The Art of Wounded Hope: Forced Migration,Prophecy and Aesth/Ethics

ABSTRACT

This paper constructs an analogy between art and prophecy, exploring and comparing their relationship to political change. It does so through considering arts-based responses to the contemporary forced migration context in conversation with the book of Jeremiah. Recognizing that the artistic – in the case of Jeremiah, the poetic – can be an important means of resistance for those experiencing exile and injustice, this paper delineates two key ways in which visual arts, poetry, music and theater are playing a prophetic role in relation to migration today. First, the arts can generate prophetic revelation, helping people to see more clearly and truthfully the pain and suffering experienced by forced migrants. Second, the arts can enliven prophetic imagination, helping people to visualize creatively how a world-in-migration could be at its best by offering glimpses of oneness and hope. The paper concludes by pointing out some ambiguities involved in engaging with the arts as a means of prophecy.     

Hosea: a Schizophrenic Prophet

ABSTRACT

In this literary analysis of Jer 13,1-11, various suggestions are discussed in regard to the intention of the author, the peculiarity of God’s commands in the story, the identification of Perath, the choice for a linen gir-dle, the relation between the narrative part and the prophecies at the end of the passage, the symbolic meaning of the river Euphrates, and the hidden meaning of the text as a whole. Discarding existing less probable interpreta-tions, the author offers a new reading of the text and clarifies its place within the book of Jeremiah as a literary composition.     

On the Temptations of Sovereignty: The Task of Catholic Social Teaching and the Challenge of UK Asylum Seeking

Abstract

This article offers an analysis of the main tenets of Catholic social teaching as they relate to the politics of asylum in a UK context. Addressing the multilayered and complex crisis of confidence and asylum seekers with regard the moral performance of the UK system, this article proposes that the significance of CST's contribution to public discourse has been heightened by three key shifts in state practice. While the constructive contours of this teaching are explored, to be of service to forced migrants CST itself requires a deeper understanding of and engagement with the political cultures that shape practices of democratic exclusion. To this end the conclusion proposes two areas for further dialogue between CST and asylum experience.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

“And You Welcomed Me”

Abstract

In this article, I assess rival liberal and communitarian ethical perspectives underlying contemporary debates regarding migration policy in the US. I then propose a critical via media in a rights-based ethics of solidarity with migrants. I conclude by addressing the distinctive role played by citizens of faith in a religiously pluralist polity like our own, noting, in particular, the place (locus) of Christian belief in immigration policy.     

DECEIVING HOPE

Abstract

In Jeremiah, irony permeates the ethical texture of hope. For poetics and power intersect the Utopian aspirations and images of the text no matter how one theorizes its multiplicity of voices and occasions.

A reader may well recoil in horror from the fantastic landscape of violence painted by the oracular tradition attributed to Jeremiah. Moreover, being horrified may indeed be the desired effect of the rhetoric. Thus, a reader may well seek (be led to) metaphorical relief and comfort within the restoration traditions (equally attributed to Jeremiah) that on the surface reverse the terrors of divine violence rhetorically unleashed on the Jerusalem community.

However, should it be so easy for the rhetoric of hope to assuage the terrors of doom? For such Utopian desire to succeed it must construct a symbolic landscape that rewrites the myth of Yahweh and Israel as well as lay claim to the right to do so in exclusion of all others. The restoration hope deceives and offers its own Utopian terrors.

For it must dispossess and destroy alternative myths of Yahweh and Israel with their adherents. Irony on irony generates. Indeed, the terrors of doom and hope serve each other. Explicit rhetoric of dispossession (oracles of doom) provides the metaphorical means to open a symbolic space for the “imperial” restoration desires of colonial elites. Thus, the rhetoric of explicit comfort sustains a subtext of ideological terror. Both doom and hope dispossess and repossess rights to the myth of Yahweh and Israel. It is a matter of where a metaphorical reader is placed or takes up their place within the symbolic landscape called Jeremiah.     

Grave Marking and Wailing: Ritual Responses to the Babylonian Crisis in Jeremiah’s Poetry (Jer 31, 21)

This article explores Jer 31,15-22, which recapitulates the history of the Babylonian crisis from invasion to exile to manumission. Against traditional “triumphalistic” approaches to this poem that view the restored Israel in its repatriation as a victorious warrior (vv. 21-22), this article argues for a ritual reading of the text. It demonstrates that the need for a ritual response to the Babylonian crisis was so strong that Jeremiah prescribes mourning rites to Judah not only at the time of its demise (v. 15) but also at the time of its manumission from captivity (v. 21). Since the use of laments and other mourning rites in the restoration of “collapse societies” was well attested in the ANE, their appearance in the Book of Consolation as part of the poetic vision of Judah’s reconstitution can also be construed as a socio-religious necessity.     

"More than seven sons": Ruth as example of the good son

The Book of Ruth is a beautiful story about faithfulness, love, and the blessing of Yahweh, but it also consists of hints and clues that might seem unmotivated or loose. The name of the book, the connection to the days when the judges ruled, the storytellers discreet commentaries through the story, are some examples of such hints and clues. They give the text an atmosphere that disturbs the idyllic, naïve impression usually associated with Ruth . If we focus on the expression "more then seven sons" at the end of the story, and understand Ruth in the role as Naomi's son, many of these hints and clues fall into place. This article goes through the Book of Ruth focusing on this interpretation. With Ruth as the example of the good son, other sons, within or surrounding Ruth , fall short.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

Spatial interaction and security: a review and case study of the Syrian refugee crisis

ABSTRACT

Sir Alan Wilson's ideas have been highly influential in the modelling of phenomena including migration, transport and economics. Latterly, research has explored the application of similar ideas to new problems at larger scales. Many of these studies relate to global challenges with significant policy implications. Here, we present an example in the form of original empirical work concerning forced migration associated with the current Syrian refugee crisis. We employ a spatial interaction framework to examine the flows of migrants fleeing Syria and the characteristics which influence their choice of destination country. In line with the broader literature, we find that shorter distances, economic prosperity, and cultural similarity (e.g. shared language) attract forced migrants, as does the probability of being granted asylum; a finding with potential implications for policy. Contrary to expectation, we find little influence for levels of security in potential host nations (e.g. absence of terrorism).     

The land which bled forth its bounty: An exile image of the land of Israel

Abstract

The expression: “a land flowing with milk and honey” appears some 20 times in the MT version of the Hebrew Bible and is generally thought to express the overall productivity of the Land of Israel. It is one of the few expressions which is used in many literary strata of the text as a distinctive term to describe the Land of Israel and its produce, although its absence from poetic, proverbs and wisdom literature indicates that it was not seen as a universally useful expression. Appearing in writings attributed to J, E, Dtr¹ and Dtr², as well as the writings of the prophets, Jeremiah and Ezekiel, the expression is understood by medieval and modem commentators as a metaphor for abundant grazing land and date palm honey (i.e. abundant flora and fauna). It's presence in different literary strata of four of the five books of the Torah, in particular, seems to point to the antiquity and long term utility of the expression. Further investigation of this expression reveals that it may not be a realistic perspective on the ancient land of Israel, but rather a rather poignant, nostalgic, exilic, and purely metaphoric view of the land written at a period after the land had passed through a significant devastation. This article will investigate the language of this passage and attempt to locate it in its original historical context.     

Gallantry on the Shankill road: the British ‘soldier-hero’ and state-media relations in Northern Ireland, 1969-1979

ABSTRACT

The study of the British ‘soldier-hero’ as a political and cultural icon after 1945 has been largely confined to literature concerned with the memory of historical figures. Rarely have scholars considered how post-war military deployments not only created contemporary soldier-heroes, but also transformed their place within politics and society as the moral interrogation of these wars threatened to encroach upon the prestige of these icons. This article examines how the soldier-hero interacted with one of Britain’s most contentious deployments, Northern Ireland, and how politicians sought to control narratives surrounding this figure to avoid public relations controversy in unusual political conditions.     

The Holy Road as a Bridge: The Role of Chapter 35 in the Book of Isaiah

This article argues that chapter 35 serves as a bridge between mainly Proto- and Deutero-Isaiah, but partly also to Trito-Isaiah. Its method is to compare intertextually phraseology in chapter 35 with similarities in the other parts of the Book of Isaiah. Outlook is all the way from chapter 35, backwards to Proto- and forwards to Deutero- and Trito-Isaiah. In summary, there are a series of intertextual relations to particular parts of Proto-Isaiah, especially to those parts were blessings predominate over curses, while the intertextual relations to Deutero-Isaiah are closer to the essence of its message, in particular to chapters 40-48. Intertextual relations between chapter 35 and Trito-Isaiah are more sparse. Intertextually these relations are mainly from the “canon-before-canon” stage (cf. Fishbane) of the text, rather than “author intended intertextuality” (cf. Nielsen). But there is also an aspect of “editor intended intertextuality” (cf. Nielsen). The investigation demonstrates how central this chapter is in the Book of Isaiah, but it is intertextually closest related to Deutero-Isaiah.     

The poet becomes poem: The missing object and Petrarch's ends in the Canzoniere

This article considers the role of the object of desire in Petrarch's Canzoniere. Deconstructive and post-deconstructive readings tend to emphasize the fragmentation and instability of the subject position—specifically, the figure of the poet who is metamorphosing or falling apart. Other readings of the Canzoniere, especially by feminist and psychoanalytic critics, have reappraised the place and function of the beloved. One implication of these conflicting readings is to repolarize the object/subject distinction. Developing a line of inquiry that acknowledges both threads, this article looks at the several endings—the last poem in the cycle, the “Poem to the Virgin,” Petrarch's ending as a subject, and the form of the envoi—to explore a new view of the object's function within the process of subject formation.     

President Obama,the Bible,and Political Rhetoric

Abstract

How has President Obama made use of the Bible in his political rhetoric, especially as it relates to public policy debates? This article addresses Obama's religious origins, his work as a community organizer in Chicago, his coming to Christian faith under the leadership of Rev. Jeremiah Wright, and the development of his understanding regarding the relationship between faith and politics. In particular President Obama has emphasized the notion that we are all our brothers' and sisters' keepers. He also stresses the present generation of black Americans as "the Joshua Generation." The article considers President Obama's hermeneutics, as well as the important context of the black church for his own use of Scripture. The lenses of Abraham Lincoln, Martin Luther King, Jr. and Reinhold Niebuhr are also addressed as they relate to Obama's use of Scripture in political rhetoric.     

Migration,knowledge production and the humanitarian agenda in times of crisis

By drawing on the Italian case, this article critically discusses the use of crisis as a tool of knowledge and expertise production. In recent years, the theme of crisis has played a key role in shifting migration management towards a humanitarian agenda based on the premise that contemporary migration to Europe is comprised of forced mass movement. The article considers the extent to which migrants’ subjectivities call into question the knowledge that has been produced during the current era. It also reflects on the ways in which gender and race provide fundamental insights for a better understanding of the evolution of migration management within the context of crisis.     

Secular apocalyptic and Thomas Hardy

Thomas Hardy's Jude the Obscure (1895) makes ironically secular use of the imagery of the New Jerusalem and of unregenerate Babylon in the Book of Revelation. His purchase on the text is mediated both by Bunyan's Pilgrim’s Progress, a childhood favourite, and hymns such as ‘Jerusalem the Golden’ translated from Bernard of Cluny's De Contemptu Mundi. Avoiding the traditions of anti-Catholic interpretation, and of explicitly political readings which identify Babylon and the mysterious ‘number of the beast’ with particular historical adversaries and tyrants, Hardy uses the biblical text sardonically to demonstrate the inadequacy of escapist dreams and institutional religion and to explore problems of poverty and ambition complicated by sexuality and its cynical exploitation.     

The Fabulous Tales of the Common People,Part 1: Representing Hadrian’s Wall

Abstract

Hadrian’s Wall is one of the most instantly recognizable ancient monuments in the UK. This paper explores the historical and contemporary visualization practices which have created this iconic image. Moving between the disciplines of archaeology, cultural geography, and heritage and tourism studies, the paper draws upon a variety of data sources such as paintings, photographs, models, and reconstructions to consider how the Wall is visually represented within contemporary public discourse. The paper focuses on digital photography and considers the ways in which images create and sustain particular readings of the Wall’s function and significance. These contemporary representational practices demonstrate strong continuities, and earlier images are used to provide historical context. Emphasis is placed on the monument’s landscape setting in visual representations and the importance of this environmental context for readings of the Wall’s cultural and political significance. The present paper deals primarily with representations of the Wall, but it is argued that these representational practices are also fundamentally embodied. The physical encounters of visitors and archaeologists will be considered in greater detail in the second part of this study (Witcher, forthcoming).     

"Dead or Banished": A Comparative Reading of the Stories of King Oedipus and King David

The rise and fall of two of the most famous legendary kings, Oedipus and David, seem to bear great resemblance to each other. This is especially the case in the central narrative of Sophocles' Oedipus the King and the Second Book of Samuel where the kings are usurped by a close relative upon the intercession of a violent third party. The article argues that the stories are based on conventions of the rise and fall of a sacred king who restores order to a violent and “plagued” kingdom. It proposes a comparative reading of the texts, in conjunction with an anthropological reading in accordance with the insights of Rene Girard. This will provide not only a way of reading these ancient texts but also give insight into the perspective of and reality referred to in the texts. This is to read the text with appreciation of the dynamics of text and reader through the anthropological perspective opened up by the recognition of the victim.