Who Said, “Confucius Composed the Chunqiu”? ——The Genealogy of the “Chunqiu” Canon in the Pre-Han and Han Periods

It is often said that “Confucius composed the Chunqiu 春秋 (The Spring and Autumn Annals) to convey the way of the king.” Scholars have long noticed that before the founding of and during the Han Dynasty the phrase that served as the title of the allegedly Confucian work, “Chunqiu,” was also often used to designate history in general. In what intellectual and textual contexts did the term evolve from something general into a specific concept associated with Confucius? What works or ideas did pre-Han and Han scholars have in mind when discussing Confucius’s Chunqiu and the broader “Chunqiu” canon?1 Exploring these questions, the study that follows begins by systematically documenting the occurrences of this term in pre-Han and Han texts. It demonstrates that while Mencius was the first person to associate Confucius’s teachings with the Chunqiu, his statement was a solitary and surprising voice in the pre-Han era. Not until the Western Han Dynasty was Confucius widely heralded as the creator of the Chunqiu. But few scholars are aware that Western Han scholars never strictly distinguished the laconic Chunqiu from the detailed historical knowledge preserved in the Gongyang 公羊, Guliang 谷梁, and Zuo 左 commentaries. Furthermore, as the Chunqiu gained canonical status, the phrase still served as a generic term, referring to various historical narratives. Zhang Xuecheng 章学诚 is famous for claiming that “The Six Classics are all history,” and I shall show that in the minds of the people of the Han Dynasty, all historical works were classics.     

Koh, Khee Heong, A Northern Alternative: Xue Xuan (1389-1464) and the Hedong School

How did a Neo-Confucian scholar who built no academies,who actually discouraged interested students from studying with him,and whose followers did not have a strong sense of group identity become the first scholar enshrined in the Ming dynasty's imperial Confucius Temple? This is the question that Khee Heong Koh seeks to answer in writing this masterful study of the Ming Neo-Confucian master Xue Xuan.After all,admission into that temple's rolls was a rare honor,one carefully controlled by every imperial court.Only four men were enshrined over the entire Ming dynasty,and Xue is interesting not only because he was the first to be enshrined,but also because he was the only one of the four from northern China.Koh provides us with a detailed picture of this heretofore largely forgotten scholar-official and how he came to be thus enshrined.But this is not simply a biographical study;Koh also problematizes the monolithic understanding of Ming China as having been completely captivated by the Wang Yangming School of Neo-Confucianism.     

A Textual Interpretation of the the Eight Cortege of The＂Wenxian （document） ＂inConfucian Analects

The “Wenxian(document)“in the Confucian analects said by confucius is the literal ma-terials which possess evidential functions. It‘s wrong that the past scholars explained the “xian“as the“wisdom“ many times for all generations, and all kinds of these explanations didn‘t conform to thcmeanings of Confucius himselfs. According to the original meanings of the Chinese word “Xian“ andthe tradition of collecting situation of the people in the ancientry,the “Xian“ is the literal materialswhich was reported to the leadership from conditions of the lower levels, and the only difference be-tween “Wen“ and “Xian“ is that the latter emphasized that itself had originated from the local proffer.when the literal materials from the local proffer“have been stored into the archives of the court“andwas put together with the “Wen“ which was stored in the court before,as another words,when theywere mixed together,the difference between“wen“and “Xian would disappear gradually and wouldhaven‘t any significance. So it was called“Wenxian(document)”as a word generally     

简帛《五行》述略

“Wu Xing”(五行), an epistemological literature written on bamboo slips and Silk, is fully configurated and carefully designed . The oringin of its thought may trace back to Confucius and Zi You(子游). Its content directly affected the theory of Xin (心 mind) and Xing (性 nature) which appeared in late Warring States. In the course of writing the article, Zi Si‘s(子思) theory affected the part Explanation of “Wu Xing”, and the part Commentaries on “Wu Xing” were finished by the students of Shi Zi(世子) no later than the period of Mencius(孟子). It has been spent a long period finishing the literature which is a whole system consistes of Scripture(经), Explain on Classics(说) and Commentaries on Classics (传). “Wu Xing” had been lost after Han dynasty (206 BC-220 AD), and the reason for which attributed mainly to the thought despotism.     

On the Thirteenth Dalai Lama Ngawang Lozang Thubten Gyatso

The thirteenth Dalai Lama Ngawang LozangThubten Gyatso was a very spectacular and complexcharacter on the political stage of Tibet in moderntimes.His experience of a lifetime of frustrations re-flected the then tempestuous and changeable situation.Any evaluation of a Tibetan political and religiousleader has always been a contentious problem in aca-demic circles,because it involves the explanation andexposition of relations between the Tibetan local gov-ernment and the Central Government after the Revo-lution in 1911. For a long time I have had a keen inter-est in the“the Great Thirteenth,”as he has been called.After a long period of study I have formed my view-point on this historical figure, and I present it here to     

Left Alone But Returned With Horses

The author was born in December 1943 in the Qamdo Prefecture and died of illness in 2000. She was a writer and a member of the Tibet Branch of the Chinese Association of Writers. She used to be head of Nagqu Prefecture, Deputy Director of the Nagqu Prefectural Bureau of Animal Husbandry, Vice-Chairman of the Tibet Association of Literary and Art Circles, Chairman of the Tibet Association of Folk Literature Writers, President of the Tibet Society of Folk Culture and Chief Editor of Tibet Folklore. Her works include Changtang Grasslands and I. Here is a story she once wrote.     

Brindley, Erica Fox,Individualism in Early China: Human Agency and the Self in Thought and Politics

In this bold and thought-provoking book Erica Fox Brindley examines an issue long assumed to be a primary point of difference between European cultures and their descendants and the intellectual milieu of early China:the role of the individual.In the past,comparative studies of the individual in China have often assumed a basic distinction on this point,or have taken up one definition of the individual and argued that it did not exist in a particular Chinese context.Brindley eschews the ready comparison and instead looks to see whether concepts of the individual did exist in early China.She demonstrates there was in fact considerable discussion of the individual in pre-imperial intellectual history,and the bulk of her book is an examination of its forms.     

浅析代笔书画

Ghostuwriting is a most complicate and difficult problem in the respect of Chinese calligraphy and painting authcntication because the ghostwriting is the requirement of the painter himself and usually approved by him. The painter will cooperate with the ghostwriter and try to be invulnerable. The author introduces such kind of phenomenou in the Chinese calligraphy and painting history in quite a detail. which is believed to he a great help to the authentieators or collectora.     

Double-body pottery pot

The double-body pottery pot was unearthed in 1977 at the Karub ruins in Chamdo,Tibet,and has a history of more than 4,000 years.The shape of the vessel is made of two identical bag-shaped gallipots connected together,so it is named"double-body pot".According to the fibet Museum,the pot mouse has a diameter of 11.3cm,a bottom diameter of 8.4cm and a height of 19cm.Its texture is yellow pottery with sand.The mouth is horn shaped,straight neckt abdomen is con nected bag shaped double body,cervical shoulder has a pair of holes for tying rope.The surface of the pot is exquisitely decorated;with the use of carved lines and Cinnabar black painting decoration.The ware is full and beautiful in shape,ingenious in conception and skilled in craftsmanship,which represents the highest level of pottery production of Karub culture at that time and is known as the representative work of neolithic pottery in Tibet.     

Why I Organized the “Mutual Aid Team” amongst Our Poor People？

Tsering Lhamo,a Tibetan woman,was born in Luntse County of the Tibet Autonomous Region（TAR）.She joined the Communist Party of China in 1960,and was the on-going party secretary of a town in Nedong County.She led eleven households of Nangsan（serfs） in 1961 to form a mutual support team for agricultural production and achieved a rise in local production.Later,the labour committee of the Tibetan branch of the Communist Party cited her as the＂model for thousands of liberated serfs＂.In 1977,under her leadership and with the efforts exerted by local members of the commune,     

论乐平古戏台的艺术特征

It has been a popularity to build opera stages in the village of Le Ping in Jiangxi Province since the ancient time and a great number of the Ming and Qing Dynasties have been handed down to form a paramount of traditional art characterized with ancientness, abundance and beauty. The gorgeousness, the vigour and the elegance of the ancient stages are really rare in the Jiangxi Province even throghout China, which has already reached the peak of the building art of opera stage.     

The Creation of Science and Technology Terms in Tibetan and Modernization in Tibet

1.There can be no modernization in Tibet withoutmodern science and technology,and the dissemina-tion of modern science and technology needs languageas an intermediary.As the main common language ofthe Tibetan people,the Tibetan spoken and writtenlanguage has played a very important role in the exist-ence and development of the Tibetan people.It hashelped to promote and maintain material and ethicalprogress,and to maintain the integrity of the nation,and so has left a brilliant page in the cultural store-house of the motherland.Now,as society witnessesprogress in science and technolog,and confronts the     

那曲牧民的新生活

At the end of 2019,Ireceived a message from Tsering Gyalpo,a singer and storyteller of the epic of King Gesar.He said he and his fellow villagers had moved from Tsonyi County in Nagqu City to Sengpori,which is in Gonggar County of Lhoka City.With the message,there were some photos of him standing in front of a row of new houses and of himsitting in a living room with brand new furniture all around.     

Iodel of Library Training Prograrm at the Tibet Library

Librarianship in Tibet has changed gradually through the years. Its development has been closely tied to the movement of history, economics, and culture in Tibet. There are many issues that have become obstacles in the development of Tibetan libraries. Foremost among these issues is the shortage of professionally trained librarians. This paper discusses the history of Tibetan libraries, and explores the situation of the library and information science （LIS） profession in Tibet. Finally, through analysis of current situations and problems, this paper discusses a model of a library training program at the Tibet library to provide variety and appropriate continuing education for librarians in Tibet.     

A Storm of Changes Sweep over Tibetan Farmers and Herdsmen Led by the Qinghai-Tibetan Railway

From the opening traffic of the Qinghai-Tibet Railway,a major restriction on transportation to and from Tibet was finally removed. Such a change has had a massive impact on the economy of the Tibet Autonomous Region (TAR) as a whole and,in particular,on the rural Tibetans.In other words,the railway became a leading force in the re- structure and advancement of the Tibetan economy.     

A Storm of Changes Sweep over Tibetan Farmers and Herdsmen Led by the Qinghai-Tibetan Railway

From the opening traffic of the Qinghai-Tibet Railway,a major restriction on transportation to and from Tibet was finally removed. Such a change has had a massive impact on the economy of the Tibet Autonomous Region (TAR) as a whole and,in particular,on the rural Tibetans.In other words,the railway became a leading force in the re- structure and advancement of the Tibetan economy.     

THE TIBETAN VILLAGE OF NORTH WEST YUNNAN-a basic grammar of local authenticity

This work is the result of a journey in North West Yunnan. The European architects try to identify and explain which the main characters of local authentic architecture are, and to define a basic grammar. Observing the ongoing trends of change, they make comments and give some basic personal suggestions about architectural conservation. Authenticity is not an absolute idea and it should be clear that the following observations come from a European conservationist point of view. The document is written in the perspective of promoting a conservation oriented to tourism development in the area.     

Inheritance and Vicissitude of the Tibetan Diet——A Case of A Tibetan Rural Community

The dietary structure and customs of the Tibetans1 include both simple and complex elements.The transition from a diet composed mainly of tsampa and butter tea to the integration of alien and industrialized foodstuffs into the Tibetan dietary culture reflects,in a way,the processes of adaptation,integration and vicissitude of the Tibetan rural community during modernization.This article attempts to discuss the relationship between the traditional culture and modernization in Tibetan rural communities during the process of cultural interaction and modernization by studying the dietary structure and customs of Tibetan farmers in Nyang-re Township located in the north outskirts of Lhasa,Tibet Autonomous Region (TAR).