Review article: Early Medieval Hungary in English

Books reviewed in this article:
Bak, J.M., Bónis, G., and Sweeney, J.R., (eds.) Decreta Regni Mediaevalis Hungariae
Veszprémy, L. and Schaer, F., (eds.) Simonis de Kéza, Gesta Hungarorum
Csernus, S. and Korompay, K., (eds) Les Hongrois et l'Europe: Conquête et Intégration
Kristó, Gyula, Hungarian History in the Ninth Century
Róna-Tas, András, The Hungarians and Early Medieval Europe. An Introduction to Early Medieval Hungarian History.     

William Stubbs,Parliament and the Medieval English Constitution

The name of William Stubbs will forever be associated with the birth of modern scholarship on the late medieval English parliament. At the core of his Constitutional History, a three‐volume work published in the 1870s, is a brilliant synthesis of the development of the early parliament. Since its publication, however, Stubbs's work has generated varied reactions, as scholars have positioned themselves at different points on a sliding scale of praise through to criticism; that is, between praising the Constitutional History for its depth of scholarship and pioneering methodologies, on the one hand, to criticising the work for its present‐minded approach and whiggish agenda, on the other. The aim of this discussion is to strike a balance between these two extremes. While it acknowledges the undoubted flaws of Stubbs's narrative, it also argues for a more nuanced and holistic approach to his work. It suggests that the taint of whiggism has for too long acted as a barrier to a true appreciation of the scholarly merit of the work, merit that extends beyond simply acknowledging its ambition, originality and legacy. The discussion considers some key areas of parliamentary development between c.1290 and c.1406 and notes the continued synergies that exist between what Stubbs wrote 140 years ago and current interpretations and understandings.     

Medieval English Martinmesse : The Archaeology of a Forgotten Festival

Beginning with Elizabethan literary references to a carnivalesque celebration of Martinmas, the present article surveys the St Martin cult in England in order to isolate features of the medieval celebration of the Christian feast and determine the feast's relationship to seasonal activities of early November. Martinmas is seen as both the last harvest festival and a curtain raiser for the extended winter revelling season, in effect a "Carnival" in late autumn.     

Visual Reflections on History and Kingship in the Medieval English Great Church

The images of royalty set up on the western face of the choir-screen or pulpitum of medieval English great churches formed an enduring iconographic tradition which was found across England and was apparently without continental parallel. Discussing in detail the remains of the choir-screen at Salisbury cathedral and the records of the screen at Durham cathedral, this article suggests their potential antecedents in 12th-century representations of lineage. It then explores their probable meanings and functions for contemporary audiences, with reference to liturgy, history and clerical identity.