Gombrich’s critique of Hauser’s Social History of Art

This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.     

America’s ‘Religion of Civility’ and the Calvinization of the World

This article examines the importance of Calvinism in producing the public/political “mind-set” of the United States, and how, after the Second World War, the export of this mind-set was as significant as the export of democracy, rock-’n’-roll, jeans, and Coca-Cola. It discusses the historical legacy and evolution of Calvinism from a civil religion to a religion of civility, and how the form and manner of Calvinist thinking—more specifically its ethic and aesthetic—has persisted in a secular manner so that much that Calvin would have found damnable is now intrinsic to the “religion of civility.” It then concludes that the central principles and practices of this religion of civility have had success within nations already “Christianized” but, perhaps understandably, not outside of that sphere.     

Spinoza’s genealogical critique of his contemporaries’ axiology

Among Spinoza’s principal projects in the Ethics is his effort to “remove” certain metaethical prejudices from the minds of his readers, to “expose” them, as he has similar misconceptions about other matters, by submitting them to the “scrutiny of reason”. In this article, I consider the argumentative strategy Spinoza uses here – and its intellectual history – in depth. I argue that Spinoza’s method is best characterised as a genealogical analysis. As I recount, by Spinoza’s time of writing, these kinds of arguments already had a long and illustrious history. However, I also argue that, in his adoption of such strategies, we have good reason to think Spinoza’s primary influence was Gersonides. Elucidating this aspect of Spinoza’s critique of his contemporaries’ axiologies brings a number of explicatory and historical boons. However, regrettably, it also comes at a cost, revealing a significant flaw in Spinoza’s reasoning. Towards the end of this article, I consider the nature of this flaw, whether Spinoza can avoid it and its ramifications for Spinoza’s wider philosophical project.     

The ‘Rebalancing’ of New Caledonia’s Economy

This article assesses the impact of ‘rebalancing’ (ré-équilibrage) policies implemented in New Caledonia following the Noumea Accord in 1998. These policies were designed to redress the disadvantages of the Indigenous Kanak population (both at the political and at the socio-economic level) and to foster Kanak support for a post-Noumea Accord deal with the non-Indigenous population. It outlines the institutional framework of the Noumea Accord and its impact on development policy, exploring the structural dynamics of the New Caledonian economy and the extent of achievements in reducing inequalities. Conventional indicators demonstrate some accomplishments as regards reducing provincial inequalities but this article argues that the goals of rebalancing remain far from achieved and it explores the reasons for those shortcomings. I argue that most difficulties stem from the lack of structural reforms and absence of a shared vision of development. Nevertheless, scope does exist in New Caledonia for fostering balanced development that is environmentally and socially sustainable and better adapted to local specificities.     

The ‘Social Construction’ of David Schneider as ‘A Giant of Anthropology’

David Schneider is widely regarded as one of the great anthropologists of our times. This article questions this opinion. First it shows that his fieldwork on the Micronesian island of Yap evidences ethnographic insensitivity, particularly on the matter of an alleged ignorance of physiological paternity, thus calling into question his supposed concern with getting at native understandings. The alleged ignorance forms the ethnographic basis for his later critique of established kinship studies. This, plus his ignorance of lexical marking, invalidates the critique. Even worse is his study of American kinship and its related theory of culture, both consisting mostly of top-of-the-head impressions unrelated to specific operations.     

Herodotus’ Use of Aeschylus’ Persae as a Source for the Battle of Salamis

Herodotus demonstrably used Aeschylus’ Persae at various points in his account of the battle of Salamis. The author argues that Herodotus relied on the Persae far more heavily and in far more places than commonly admitted owing to Herodotus’ thoroughgoing interpretation and revision of his source. Tracing such interpretation and revision reveals much about Herodotus as an historian; moreover, the demonstrable use of a written source (which Herodotus, in fact, never mentions) raises additional questions about the extent of Herodotus’ reliance upon written sources elsewhere.     

The ‘Evidence’ of sex,the ‘Truth’ of gender: Shaping children's bodies

This paper is about the body, specifically a child's body, as a site where identity becomes contested. It is also about a surface or space where we lay claim—a site of vested interest. In April 2004, the Australian Family Court ruled that a 13-year-old child (Alex) had gender identity dysphoria and decided to allow reversible hormonal treatment. The Court ruling produced considerable legal, medical and public reflection over whether these decisions were in Alex's best interests, whether Alex was able to make such a decision at his age, and to assess Alex's competency. These debates also aimed to fix sex and gender through the deployment of a nature and nurture framework. The purpose of this paper, using the example of Alex, is to illustrate the various ways that these claims over a child's body, undermine the possibility for rethinking sex and gender.     

Tocqueville’s Dual Theory of Revolution

Alexis de Tocqueville’s political thought is often seen as inconsistent for offering two apparently dissimilar theories of revolution. The first is universal democratisation, understood as a social phenomenon and a grand revolutionary change; the second sees revolution as the logical continuation and radicalisation of the preceding regime. The following question arises: was Tocqueville inconsistent in his principal works? I argue that this was not the case and that the two processes are complementary elements in Tocqueville’s model, which combines the ancient cyclical science of regime change with modern theories of revolutionary progress. What Tocqueville offers is a powerful political theory with considerable predictive power. Tocqueville, I consequently claim, should be viewed as a theorist of revolution rather than as a theorist of democracy per se.     

Samuel Clarke’s Lives and husbands’ remembrances of their wives

ABSTRACT

Among the narratives of eminent divines and Christian worthies that Samuel Clarke derived from published sources and included in his many publications are the lives of fifteen early modern women, three of them written by their husbands. Humphrey Gunter’s funeral memorial of his wife Mary, Samuel Clarke’s life of Katherine, and Richard Baxter’s of Margaret have a personal immediacy and an affectionate detail often absent from the other biographies. In the contexts of both the original publications and Clarke’s texts, their depictions of spousal relationships reflect the tension between traditional commemoration and individual expression apparent in seventeenth-century narratives of women’s lives. The bonds each husband recalls celebrate the virtuous wife, though none of the recollections is as forthright as Baxter’s insightful recognition of Margaret’s complex character and her significant role in their marriage.     

The Romance of Grime’s Graves

Abstract

The sculptures of the chapter house at York Minster are important examples of medieval art which hitherto have received little attention from scholars. Two problems posed by the sculptures are examined: the extent of restoration, and the iconography.

Some of the chapter house sculptures were mutilated and later restored; medieval and modern work contrast in stone preservation and in methods of attachment to the canopy. Fortunately the figures, which are full-length sculptures rather than heads, for the most part escaped destruction or later attempts at improvement.

The sculptures probably symbolise moral virtues and vices. Individual sculptors differed in their portrayal of allegorical subjects to illustrate this theme. A progressive group chose ordinary animals and attempted a realistic depiction. A conventional group opted for the more stylised, fantastical monsters of an archaic tradition.

Finally, Dr Eric Gee's identification of ‘toothache’ figures is reconsidered.     

‘Impressions of Weird Fate’: Revision and Crisis in ‘The Lady of Shalott’

Alfred Tennyson disliked the engraving of ‘The Lady of Shalott’ produced by William Holman Hunt for the 1857 Moxon edition of Tennyson’s Poems, accusing the artist of taking too many liberties in depicting the Lady’s hair and the threads of her weaving as ‘wildly tossing’ around her. This essay traces the histories of both Hunt’s image and Tennyson’s text, arguing that the poet’s objection is grounded in the fact the engraving reproduces the fierce agency that characterizes the Lady in Tennyson’s 1832 original but not his 1842 revision. That pattern of revision, I suggest, reflects the poet’s distress over the 1833 death of his beloved friend Arthur Hallam and is motivated by his new ways of thinking, in the wake of that catastrophe, about the crisis of desire and the perpetual trauma of communication between the living and the dead.