Introduction: Textured historicity and the ambivalence of imperial legacies

ABSTRACT

In pursuit of a novel perspective on legacies of empire in the present, this introduction addresses prominent debates related to post-imperialism, collective memory, and the construction of historical knowledge, while also reviewing recent trends in post-Habsburg and post-Ottoman studies. First, I examine the insights and limitations of ‘memory studies,’ ultimately proposing a more capacious model of post-imperial ‘ambivalence.’ I then recapitulate Walter Benjamin’s dialectical approach to historical knowledge in order to anchor the signal conceptual contribution of the volume, ‘textured historicity.’ This discussion is followed by a meditation on the role of metaphors in conceptualizing post-imperial legacies and a roster of the most common metaphors for post-imperial legacies. Finally, the introduction briefly summarizes the volume’s constituent essays and the rubrics that unite them.     

Timeline History and the Anzac Myth: Settler Narratives of Local History in a North Australian Town

This paper explores rural Australian settler historical narratives through an examination of the landscape of public history in the northwestern Queensland city of Mount Isa. In various sites of public history, including the city's 75th anniversary festivities, tourism sites, and popular historical literature, certain narrative themes are predominant. Themes of ‘discoverers’, ‘firsts’, and ‘pioneers’ coalesce into a ‘timeline’ approach to history, in which the past is ordered sequentially in a linear pattern of development and progress. Aboriginal people are incorporated into linear histories in various ways, notably through the concept of ‘the last of the tribe’, which separates an aboriginal past from a European, colonial present and presumes colonial authority to be effectively established. Aboriginal people, particularly the Kalkadoon, are also incorporated within a second narrative tradition, the Anzac legend, for their heroic, desperate and failed battle in 1884 against European invaders. Aboriginal leaders in Mount Isa use these settler narrative traditions to advance native title claims and to create a respected public space for Aboriginal people in the city. In short, settler historical narratives, while being conservative in language, are continually being reshaped and metaphorically extended to new contexts, and are mobilized for both conservative and critical political agendas..     

Time as told: Telling the past in Kyrgyzstan

This paper addresses Kyrgyz ‘time-telling’, exploring how Kyrgyz herders and villagers ‘tell’ of their experience of time through genealogies, family stories and epic poetry. The author takes a phenomenological approach, drawing on different forms of narrative; interweaving history, myth and story; revealing the life within the past, as genres mesh (and not always seamlessly). She argues that the lived experience of ‘time-telling’ works through narrative, memory, sound, performance, and poetics, providing a matrix through which the past is continuously brought to life for performers and audience alike. The paper is in three parts. The first sets the scene, exploring three interwoven, kin-related Kyrgyz genres – family trees, genealogies, and epic poetry. The second looks at diverse manifestations of the Kyrgyz epic Manas, and its interpenetration with social life. The third reveals how different forms of performing and remembering the epic bring the past to life through the act of performance.     

Notes on Contributors

The author contends that Leonardo Sciascia's L’affaire Moro is not a work of non-fiction, as Sciascia proposed, but of historical fiction, and that Sciascia's Moro is a literary character, more a spokesperson for Sciascia's political views than a reflection of the historical figure. Sciascia's Moro embodies the same qualities as many of Sciascia's other protagonists, such as a radical individualism and willingness to sacrifice all in order to protect their dignity and liberty. What emanates from the text is a ‘postmodern’ blend that interprets and imposes a narrative hierarchy on events, and conveys a mental reality that need not necessarily coincide with what can be proven with evidence. In fact, Sciascia combines factual information and his own ‘conjectural knowledge’ to convince his reader of the ‘moral truth’ of his argument. Sciascia's is indeed a strong narrative in that it succeeded in shaping how the Italian public views to this day a critical juncture in its recent history.     

Down to Now: Memory,Narrative, and Women's Leadership in the Civil Rights Movement in Atlanta,Georgia

This paper is a case study of African-American women’s leadership. It documents women’s involvement in a voter registration drive in 1946 and traces the develop-ment of an ‘official history’ of that event that emerged in the ensuing decades. This narrative shifted emphasis from the organising leadership that both women and men exhibited to a form of leadership – success in electoral politics – that pertained almost exclusively to men. Concluding remarks address the relevance of memory and narrative for writing the history of women’s leadership.     

The social life of ruins: sites of memory and the politics of a Zimbabwean periphery

This article explores conflicts over a series of ruins located within Zimbabwe's flagship National Park. The relics have long been regarded as sacred places by local African communities evicted from their vicinity, and have come to be seen as their ethnic heritage. Local intellectuals' promotion of this heritage was an important aspect of a defensive mobilization of cultural difference on the part of a marginalized minority group. I explore both indigenous and colonial ideas about the ruins, the different social movements with which they have been associated and the changing social life they have given the stone relics. Although African and European ideas sometimes came into violent confrontation – as in the context of colonial era evictions – there were also mutual influences in emergent ideas about tribe, heritage and history. The article engages with Pierre Nora's notion of ‘sites of memory’, which has usefully drawn attention to the way in which ideas of the past are rooted and reproduced in representations of particular places. But it criticizes Nora's tendency to romanticize pre-modern ‘memory’, suppress narrative and depoliticize traditional connections with the past. Thus, the article highlights the historicity of traditional means of relating to the past, highlighting the often bitter and divisive politics of traditional ritual, myth, kinship, descent and ‘being first’. It also emphasizes the entanglement of modern and traditional ideas, inadequately captured by Nora's implied opposition between history and memory.     

How ‘creative’ is remembering? Culture-led regeneration and the politics of memory in Bogota,Colombia

ABSTRACT

Recently, Colombia’s post-conflict transition has experienced strong international attention. In Bogota, commemorative politics of the conflict insert themselves in complex processes of place branding: employing culture to rescale the city image from unsafe and violent to culturally vibrant. However, how to reckon with the country’s violent past in the culture-led renaissance of Bogota? Based on the author’s four-month of in-depth qualitative fieldwork on the main street Avenida 26 – at the center of both branding strategies and politics of memory – this paper shows the failure of institutional efforts to promote a brand of Bogota as a ‘City of Memory’. Socio-political divisions over the interpretations of the country’s past result in multi-scalar conflictive negotiations between politics and practices on the street: they reveal the tight link between memory, social justice, and urban segregation while denouncing the exclusionary visions of citizenship bared in political efforts to display memory as a territorial mark.     

The historical dynamics of ethnic conflicts: confrontational nationalisms,democracy and the Basques in contemporary Spain*

ABSTRACT. All the historical moments in which the Basque debate reached political protagonism in contemporary Spain coincided with political contexts of institutional democratisation. The debate on patriotism in the Basque Country is connected with a uniform narrative regarding the Basques and their moral distance from the Spanish nation: the ‘Basque problem’. This narrative has fostered a confrontational discourse between Spanish and Basque nationalism. It has also promoted recourse to specific stereotypical images of the Basques, which bind ethnicity to collective identity. Such representations reveal that the invention of the Basque country as a uniform ethnic collective had much more to do with the internal contradictions of Spanish national identity – and later of Basque identity – than with the existence of a secular conflict between Basques and Spaniards. The Basque case shows that every ‘ethnic conflict’ requires adequate contextualisation in order to avoid simplifying its origins and past pathways to make it conform to present uses.     

Life Narratives of the Past: Herta Müller on Communist Romania

Narratives of the past are created and, in some cases, recreated, through literary works by revealing fragments from past traumas, reinterpreting past events, or focusing on historical events held in the collective memory. In a text dedicated to excavation and memory, Walter Benjamin notes that when approaching one’s personal past, one must proceed like a person digging in the ground, and not be afraid of returning repeatedly to the same matter. This essay argues that Herta Müller uses this method to address the personal and collective Romanian past, creating through her novels a literary remembrance of the past that deeply resonates with the memories of those affected by totalitarian regimes. Never presenting a linear or whole narrative of the past but rather the pieces of a life-narrative puzzle, Müller’s literary world becomes a medium through which the victims of totalitarian regimes can regain control over the narratives of their past.     

The good and the bad of the same: On the political value of historical repetition in Angola

ABSTRACT

In this article I discuss processes of investment in historicity as an ideological, political and moral problem. Focusing on the study of religious and political movements in Angola, I address the problem of historical repetition as a form of ‘acting upon time’ which, in similar terms to Walter Benjamin’s citation a l’ordre du jour, contests the idea of temporal irreversibility. I propose that this contestation is multiplex and can produce ‘good’ as well as ‘bad’ historical repetitions.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

Memory,history and the classical tradition

‘Memory’ is often confused and mistaken for myth; this is in turn connected with the widespread use of mistaking collective mythology and common myth for the idea of a ‘collective memory’. This essay discusses memory and history terminology in the context of the generic concept ‘classical tradition’. The case study explored here – the nineteenth-century Walhalla ‘temple’ near Regensburg in Southern Germany – is an attempt to discuss the classical tradition, focusing on archaeology and architecture rather than philology), within the parameters of the memory and history debate in contemporary historiography. The essay aims to develop the position of the iconic and symbolic importance of antiquity and the classical tradition in the memory and history debate as well as in historical writing. The concluding remarks emphasise the necessity of historicising tradition and its genealogies, conceptualised here as a tradition of legacies.     

Deferring to Vichy in the Western Hemisphere: The St Pierre and Miquelon Affair of 1941

This article argues that commentators such as Will Hutton might be somewhat premature in their forecast of an imminent collapse of the Chinese economy as a principal mechanism of general global economic downturn. Long-term predictions surely require some long-term data from the real historical past? The author argues more specifically that in recent history the turning points in the Chinese political economy tend to come from technological and related problems within that economy itself, rather than through political pressures arising from outside China. It follows that Chinese political transition awaits further economic development and its association with the emergence of a new phase of technological progress. This approach differs from that of the ‘adaptive governance’ analysts, who argue that evolution of political regimes may be traced through linkages between contemporary political processes and the ‘revolutionary precedents’ of the 1920s. Instead the author considers a continuous history of technological exigencies into the present time as the effective stimulants of regime changes.     

Contestation and negotiation: regionalism and the politics of school textbooks in Ukraine's eastern borderlands

ABSTRACT. This paper aims to explore the (re)construction of identities in three regions adjacent to the Russian–Ukrainian border. The article analyses the areas' historical and political development and argues that placing such areas within a mega‐region term such as ‘eastern Ukraine’ fails to recognise important differences between them. Content analysis of regional history textbooks reveals that the ‘official’ state historical narrative found in school history textbooks is heavily negotiated, with regional elites in each area ‘picking and choosing’ which parts of the ‘official’ state narrative to accept and which parts to reject. In this way, the article demonstrates how the notions of ‘inclusion’ and ‘exclusion’ are highly debated topics in the Ukrainian classroom as the central and local state elites are both part of the dynamic process of (re)definition of national identities.     

The political ecology of water memory: Contending narratives of past hydraulic infrastructures in Barcelona (2015–2021)

In the context of ecological emergency and crisis of representation of the capitalist democracy, the battles over water management have become ever more politicised: who is to administer water resources, how, and with what legitimacy? This article examines a disregarded dimension of the recent water conflict in Barcelona by looking into the politics of memory as part of a struggle for legitimacy between the private water company Agbar, and Barcelona en Comú (BeC), the political platform governing the city since 2015, and defending the ‘remunicipalisation’ of water. By combining memory studies and critical discourse analysis we pay attention to the dynamic resignification of the hydraulic infrastructure as spaces or “sites of memory” (lieux de mémoire; Nora, 1998). Barcelona en Comú narrative retrieves a forgotten past of local sites and experiences in public management of water. In contrast, Agbar defends its legitimacy by advancing a narrative of linear progress and social inclusion that re-signifies its 150-year long history and co-opts key “empty signifiers” (Laclau, 2005) from the discourse of the Indignados and BeC. Theoretically, we advance that a temporal turn in political ecology and geography, complementing the concern with spatiality, could usefully draw on memory studies to analyse the growing memorialization of water discourses and sites, as well as their political significance. The article thus investigates a question that has not been systematically explored by political ecologists: how the entanglement of space and historical memory is mobilized in the conflict over the use and management of the environment.     

European solidarity: a semantic history

Abstract

‘European solidarity’ is one of the most frequently used words in contemporary public discourse, but what does it mean? This article investigates the historical and semantic background of the term in English, French, German, Italian and Spanish since the French Revolution, when ‘solidarity’ became a political keyword for the first time in European history. With the founding of the Holy Alliance in 1815 the idea of ‘European solidarity’ as an instrument for achieving political order on the continent emerged. A historical longitudinal analysis via the Ngram Viewer reveals that the frequency of ‘solidarity’ follows or depends on certain crisis moments in history, such as revolutions, wars or economic troubles. ‘Solidarity’ belongs to the history of emotions and propaganda but is not a stable value system that consolidates political culture. It also seems to play a greater role in the national rather than in the European context. As a European political expression, ‘solidarity’ is not genuinely European but borrowed from the national political vocabulary. Moreover, the article outlines the semantic field of ‘European solidarity’ by showing linkages between ‘solidarity’ and other words.     

Rebranding the Republic: Rome and the 1960 Olympic Games

The 1960 Rome Olympic Games were held at a pivotal moment in the history of modern Italy and its capital. At the height of the ‘economic miracle’, tourists, international movie stars and entertainers, in addition to a record number of international athletes, flocked to the city to participate in the Games and the dolce vita. As a great ‘national’ project within a global and European context, Rome 1960 offered the organizers and ruling Christian Democratic Party (DC) the opportunity to rebrand Italy and show how far the country had come since the fall of Fascism and the end of the Second World War. While Rome 1960 was a marketing success – Italy’s international reputation was significantly enhanced – close examination of the preparations for the tournament, as well as the Games itself, reveals significant continuities, deep and unresolved political and social tensions, evidence of corruption, and a failure to come to terms with Italy’s recent past and the memory of Fascism. Questioning the extent to which the 1960 Olympics was a turning point in Italian sport and society, it exposes the Italy that existed beneath the sheen: one of stagnation, minimal change, political division and corruption.     

Shakespeare as a method. Carl Schmitt’s reading of Othello and Hamlet

While in the 1960s Allan Bloom suggested to read William Shakespeare’s works through the prism of political philosophy, a decade earlier Carl Schmitt used the works of English poet in a reverse way: he read political philosophy and history through Shakespeare. Deprived – under the influence of Leo Strauss – from the possibility of considering Thomas Hobbes a decisionist thinker, Schmitt in his ‘Hamlet or Hecuba’ used Shakespeare’s most famous work to interpret origins of disappearance of the state of emergency from English soil. Shakespeare was seen by Schmitt as a writer who captured the Sixteenth and seventeenth century changes in thinking about sovereignty and the state. Interestingly, Schmitt did not use Shakespeare as method for the first time: in first decades of twentieth century, in his diary, he made ‘Othello’ a prism through which he read his love life. Because the author of ‘The Concept of the Political’ is one of the less methodologically cohesive writers of twentieth century, his usage of Shakespeare twice, in different circumstances, is interesting. In an article, author links ‘Hamlet or Hecuba’ with Schmitt’s geopolitical works and presents Shakespeare’s works as the coherent method of interpretation in Schmitt’s philosophy of decisionism.     

Historicising Agency

Why has ‘agency’ been such a tenacious concept in historical scholarship on women and gender, and what have been the consequences on this tenacity? This essay tackles these questions and proposes, through a brief examination of the history of skin lighteners in South Africa and beyond, how agency might be pushed in more surprising, more analytically productive directions. Too often agency slips from being a conceptual tool or starting point to a concluding argument. For example, in my subfield of African women's and gender history, statements like ‘African women had agency’ can stand as the impoverished punch lines of empirically rich studies. Consideration of Walter Johnson's 2003 essay ‘On Agency’ highlights the intellectual and political imperatives of 1970s Marxist and feminist social history that placed agency at centre stage. This essay examines why, more than a decade after Johnson's critique, agency endures as a ‘safety’ argument for reasons related to representational politics, research methodologies and the circumscribed imagination of intellectual gatekeepers. It argues that we should move beyond agency as argument by attending to the multiple concerns and desires – some intentional, others not – that animate human actions, including contentious gendered practices, and by examining how different historical actors have themselves understood agency. Agency has a history. By acknowledging and tracing that history, we will be better able to discern the usefulness and limits of agency for our own analyses.     

Illusions of revolution: François Furet's critique of Marx

In this article it will be argued that François Furet's attempt in Interpreting the French Revolution to provide a conceptual history of the French Revolution through a synthesis of Tocqueville and Cochin's historical and sociological accounts fails methodologically. It does so in two ways: Firstly, in its aim to distinguish between conceptual, explanatory history and empirical, narrative history, and secondly, in its distinction between revolution as process and revolution as act. Drawing on Claude Lefort and Paul Ricoeur's interventions in the historiographical debate, I demonstrate that these seemingly methodological concerns, conceal a deeper historical and political question concerning the nature of the ‘event’ of revolution. In response to Furet's oblique turn to Hegel in his later work, this article traces the nature of the ‘conceptual inversion’ Furet claims to find in Hegel and Marx's accounts of the French Revolution. In relation to Marx, it is argued that Furet's critique fails to capture the allegorical nature of the political in Marx's thought, and underplays the significance of revolution as the basis for both the separation of the social and the political and their attempted unity. The article ends with some remarks on the importance of language and culture in rethinking the relationship between Hegel and Marx.