The rise and fall of ‘critical’ historiography? Some reflections on the historiographical agenda of the left in Britain,France and Germany at the end of the twentieth century

This article compares the rise and fall of ‘critical’, that is to say oppositional and emancipatory, historiography in Britain, France and Germany since 1945. It argues that the prolonged crisis of the old ‘critical’ paradigm from the late 1970s onwards had much to do with political disillusionment and methodological weaknesses. It concludes by suggesting that any new ‘critical’ historiography will have to explore the opportunities inherent in the multitude of radical histories which developed in the 1980s and 1990s (most notably history‐from‐below, cultural, feminist and post‐modernist histories), without attempting to homogenise and synthesise these diverse and separate forms of historical writing into some new super‐paradigm, which would only produce new closures and erasures.     

The new ‘Pacific Century’ and the rise of China: an international relations perspective

The re-emergence of the ‘Pacific Century’, or ‘Asia-Pacific Century’, discourse centred on the rise of Chinese power raises important questions in the discipline of international relations (IR). These questions relate to the conceptualisation of the Pacific Century discourse, its application to the contemporary empirical case, and its relationship and amenability to IR theories. In order to address these questions, the article subjects the concept of a ‘Pacific Century’ to critical analysis through the synergy of three pertinent ‘debates’. First, it creates a novel analytical framework to define and codify the parameters of the Pacific Century debate; a discourse that has until now remained diffuse and inchoate. Second, it engages with the present ‘great debate’ in IR between the traditional/rationalist and critical/reflectivist approaches, applying them in juxtaposition to the notion of a ‘new’ Pacific Century, led by China. Thirdly, then, the article speaks to the ‘rising China’ debate, which currently captivates commentators both in academic and policy-making circles. The article explores how the ‘Pacific Century’ concept is a compound of both ideational and material factors: it is at once both a political/ideological project and a reified intellectual frame of reference. Through this multidimensional analysis, the article aims to shape the re-emerging debate on the Pacific Century, affirm the enduring value of the term, and demonstrate the efficacy of IR theories in deconstructing conceptual problems.     

Integration and the negotiation of ‘here’ and ‘there’: the case of British Arab activists

Immigrant-receiving societies are increasingly emphasizing the need for immigrants to integrate into mainstream life. In Britain, this trend has manifested itself in ‘social cohesion’ discourses and policies. Discussions about social cohesion have often focused on the residential patterns of immigrant and minority groups in British cities, with the assumption that residential patterns are an indication of social integration. Integration, however, is also a socio-political process by which dominant and subordinate groups negotiate the terms of social membership. We explore the ways in which British Arab activists conceptualize their membership in and responsibilities to their places of settlement; we also consider how they reconcile notions of integration with their connections to their places of origin. Our study participants speak of the need for immigrants to participate actively in their society of settlement, but they reject the idea that integration requires cultural conformity or exclusive loyalty to Britain. Their definition of integration as a dialogue between distinctive but equal groups sharing a given place provides a normative alternative to social cohesion discourses.     

The rise and fall of “individualism” before and after the May Fourth Movement

Abstract

“Individualism” was one of the most important philosophical trends in the May Fourth era, heavily influencing youths seeking personal liberation and independence. However, not long after the May Fourth Movement, positive associations with individualism gradually receded. Compared with devotion to “nation” or “society,” the quest for individual independence was repeatedly criticized as almost synonymous with “selfish.” There were two reasons for this: first was opposition stemming from a traditional Chinese respect for collectivism; second was that individualism had become the theoretical basis for private capitalist production following the First World War and its founding values were coming under increased scrutiny. As the Second World War unfolded, the fight for survival benefitted the promotion of collectivist values and the idea of social organisms. Individualism declined and eventually became supplanted by a heavily politicized form of collectivism.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

‘Arsenic of the size of a pea’

It is one of criminology’s (few) established truths that women commit far fewer violent crimes than men do. This has been especially evident when it comes to deadly violence. Besides witchcraft and infanticide there is, however, another serious crime that has been associated with women: poisoning. This article studies female poisoners in 19th-century Sweden. The investigation shows that poisonings were fairly common during this period, albeit far from being an exclusively female affair. The empirical findings reveal that these crimes were directed at several different categories of victims: spouses, children and elderly household members, as well as other women. It is also shown that a considerable number of the women accused of poisoning was acquitted, in many cases thanks to the strict process rules associated with the statutory theory of legal proof. Theoretically, the article hypothesizes an understanding of these poisonings where agency is placed at the centre. They are thus seen as acts where (female) subjectivity was created during this period.     

‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People

In recent years, the concept of ‘animism’ has gained considerable popularity among archaeologists in exploring non-Western expressions of material culture. This development has also influenced recent academic approaches towards the study of ‘rock-art’ of people living as hunter and gatherers or in a hunting and gathering tradition. We argue here that attempts in this direction so far are generally compromised, because they fail to take Indigenous philosophies and intellectual contributions seriously. Any concern with Indigenous material expressions, including so-called rock-art, has to involve a critical re-assessment of academic discourse itself and a challenge to the primacy of Western scientific and literary, academic methodologies. With reference to the ‘rock-art’ and the world-view of the Ngarinyin (Kimberley, Northwest Australia), we present some preliminary thoughts for the development of an alternative interpretative framework, while offering a (much needed) legitimacy to another more balanced epistemology.     

Reinforcing Diversity: From the ‘inside’ and the ‘outside’

This paper focuses on Jan Monk's contribution to reinforcing diversity and collaboration in the field of human geography. It illustrates how gendered diversity and feminism is promoted in her academic work both inside the Anglo-American academic world and outside, by exposing the feminist voices from around the world and mainstreaming them in her collaborative work. Fostering and reinforcing diversity has become a body of knowledge in her extensive publications in which she assesses the varying extent and nature of feminist geography in the Anglophone world and across countries, attempting to interpret differences in terms of geographical and cultural contexts and disciplinary trends. The paper emphasizes how fostering diversity and collaboration in Jan's academic work is not only about writing articles, editing books and producing a film, but also engages the formulation of organizational structures such as the Routledge book series and the initiation and establishment of the Commission of Gender and Geography of the International Geographical Union which have contributed to the production of collaborative feminist geographical knowledge across spaces and places.     

Feminism and its ‘other’: representing the ‘new woman’ of Bangladesh

This essay examines women's oppression and organizing against gender violence in contemporary Bangladesh through the lens of television. I argue that the telefilm Ayna (The Mirror, 2006), written and directed by popular film actor and women's rights activist Kabari Sarwar, offers a window into the changing social and economic landscape of contemporary Bangladesh and the complex negotiations of power and inequality across gender, class and community. Furthermore, it offers an opportunity to unpack the social messages underlying development and modernization initiatives, the new kinds of alliances as well as dependencies engendered by them, and their multiple and uneven consequences. An investigation of the representations of competing and contradictory notions of women's subjectivity and agency in this telefilm allows us to understand how these intersect with shifting notions of local/global patriarchies, feminist solidarity and women's empowerment in Bangladesh today. Further, this essay illuminates the disjunctures between representations of the ‘new woman’ circulated through development and certain feminist advocacy narratives with women's lived realities of oppression, and survival.     

The Capture and Curation of the Cannibal ‘Vendovi’: Reality and Representation of a Pacific Frontier

ABSTRACT

The United States Exploring Expedition into the Pacific launched in 1838 was marked, like the continental expansion westward, by violent encounters with Native peoples. By examining the record of the expedition's kidnapping of the Fijian Ro Veidovi, the fate of his body after death, and the ways his story came to be invoked in the official narrative of the expedition, the popular press, the ‘National Gallery’ and, more recently, the Fijian press, this paper demonstrates how violent contacts on the Pacific frontier were remembered, effaced, and reconceived. The changing story of Ro Veidovi permanently bridged distant locales in an emerging ‘Pacific World’, setting in motion transcultural negotiations that continue to this day.     

A vernacular way of “safeguarding” intangible heritage: the fall and rise of rituals in Gouliang Miao village

This paper documents a vernacular method of interpreting and safeguarding intangible heritage in an ethnic Miao village in China. Tracing the conflicting discourses of ritual in different stages of the past and the present, it shows how ritual practices were transformed by imperial Qing officials in the mid-nineteenth century, demonised and denounced as feudal superstition during the Cultural Revolution (1966–1976), exploited as cultural resources for ethnic tourism since the early twentieth century and involved in the evaluation system of intangible cultural heritage in the twenty-first century. Based on ethnographic materials collected in 2008 and 2009, this paper argues that it is the inherited vernacular narratives and ritual performances that are negotiating with the state’s constant effort of shaping the ritual through various discourses, constructing the meaning of inheritance and safeguarding the intangible heritage within the community.     

Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museums in England, before focusing attention on the geography of school visits to museums. The results of two extensive studies of school visits to museums in the programme suggest that large numbers of visits come from schools located in areas with high indices of multiple deprivation and income deprivation affecting children. It is argued that this social geography reflects the tertiary spatialisation of museums linked to their emergence in areas of past industrial development, although practices linked to reconfigurations of the primary and secondary spatialisation as part of the Renaissance in the Regions programme may also have played some role. The paper concludes by discussing recent changes in government policy and the degree to which the ‘New Renaissance’ policy may signify reductions in the social reach of museums into areas of social deprivation and exclusion.     

A gendered media analysis of the prime ministerial ascension of Gillard and Turnbull: he’s ‘taken back the reins’ and she’s ‘a backstabbing’ murderer

In contemporary Australian politics, challenges to the Prime Ministerial role have become more common. Australia saw five Prime Ministers from 2010 to 2015 including Australia’s first ever woman Prime Minister, Julia Gillard. A stark contrast is evident in media portrayals of Gillard and her male counterparts, apparent most recently in the response to Malcolm Turnbull’s ascension to the Prime Ministership. A range of evidence has been produced, in disciplines including political science and media studies, suggesting the existence of systemic gender bias in the mainstream media in English-speaking democracies. This article is the first to compare the media portrayals of Gillard and Turnbull’s respective ascensions to leadership, which it does drawing on Judith Butler’s concept of gender performativity and using a content and discourse analysis. It contributes further evidence of gender bias in the coverage of political leaders.