Benefits of visiting heritage museums: Chinese parents’ perspectives

Abstract

The family, as a leisure unit, is an important museum consumer group. The literature on family leisure in museums concentrates on the cognitive and the learning aspects in science museums and art galleries in western contexts. It provides limited explanation of the leisure outcomes acquired from visiting museums. This work addresses this lacuna by exploring the benefits perceived by Chinese parents who take their children to a cluster of museums along China’s Grand Canal, a world heritage site in Hangzhou. A review of museum and heritage research, combined with 17 on-site, in-depth interviews, generated information on a range of benefits which was used to design a questionnaire that was completed by 450 respondents. Five perceived benefits were identified using factor analysis. In order of significance, they are family bonding, community attachment, cultural awareness, restoration and personal growth. These perceived benefits have implications for museums and other public facilities catering to the family leisure market, as well as for governments, community organisations, the heritage sector and other stakeholders that are charged with managing cultural heritage.     

Sculptures in captivity and monkeys on megaliths: Observations in zoo archaeology

Abstract

This paper reconsiders some aspects of displays at archaeological open-air museums and heritage sites by looking in some detail at how wild animals are presented in zoological gardens. Topics discussed include the historic and current functions of collecting ancient artefacts, the various appeals of different artefacts and displays, trends in attracting visitors, the significance of systematics and typology, narratives reflected in the overall exhibition design, and the role of displaying artefacts in a specific ‘culral’ context. I argue that we should learn from zoos by placing a stronger emphasis on sensory experiences and visitor satisfaction in order to convey the ‘magic’ of the past.     

Conflicts Over the Repatriation of Sami Cultural Heritage in Sweden

Abstract

More than 400 years of colonization and assimilation policy by the Nordic states has created a new situation for Sami culture. Over this long period the Sami heritage has become thoroughly marginalized, but today the more overt conflicts that we find elsewhere in the world between colonizing states and indigenous peoples have diminished. Such conflicts are, perhaps, more characteristic of an earlier stage of the colonial frontier, and they have been replaced by post-colonial forms of consensus. Despite the shared experiences of the Sami in their recent history, some important differences have emerged between Nordic states in how the Sami heritage is perceived and how it is managed. Much more than in Norway, the dominant attitudes of the Swedish state continue to echo the discriminatory attitudes of the past, but in a more restrained way. This continuity of attitudes is demonstrated here using examples of current policies and practices. Particularly in Sweden, there are continuing conflicts between nationalism and the Sami world view, but I argue that these old conflicts are no longer the main problem in Scandinavia. Instead, scholars, Sami leaders, and others concerned with heritage in the north are finding common cause in opposing what we might call the ‘wilderness assumptions’ of policy makers in the south, especially within the neo-liberal Swedish state. These assumptions have been reinforced by the restructuring of state finances, and they are now leading towards neglect of northern cultural heritage and its associated institutions, particularly museums. These assertions are supported using examples from various museums and through case studies of the repatriation of Sami cultural objects such as drums and siejdde-stones, and the continuing problems with Sami skeletal remains.     

Heritage erasure and heritage transformation: how heritage is created by destruction in Bahrain

This article suggests that heritage erasure is also heritage transformation. The article is an analysis of alternative contemporary heritage processes in the Arab Gulf state Bahrain. I use three cases to illustrate the diversity of what heritage means in Bahrain and how heritage is transformed through erasure. First, I discuss the vast burial mound fields of ancient Dilmun, which in the process of their destruction due to modern development have been appropriated as some of the most significant national heritage of the Bahrain state. Secondly, I point to a heritage allegedly neglected by the state, the religious shrines of the Shia community, which to this group signify an alternative heritage and history of the islands. Finally, I discuss a potential heritage of the future, based on the recent destruction by Bahraini authorities of the Pearl Monument, which was the centre of the 2011 uprising in Bahrain as part of the so-called Arab Spring. Besides their political differences, the three cases are three different modes of engaging the past, either as past preserved, as a living past in the present or as a past that will change the future.     

Heteroglossic heritage and the first-place of the Kalahari

Abstract

Using Bakhtin’s concept of ‘heteroglossia,’ this article examines the layering and intersections of multiple claims to heritage places that form dialogics about heritage truths. Social groups derive their collective-self, in part, through association with a place, or places, to which they attribute their origin, described here as a ‘first-place.’ Identity maintenance can occur through the praxis of heritage tourism in which group members exhibit emotional performances during their visits to a first-place. Through the extended example of the Tsodilo Hills in Botswana and the various social groups – local ethnic communities, national citizens, and segments of the global community – who each form a collective-self using Tsodilo as a first-place, this article addresses the roles of science (archaeology) and tourism, and their interplay, in enabling several languages or dialects of belonging to coexist without dissonance. The argument is that heteroglossic heritage is possible because visitors’ affect-mediated encounters with heritage places facilitate the reaffirmation of their shared group identity. While all heritage discourse is heteroglossic, the article focuses on claims to a first-place set within a postcolonial context of nation building and modernising that involves the politicisation and re-spatialization of heritage places through tourism development.     

El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

The Darcy effect: Regional tourism and costume drama

Abstract

In the last two decades there has been largely critical discussion of the role which costume films play in the construction of the idea of national hertiage. Much of this writing has assumed that such films generally holster partial and conservative interests and represent a chronic nostalgia for a make‐believe past. Adaptations from historic classic novels are claimed to foist predominantly middle‐class tastes and standards upon the broader viewing public. The extraordinary success of the BBC's 1995 Pride and Prejudice gives one the opportunity to examine in some detail the inter‐connectedness of a number of cultural industries including heritage, museums, tourism, publishing and television, in audience perception and reception.     

Time as told: Telling the past in Kyrgyzstan

This paper addresses Kyrgyz ‘time-telling’, exploring how Kyrgyz herders and villagers ‘tell’ of their experience of time through genealogies, family stories and epic poetry. The author takes a phenomenological approach, drawing on different forms of narrative; interweaving history, myth and story; revealing the life within the past, as genres mesh (and not always seamlessly). She argues that the lived experience of ‘time-telling’ works through narrative, memory, sound, performance, and poetics, providing a matrix through which the past is continuously brought to life for performers and audience alike. The paper is in three parts. The first sets the scene, exploring three interwoven, kin-related Kyrgyz genres – family trees, genealogies, and epic poetry. The second looks at diverse manifestations of the Kyrgyz epic Manas, and its interpenetration with social life. The third reveals how different forms of performing and remembering the epic bring the past to life through the act of performance.     

Modelling the heritage world: Economic,legal and political considerations

Abstract

The economic literature on heritage has primarily analysed the impact of building preservation on real‐estate values and community redevelopment. Recently, economists have expanded their study on heritage to include everything from historic buildings and antiques to museums and monuments. However, this research ignores the political and legal characteristics of heritage and is used primarily to justify government expenditures on heritage. The economic study of heritage should include a conceptual framework to explain the process through which certain artefacts acquire historic significance and value. This framework would provide guidance to establish which economic agents form part of the heritage world and what incentives guide them to join it. With this framework in place., we can evaluate how the tools used by these agents to obtain their own goals affect the provision of historic resources.     

Women’s representation and participation in UNESCO heritage discourse

ABSTRACT

Gender equality represents one of the most challenging objectives in contemporary society and has become a priority for UNESCO (Medium-Term Strategy 2008–2013 and 2014–2021), as it is considered ‘an essential part of the equation for more inclusive and sustainable development’. However, in various World Heritage sites, women are still being marginalised from decisional processes concerning the identification and interpretation of the past and they are often underrepresented in the main narratives. Using the case study of the World Heritage Vineyard Landscape of Langhe-Roero and Monferrato (Italy), I explore how international and national documents frame gender equality in order to uncover underground power dynamics that risk undermining cultural representation and participation. Through the analysis of the interviews done with a group of local female wine producers, I compare heritage discourses with the perception women have of their contribution in the identity and heritage-building process. If dominant heritage discourses are characterised by a rather male-driven set of values, could lack of women’s representation influence the activation of their participation? Are women willing to participate in the management of a heritage which has not been recognised through their values and meanings? What kind of participation would they desire?     

2007 Cultural Heritage Legal Summary

Abstract

During the past year there has been continuing progress in the ratification and implementation of the two most important international conventions that deal with tangible cultural heritage. This progress is, to some extent, surprising as it involves some of the more significant market countries, such as Germany and Switzerland. At the same time, Italy's efforts to recover its stolen cultural objects continued to meet with success as the Getty and Princeton museums agreed to return significant numbers of antiquities from their collections. Finally, two cases decided in British courts have recently taken center stage in the ongoing efforts of nations to protect their archaeological heritage through the legal system.     

Public archaeology and political dynamics in Portugal: A reply to Bednarik

Abstract

This article is concerned with five museums created by indigenous sámi people in northern Fenno- Scandinavia. In comparison to most Western nations' museums, Sámi-created institutions are a relatively recent phenomenon. Against the background of changing ideas about museums in the academic world, this article examines what kind of representation of the Sámi past has been created in their museums and, importantly, the reasons why these representations have been created in the ways that they have. What kind of knowledge does this create? How has the medium been adapted? How do these representations, in turn, change Sámi culture?

It is argued that Sámi museums have been influential in creating a sense of ‘Sámi-ness’ through their particular representations. Certain artefacts are presented as particularly active, and although their actions can cause conflicts, they are now being used to forge a deeper past for the Sámi people.     

Zoos as heritage tourism attractions: A neglected area of research?

Abstract

Zoos are a form of museum.¹ The main difference between zoos and other forms of museum is that zoos exhibit living objects. These objects are examples of natural heritage. Unlike other museums, the focus of much research in the past decade, zoos appear under‐researched. Zoos, however, are significant tourist attractions. There are over 10,000 zoos worldwide,² many in major world cities and some attract millions of visitors annually. Zoos date back at least three thousand years, but their role has been changing in the past twenty‐five years from menageries to conservation centres. Concern recently has focused on animal welfare when wildlife is in captivity, and this has led to a re‐examination of the purpose of zoos. This article examines the aims of zoos, their nature as heritage‐tourism attractions and the profile of zoo visitors. In an attempt to establish a new research agenda, the article also examines issues about the future of zoos, including questions concerning potential and real conflict between their educational, scientific and entertainment roles.     

Quo vadis,Delhi? Urban heritage and gender: towards a sustainable urban future

Historic architectural heritage is important to sustainable urban planning policy, particularly in cities that have heritage sites and/or themselves have ancient archaeological value. Delhi is one of the oldest living cities in the world. However, the vision of its planning policy is limited to valuing heritage for itself and for its economic value instead of also exploring the ways in the city’s heritage might contribute to the social organisation and utilisation of the urban public space. Particularly, like most national policy documents on heritage, it ignores the heritage/gender nexus, which has implications for the identity and status of women in Delhi, community development and ecological preservation. But twenty women practioners and scholars of development in Delhi referred to heritage as a challenge as well as opportunity for gender and urban sustainability when asked for their perspectives on the most important sustainability issues in the city. I argue that Delhi’s urban planning strategies must acknowledge the gender/heritage nexus to enable holistic and gender-inclusive urban development for the present and future generations of its citizens, which is an important thrust of the sustainability agenda.     

Digital heritage in a Melanesian context: authenticity,integrity and ancestrality from the other side of the digital divide

This article examines how digital heritage, in the form of 3D digital objects, fits into particular discourses around identity, ancestrality and cultural transmission in Melanesia. Through an ethnographic analysis of digital heritage use amongst the Nalik community in New Ireland (Papua New Guinea), it demonstrates how digital heritage is understood not in terms of deceit and a loss of authenticity, but instead, towards an understanding of authenticity in terms of completeness and integrity. A notion of completeness and integrity, I argue, has the effect of creating an authentic experience of the past for Nalik communities by bringing back museum objects (‘old’ objects) that have been dispersed amongst museums and heritage institutions worldwide. In tracing out the operations and effects of how a Melanesian community engages with 3D digital objects, this article offers unique ethnographic insights into digital heritage in ways that challenge widely-held assumptions about the heightened value placed on the original object over its digital counterpart.     

The HMS Swift shipwreck: The development of underwater heritage protection in Argentina

Abstract

The aim of this article is to evaluate, with a critical perspective, the legal framework for heritage protection in Argentina, viewing it within an international context and focusing on the HMS Swift shipwreck – sunk in Puerto Deseado (Santa Cruz province) in 1770 – as a case study. Moreover, some initial proposals for a management plan are presented as a first step in thinking about the challenges of preserving underwater sites in Argentinian Patagonia.

Through this analysis some interesting points are outlined, including the reasons that make the Swift shipwreck a leading case in Argentina. It is the first interdisciplinary underwater archaeology project in the country comprising archaeologists who are also divers; it is supported by national authorities; and it is the first project of its kind to give underwater archaeologists experience in dealing with archaeological research and preservation in an environment of multiple conflicting interests.

The international relevance of the Swift case relies on the nature of underwater cultural heritage as an international resource. The project's history is located in an international setting, derived from ihternational trade and communication, in which many ships and their contents have been lost far from their origin or destination. At a national level the Swift is a wreck with significant historical and cultural value. It is in a unique state of preservation and its location near to the shore makes it highly accessible. Locally,HMS Swift will be relevant when Puerto Deseado's community starts to recognise it as a significant part of their own heritage and local people become involved in the preservation of the wreck.     

Remembering the 1960s: popular music and memory in Europe

Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I draw upon interviews with representatives of museums, websites and archives. The article reveals a recurring tension between transnational and local experiences of the 1960s. It is found that media and heritage institutions like museums and archives predominantly have a national and local orientation, although narratives with a European vantage point are now emerging on the internet.     

The Ethics of Philanthropy

Abstract

This essay considers the ancient antecedents to the “new field” of the ethics of philanthropy, arguing that key questions such as “to whom should we give our money?” have already been explored by ancient authors and that the answers they give to these questions can be quite different to the answers given by contemporary scholars. By analysing the treatment of giving in Aristotle’s Nicomachean Ethics, Cicero’s De Officiis, and Seneca’s De Beneficiis, I argue that the focus of ancient thinkers upon giving within one’s own community can be viewed as a possible response to a number of issues that have been raised by modern scholars, including the “problem of acting at a distance” and the “problem of accountability.” Moreover, these ancient thinkers have additional, positive reasons for thinking that philanthropy should take place within one’s own community, based upon their ideas of man’s natural duty to his political community, and the social benefits that can be derived from local philanthropy. The integration of ancient perspectives, then, into these modern debates, can serve to complement and broaden research in this emerging field.     

Chiseling away at a concrete legacy: Engaging with Communist-era heritage and memory in Albania

Abstract

Albania spent much of the 20th century under one of Europe’s most ideologically repressive regimes. In order to justify and ostensibly protect this system, the Albanian Communist regime (1944–1992) constructed a massive array of defensive works, which formed a major piece of the Hoxhaist (after Enver Hoxha) aesthetic. Twenty years after the fall of Communism, Albanians have gained the freedom to travel abroad, but have largely avoided addressing the legacy of this difficult past within their own society. Based on the theory that some aspects of traumatic memory can be addressed through confronting and re-signifying material heritage, we explore some localized cases in order to comprehend the roots of this concrete legacy, combining theoretical analysis with field experiences in collaboration with the Gjirokastra Foundation. We suggest one possible approach to the difficult process of creating open community dialogue to deal with the scars of a traumatic past and thus begin the healing process.