av. (p)tar- and its derivatives -fr and tirya-. All the other examples have been shown to be wrong, or at least to have other and in my opinion better explanations. Other theories beside Meillet's have been rejected, either because they are based upon such presuppositions as make them objectionable from a methodological point of view, or because they do not explain the actual facts as they stand. Even though no convincing explanation has been found to make ptar- fit in with Meillet's theory, I do not think that this word alone is justification enough for abandoning this otherwise well-founded theory and replace it with one which can perhaps account for this word, but is in other respects inferior to Meillet's.This article is an adaption of a part of my thesis for the degree of Magister Artium in Comparative Indo-European linguistics at the University of Oslo. I thank Professor F. O. Lindeman and Research fellow P. Skjærvø for their assistance in the preparation, and Professor F. B. J. Kuiper for valuable comments on some points in the article.     

‘How to handle eternity’: infinity and the theories of J.W. Dunne in the fiction of Jorge Luis Borges and Flann O'Brien's The Third Policeman

This essay examines the importance of the notion of infinity to the work of Flann O'Brien and Jorge Luis Borges. Using as a starting point their shared interest in the Irish-born popular scientist J.W. Dunne's highly eccentric theories about the ‘multidimensional’ nature of time, the essay goes on, through a close analysis of a number of Borges' stories and of O'Brien's novel The Third Policeman, to call attention to a fundamental affinity between these two ostensibly quite different authors. A case is ultimately made for a consideration of Borges and O'Brien as writers with remarkably similar views on fiction and the universe.