The dhow as cultural icon: heritage and regional identity in the western Indian Ocean

Dhows, the traditional sailing ships of the western Indian Ocean, are currently used in museums, heritage sites and popular culture as a symbol of a regional culture in the western Indian Ocean. While scholars have embraced the notion of seas as cultural or historical units, this type of ‘basin thinking’ is a recent phenomenon in the Indian Ocean. Over the last 150 years the dhow has gone from being a despised symbol of the slave trade and economic underdevelopment to representing a romanticized past and a regional identity. This article traces the parallel development of the idea of the dhow as a symbol of regional identity and changing perceptions of both the vessels and the region it is taken to represent. It argues that recent representations of dhows as cultural heritage represent a new and developing notion of regional identity within the western Indian Ocean.     

Critical heritage studies and the legacies of the late-twentieth century heritage canon

ABSTRACT

In recent years an interest in ‘critical heritage studies’ (CHS) has grown significantly – its differentiation from ‘heritage studies’ rests on its emphasis of cultural heritage as a political, cultural, and social phenomenon. But how original or radical are the concepts and aims of CHS, and why has it apparently become useful or meaningful to talk about critical heritage studies as opposed to simply ‘heritage studies’? Focusing on the canon of the 1980s and 1990s heritage scholarship – and in particular the work of the ‘father of heritage studies’, David Lowenthal – this article offers a historiographical analysis of traditional understandings and approaches to heritage, and the various explanations behind the post-WWII rise of heritage in western culture. By placing this analysing within the wider frames of post-war historical studies and the growth of scholarly interest in memory, the article seeks to highlight the limitations and bias of the much of the traditional heritage canon, and in turn frame the rationale for the critical turn in heritage studies.     

Non-events and their legacies: Parisian heritage and the Olympics that never were

This paper examines three failed bids by the French Olympic Committee and the City of Paris to host the summer Olympic Games of 1992, 2008 and 2012 in an attempt better to understand the role of heritage designations in the context of urban change. Introducing the various sites earmarked for the Games, the paper explores the relationship between planning as a political tool and its impact on the built environment within the context of a complex web of local, national and international demands, needs and aspirations. Based on archival research, the paper explores the dialectical relationship between the demonstrated ability of city councils to declare designated ‘Olympic’ spaces as functionally ‘ready’ to absorb massive new infrastructures and questions posed by whatever physical infrastructure remains after a bid has failed. Since the timeframe chosen for the paper (1986–2006) coincides with a move by the International Olympic Committee to prioritise ‘sustainable urbanism’ as a key legacy of ‘successful’ Olympic Games, this relationship between presences and absences is mediated not just with the help of possible futures in the form of Olympic sites but has had to validate and justify the choice of terrain as well. The paper concludes with a brief meditation on the relationship between present urban heritage and possible futures in the context of mega-events like the Olympic Games.     

Examining the Olympics: heritage,identity and performance

A major aspect of Ireland's history is the continual problems of a sectarian nature, yet the issue of 'the troubles' gets scant consideration in the permanent exhibitions mounted in Northern Ireland's museums, and is only beginning to emerge in more temporary exhibitions and statements about museums. In addition, the belief that cultural heritage plays a significant part in conflict resolution in Northern Ireland has long been expressed in statements on education policy and local government programmes. However, the concept of using museums for exploring this history for a positive outcome has not, despite the scale of the political problem, been a high-profile issue in Northern Ireland's museums nor has it had a great deal of academic attention. This paper is a contribution to this gap. It assesses the role that Northern Ireland's museums play in the current political context. It evaluates the reasons why, since their foundation, museums in Northern Ireland have largely chosen to avoid controversial issues in their displays. It considers how attitudes are changing and how museum professionals are tentatively beginning to engage with political issues and enter into dialogue on subjects such as cultural and political identities in Northern Ireland.     

Language as a public good and national identity: Scotland's competing heritage languages

The preservation of one or several historically and culturally important languages may be a salient political issue in some polities. Although they may not be used as an active means of communication, these languages can also serve a symbolic identitary function. These ‘heritage’ languages can be seen as ‘public goods’ and that even non‐speakers of these languages can have opinions regarding their importance to national identity. In the Scotland example, while Gaelic has been the focus of proactive government legislation and education initiatives, Scots is still struggling for status as a recognised language. Both languages are in some way constituent parts of Scottish identity that at times may seem in competition with one another. Using original survey data, we delve deeper into questions of language, identity and politics in Scotland. First, we describe how public opinion is divided over the importance of Gaelic and Scots to Scottish identity. Second, we use attitudes towards these languages as a dependent variable looking at Scottish identity and attachment. Finally, we use these attitudes towards Gaelic and Scots as an independent variable in models for party identification in Scotland.     

International prototypes and local identity: The walled garden of Scotland as heritage landscape

Abstract

The distinctiveness of place is a central, and often unquestioned, tenet of landscape heritage studies and the landscape design and conservation which may accompany them. In learning from history and other comparative studies, one of the many challenges is to discern what determines diversity in the landscape. At what point does the local expression of an international prototype become a local and unique landscape type, a local landscape heritage, in its own right? This paper takes the walled garden of Scotland as an example to explore issues of national, regional and local landscape identities. It examines cultural traditions, biophysical constraints and stylistic responses to availability and command of materials and technologies. It explores some of the origins of the walled garden, the way the landscape type was developed and refined in response to the Scottish context, and the way this element is treated as landscape heritage today.     

Reconciling custom,citizenship and colonial legacies: Ni‐Vanuatu tertiary student attitudes to national identity

Nation‐building remains a key challenge in Vanuatu. From the origins of this new nation in 1980, it was clear that creating a unifying sense of national identity and political community from multiple languages and diverse traditional cultures would be difficult. This paper presents new survey and focus group data on attitudes to national identity among tertiary students in Vanuatu. The survey identifies areas of common attitudes towards nationalism and national identity, shared by both Anglophone and Francophone Ni‐Vanuatu. However, despite the weakening ties between language of education and political affiliation over recent years, the findings suggest that there remain some key areas of strong association between socio‐linguistic background, and attitudes to the nation, and national identity. These findings cast new light on the attitudes of likely future elites towards regional, ethnic, intergenerational and linguistic fault lines in Vanuatu and the challenges of building a cohesive sense of political community and national identity.     

区域历史文化传承与区域文化资源产业化

面对经济全球化的影响和外来文化的冲击,区域文化资源产业化不失为一种有效保护传统区域文化的明智选择。然而,我国当前区域文化资源产业化整体上还处于初级阶段。只有从思想观念、运行机制、人才培养等方面进一步加大创新力度,才能尽快实现区域文化资源优势向区域文化产业优势的转换。     

Vernacular uses and cultural identity of heritage: trade of antique fragments in the Chinese porcelain capital

This paper documents local uses of artefacts in the vernacular style of Jingdezhen, China as a means for reclaiming local heritage. This is done by examining the use of ancient ceramic fragments by artisans, scholars, shopkeepers and vendors in building location-based cultural identity. Based on ethnographic materials collected from 2012 to 2015, it argues that the vernacular uses of heritage artefacts facilitate the construction of identities for local communities. This is held in contrast to the homogenised identity normally presented by government narratives. Moreover, the paper discusses how the use of vernacular traditions or heritage artefacts function to interweave intricate webs of cultural identities that can be understood in a professional, social or political context.     

Musical memory,heritage and local identity: remembering the popular music past in a European Capital of Culture

This paper explores the relationship between rock music, collective memory and local identity, by focusing on events connected to Liverpool's status as European Capital of Culture 2008. The first part of the paper describes these events and how memories of local rock music were attached to heritage and local identity and mobilised to validate Liverpool as a capital of culture, whilst in turn the city's Capital of Culture status served to validate particular ways of remembering the local musical past. The second part of the paper considers the broader significance of these events by relating them to three pan-European trends in cultural policy: the development of the cultural and heritage industries; the protection and promotion of local culture and identity; and the fostering of cultural diversity and integration. It highlights the general significance of the popular music past for cultural policy in Europe, but also the politics of popular music memory and how it involves a complex and dynamic process of negotiation that relates to cultural policy in particular ways. The paper concludes by arguing that popular music offers a specific and productive focus for research on cultural policy, heritage and local identity in Europe.     

Debating the reconciliatory use of heritage. European post-monumentalism versus regional national-monumentalism

In the 1990s, numerous religious monuments were destroyed in former Yugoslavia. National heritage formed one of the main targets of ethnic cleansing, literally removing the symbolic markers of ethnic groups. Responding to this destructive use of heritage, the Council of Europe and the European Commission introduced the Regional Programme on Cultural and Natural Heritage in south-east Europe. By means of this programme, they seek to change local perceptions on heritage and instigate debates about uses of the past. The premise is that only by learning from past conflicts will the region be able to continue its path to EU integration. However, progress of the programme is slow. Discussions about the interpretation of the past, let alone of a shared past, are largely avoided. The reconciliatory function of heritage that the two European actors aspire to is still hard to find. By taking Serbia as a case study, this article presents some of the typical difficulties that one can expect to encounter when heritage is used as an instrument for reconciliation in an area where reconciliation is still seen as a challenging and threatening process.     

Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan

Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.     

Remembering Lee Kuan Yew: politics,heritage and political heritage in Singapore

The paper discusses issues of political heritage and the commemoration of notable figures within the context of the small city state of Singapore, a former British colony which celebrated 50 years of full independence in 2015. Particular reference is made to Mr Lee Kuan Yew, hailed as the founding father of the modern republic, who also died that year. Heritage overall is shown to occupy an important place in official nation building efforts, including political heritage dominated by the narrative of the success of the government formed by the party created and led by Mr Lee. Approaches to remembering the man and his legacy are considered, focusing on debate about turning his home into a memorial and possibly a national monument. The case confirms the generally observed manner in which formal depictions of political heritage, encompassing stories of influential individuals, are inextricably tied to contemporary politics. It also reveals the particular challenges of heritage management in Singapore arising from its history and official endeavours to shape public and private memories.