Mythology Wars: The Indian Diaspora, “Wendy's Children” and the Struggle for the Hindu Past

A schism has appeared between sections of the Indian diasporic community and members of the Western academy over the authority to present and interpret Hindu mythology. This paper tells the story of these “Mythology Wars”. It focuses on critiques of Western scholarship by self-identified Hindu critics, primarily Rajiv Malhotra in his articles ‘RISA Lila–1: Wendy's Child Syndrome’ and ‘RISA Lila–2: Limp Scholarship and Demonology’ (Malhotra, 2002 and 2003). The primary foci of diasporic criticism are Wendy Doniger's writings, including The Hindus (2009), and three works by other scholars, Jeffrey Kripal (Kālī's Child,1995), Sarah Caldwell (‘The Blood-thirsty Tongue and the Self-feeding Breast’, 1999) and Paul Courtright (Ga[ndot]e?a, 1985). There is no end in sight to the Mythology Wars. It is unlikely that critics in the diaspora will become less vigilant or less vocal. While members of the Western academy may become more circumspect and more sensitive to the potential strife they face, they are unlikely to impose any form of self-censorship. The defence of “academic freedom” has a long and deep history.     

The Violence of Poverty: Theology and Activism in an “Age of Austerity”

ABSTRACT

Faith groups are in the front line of the struggle to defeat poverty in breadline Britain. Given their roots in local communities Churches and Christian NGOs are well-placed to challenge economic policies that have resulted in the spiraling of food poverty, homelessness, personal debt and child poverty. By framing poverty as a political choice, a form of structural violence and systemic sin this paper brings peace studies and political theology into a constructive dialogue. In the face of ongoing “austerity” the paper demonstrates that poverty represents a clear and present danger to the social fabric of the UK and argues that only a re-imagined interdisciplinary theology of liberation can provide academics and activists with the tools needed to defeat systemic poverty and the cultural violence upon which it rests.     

The Capture and Curation of the Cannibal ‘Vendovi’: Reality and Representation of a Pacific Frontier

ABSTRACT

The United States Exploring Expedition into the Pacific launched in 1838 was marked, like the continental expansion westward, by violent encounters with Native peoples. By examining the record of the expedition's kidnapping of the Fijian Ro Veidovi, the fate of his body after death, and the ways his story came to be invoked in the official narrative of the expedition, the popular press, the ‘National Gallery’ and, more recently, the Fijian press, this paper demonstrates how violent contacts on the Pacific frontier were remembered, effaced, and reconceived. The changing story of Ro Veidovi permanently bridged distant locales in an emerging ‘Pacific World’, setting in motion transcultural negotiations that continue to this day.     

“Turkish Dames” and “English Mastiffs”: The “Turk” and the Female Body in Massinger’s The Renegado

Abstract

In early modern travel discourse, exploration of ‘distant’ or ‘other’ lands is typically configured as some aspect of the female body. Power relations between East and West were often described in terms of conquest or ravishment, the site of which is typically the female body, as might be seen in early modern English literary response to the Ottoman. Couched in terms of the menace the Ottoman poses to the Western Christian, Massinger’s The Renegado courts parallels between sexual license, female rebellion, and religion to address domestic threats at home–not from the Ottoman Empire, but rather from the rebellious English women, who represent a clear danger to the patriarchal hegemony.     

Defending ‘the Principle of Representation’: Andrew Bisset,The English Civil War,and The History of the Struggle for Parliamentary Government in England

Abstract

Victorian attitudes to the past were varied and in some cases irreconcilable. Newer standards of expertise and objectivity coexisted with older approaches, and the idea that history should be used for present purposes remained intact. Throughout the Victorian age there were circumstances in which history was a polemical tool, designed to give one set of interpretations or values or policies an advantage over its rivals. This article explores the work of a relatively neglected figure in Victorian historiography – the reform-minded historian and lawyer Andrew Bisset (1803–1891) – whose primary goal was to illustrate and advance what he called ‘the principle of representation’. He discussed people and events of the past to this end, offending reviewers along the way because of his obvious political agenda, but also developing a rigorous source-based style, usefully evaluating for his readers the work of Macaulay, Carlyle, and others, and helping to shape Victorian opinion about, in particular, the political and religious crises of seventeenth-century Britain. Like others, Bisset believed that the disputes of that period had relevance to the public controversies of his own day. This article is designed to contribute to ongoing debates about the Victorians’ relationship with the past.     

‘Demonstrating the Machine Guns’: Rebellion,Violence and State Formation in Early Colonial Darfur

Recent literature on British colonial rule in Africa has increasingly emphasised the ways in which relatively cautious colonial states were formed in processes of engagement and accommodation with local societies. This article uses the example of a major rebellion against colonial authority in southern Darfur in 1921 to demonstrate the ways in which these processes of local engagement might themselves feed into rebellion against state authority, rather than secure colonial rule. The rebellion was inspired by Mahdist millenarian belief, but the involvement of local societies in both the rebellion and its repression was also shaped by patterns of local rivalries into which the colonial state had entered as an additional actor. The article also reminds us, more broadly, that spectacular violence and local accommodation were not distinct modes of colonial governance but rather continually intertwined in processes of colonial state formation.     

“The artifice of eternity”: The Wanderings of Oisin and the Byzantium poems

Yeats’s poetry and drama centre on conflict, and crucially, on the clash between the mortal and the eternal. In this essay, I focus on the way in which The Wanderings of Oisin foreshadows and informs the treatment of eternity in Yeats’s later Byzantium poems. The Wanderings of Oisin explores the intensity of human longing for the eternal despite our time-bound nature, prefiguring his later impassioned though analytical Byzantium poems. Although the Byzantium poems seem initially to glorify eternity at the expense of human life, this essay traces the complexity of Yeats’s desire. Previous criticism has understated the extent to which Yeats’s poetry actively resists the siren song of eternity. The Byzantium poems problematise the eternity that they seem to desire, and this article reveals them as inflected by the way in which The Wanderings of Oisin questions the value of the eternal realm in the light of mortal heroic values. The “intensity, solitude, defeat” of the artist are inevitable, but there is a victory of sorts won from the poet’s deliberate inability to commit to any version of the eternal that preclude his own power and humanity. Yeats’s poetry runs the gamut between versions of desire that express an overweening desire for resolution even as they retain their resistance to any single pure state of being, if any such state is possible.