Reversed,defaced, replaced: late medieval London and the heraldic communication of discontent and protest

ABSTRACT

Cultural history is currently rediscovering heraldry as a versatile means of communication that was widely employed throughout all parts of medieval society, not least the city. Scholars, however, primarily analyse the urban space as a stage for noble self-representation by means of heraldic communication. This paper argues for a different perspective, that townspeople and other commoners were far from primarily passive observers of heraldry displayed in the city. Four case studies from late medieval London demonstrate public expressions of discontent and protest through forms of heraldic communication which did not rely on display, but instead on the manipulation and destruction of the heraldic signs of kings, princes and other noblemen. Indeed, such heraldic practices of ‘non-nobles’ suggest that heraldry, in the later Middle Ages, was accessible to all parts of society, and constituted a ubiquitous and powerful aspect of urban visual culture.     

PRE-ISLAMIC CERAMIC GLAZES AT KISH AND NINEVEH IN IRAQ

Chemical analyses (mainly by XRF) have been made of a series of glazed pottery vessels and sherds excavated from Kish and Nineveh in Iraq, manufactured between c. 600 b.c. and a.d. 600 (also a small Islamic group from Hira). The results strongly suggest, contrary to general assumption, that lead glazing was not practised in this area at this time; that the local glazing tradition persisted unchanged for 1200 years; and that the production at different periods, or at different places, can be characterized by statistically significant variations in the glaze composition.     

A case for lead-glaze experimentation by late eighteenth-century Catawba using portable X-ray Fluorescence (pXRF)

ABSTRACT

Recent research has demonstrated that Catawba ceramic practices changed abruptly and dramatically after 1759 following a devastating smallpox epidemic and subsequent community relocation. Pottery from the historically documented Catawba town of Old Town and others indicate potters adopted new techniques and styles as they adjusted to new economic and social conditions, including copying European vessel forms, experimenting with new ceramic paste recipes, and utilizing new decorative motifs. The identification of four lead-glazed sherds on otherwise Catawba-looking pale-bodied paste raises the possibility that Catawba potters may have also experimented with lead glazing. This paper presents the results of an elemental analysis of nearly 70 ceramic samples using pXRF and multivariate statistical techniques to identify patterns of production within pale-bodied colonowares. The results indicate that the glazed pottery fragments were made with elementally similar clay used by Catawbas in the Twelvemile Creek locality. I argue that in addition to modifying nearly every aspect of their ceramic repertoire, at least one Catawba potter experimented with lead glazing, providing further insights into the emergent Catawba pottery trade.     

Neolithic occupation of an artesian spring: KS043 in the Kharga Oasis,Egypt

Abstract

KS043 is a stratified site associated with a complex of artesian springs. The archaeological remains, as well as a series of radiocarbon determinations, date the site to between 4800 and 4200 b.c. Our study suggests a connection between Saharan pastoralists, forced to move into oasis areas by increasing aridification, and the first Predynastic cultures of the Nile Valley. The site is the only well dated stratified settlement attributed to the Late Neolithic in the eastern Sahara that is characterized by Tasian cultural traditions.     

The Great East Window of Gloucester Cathedral and its Heraldic Glass

Although the coats of arms in the great east window of Gloucester Cathedral are often associated with Edward III’s 1346–47 military campaign in France, the window’s function as a commemorative monument has never been thoroughly studied. The aim of this paper is to provide a political and social contextualisation to the heraldry of the east window, while considering its symbolic meaning (and possible intention) in the framework of the window’s iconography and spatial setting. In regarding the heraldry as thematically connected to the window’s overall theme, and by examining the window in correlation to contemporary discourse on England’s military victories, this paper demonstrates how the window’s composition evokes the exalted social position of Edward III’s military companions after the victories in the first phase of the Hundred Years War. Additionally, this paper argues that the window coincides with Edward III’s kingly ideals by celebrating his rule and lineage as divinely blessed, while affirming his right to the French throne.     

AN ANALYSIS OF THE GEM‐BLUE GLAZE OF YE WANG'S KOJI POTTERY*

Koji pottery is a glazed ceramic art used widely for figurines. In early Taiwan, it was employed in temple construction for decorative purposes. Ye Wang (1826–87) is the first historically documented Koji artist of Taiwan and also the most prominent Koji pottery artist, noted for his modelling and glazing skills. Unfortunately, his unique technique was lost following his death in 1887. In order to provide vital information for ongoing conservation work on Koji pottery, this study analysed the physical and chemical characteristics of Ye Wang's gem‐blue glaze, to discover the glaze formula. DSC combined with the two‐thirds rule revealed that the firing temperature of Ye Wang's works of art was most probably around 878–923°C. EPMA revealed that the gem‐blue glaze has high alkali levels, and belongs to the PbO–K₂O–B₂O₃–Na₂O–SiO₂ system, deriving its unique colour from copper, iron, manganese and cobalt. This study found high potassium levels in the gem‐blue glaze, which are generally a characteristic of traditional Chinese glazes. In addition, a unique discovery of boron, commonly used in famille rose, was also identified in the glaze. By comparing spectra of historical and reconstructed glazes and adjusting the proportion of chromophoric elements, this study found a glazing formula with colours close to those of Ye Wang's gem‐blue glaze.     

Relief Maps and Models in the Archives of The Palestine Exploration Fund in London

Abstract

The primary objective of the article is to present the relief maps and models of Palestine, Jerusalem and some historical monuments, which are kept in the PEF Archives in London. We will describe each of these objects, try to identify its date, maker, and circumstances of its making. We will present them according to the site represented in them, but suggest also classifying them as (a) artifacts brought as souvenirs from Jerusalem; (b) models and relief maps created by the Fund and its members as a product of their scientific endeavours; and (c) models and relief maps created by scholars who were not directly connected with the PEF.     

Honorary Secretary’s Report for 1964

Abstract

The glazing scheme of the chapter-house at York Minster contains the best preserved ensemble of narrative glass of its period in England, and is the only one to survive in any of the great polygonal chapter-houses. Although it is frequently mentioned in general works on the Minster and its glass, there has been no sustained attempt to reconstruct the sequence of the panels or to consider the iconography of the scheme in relation to its setting. This study aims to highlight the significance of the scheme as a whole by focusing on just one of its seven windows: that in the north-west corner, which features a life of St Katherine of Alexandria. Using unpublished antiquarian sources alongside textual versions of Katherine's vita, it outlines a possible sequence for the window's disordered panels. It then goes on to analyse the window and its iconography within the context of the chapter-house, considering how it constructs its own particular version of this highly popular narrative. The results suggest that the scheme as a whole is a high-status product which employs complex narrative strategies. It is an important testament to the sophistication of glazed narratives in the period as well as to the ambitions of York's chapter.     

Demetrius the Chronographer and 141 BCE

We only have six fragments from a book written by Demetrius the Chronographer. Scholars claim he lived and worked in Alexandria about 225-200 BCE and he is an early witness for the date of the LXX. However, the few chronological details we have indicate that he used the year 141 BCE as the base year for his chronology. There are no early witnesses for the LXX and there are no reliable obstacles for lowering the date for the LXX to 130 B.C. or even lower.     

The Date of the Gough Map

ABSTRACT

The date commonly given for the Gough map of Britain, about 1360, is, in the author's opinion, wrong. Arguments that have been offered to support such a dating are invalid. The best indication of the date of the map is the writing on it, which is essentially in a hand of about 1400, a dating endorsed by expert palaeographical opinion. Indeed, a few exceptional features of the handwriting may suggest a slightly later date. A few specific non-palaeographical features of the map confirm a date of production close to, or a little after, 1400. Comparison with other late medieval maps of large inland areas from any part of Europe shows how precocious or advanced the Gough Map is, even for the beginning of the fifteenth century. Arguments suggesting that the map had an earlier ‘prototype’, reflecting the affairs of King Edward I, are also found to be without merit.     

Eine verklungene Novelle Zur Deutung des PSI 725

This paper treats a rhetorical fragment which is preserved in Stobaeus from four points of view. (1) The speech was delivered in Alexandria by a travelling rhetor. (2) There is a philosophical background with a Cynic flavour to this oration, which advocates concord within the city. (3) An analysis of the literary form shows that this text can be regarded as an example of a λαλι?. (4) The date has been very much debated, but a study of the vocabulary makes a date in the second half of the second century A.D. seem plausible.     

Medieval Britain and Ireland in 1983

Abstract

LATER MEDIEVAL ENGLAND possessed over 300 documented leper hospitals, representing around a quarter of all hospital foundations, but to date a sustained discussion of this archaeological material is lacking. This paper synthesises and explores the present state of archaeological knowledge within the broader context of recent studies in other disciplines. It identifies some current issues and avenues for potential research, with particular reference to the recent archaeological work at St Mary Magdalen, Winchester, one of the most extensive excavations of a medieval leper hospital and almshouse to date.     

Notes and News

SUMMARY: The 17th century saw the kingdom of Sweden become one of the great powers in Europe. This was also a period when Swedish kings strengthened their power and created an efficient, centralized state administration. Coats of arms were used in this context as expressions of authority and power and as signs of loyalty. This article presents stove tiles bearing the royal coat of arms of Sweden from Turku in Finland (then part of the Swedish kingdom), and analyses their dating, on the basis of heraldry and stylistic analysis. The meaning of the stove tiles and their possible makers and owners are explored by using archaeological and written sources.     

Post-Medieval Brick and Tile Kilns at Runsell Green,Danbury, Essex

Abstract

The excavation of two kilns of late 17th-early 18th-century date is described. The range of products, and method of manufacture, are discussed in the light of an inventory of 1708.     

A COMPARATIVE SCIENTIFIC STUDY OF THE EARLIEST KILN SITES OF KORYǑ CELADON*

Four of the Koryǒ dynasty's earliest kiln sites are studied for the macroscopic, compositional, and microstructural characteristics of their celadon products. Recent excavation of Sǒri and surface investigation of Kangjin sites provided new materials for closer examination of the origin and early developments of celadon technology in traditional Korea. Two other sites, Wǒnhǔngni and Osari, with archaeological characteristics in common with the oldest layer of Sǒri, are also examined. Principal component analysis of body composition shows thai Sǒri and Kangjin had better control in their choice of raw materials whereas Wǒnhǔngnt and Osari had much wider scatter, showing the more experimental nature of their operation. The early Kangjin grouped out separately primarily because of their higher Al₂O₃ content, while X-ray diffraction patterns indicate they might have been fired at a higher temperature than other groups. The Korean method of two-step firing, first at a lower temperature to bake imglazed bodies and then at a higher temperature after glazing, is evident from the earliest operations in Kangjin.     

Rock-cut tombs and funerary landscapes of the Late Bronze and Iron Ages in Sicily: New fieldwork at Pantalica

Abstract

Rock-cut chamber tombs are characteristic monuments of the Bronze and Iron Ages in southern Sicily. They are found in large numbers and prominent locations at several Late Bronze Age sites, most of which were first investigated over a century ago by Paolo Orsi, but received little attention subsequently. One famous example is the UNESCO World Heritage site of Pantalica, where the author recently conducted fieldwork aimed at clarifying the form, distribution and topographical relationships of the tombs, which date from about 1250–650 b.c. Although these monuments present various practical problems for research, and their contents were removed long ago, the author argues that they can be profitably studied from an architectural, contextual, and landscape perspective. A new sample of the Pantalica tombs is presented, showing a wide range of forms and associations that provides a basis for the discussion of several issues: links with domestic architecture, demography, accessibility, visibility, temporality, and perception.     

Annual Report and Accounts for 2015

Abstract

This paper presents a case for identifying the Westminster Retable as the thirteenth-century high altarpiece of Westminster Abbey. It considers the evidence of the construction and size of the panel, and argues for the suitability of a panel painting for the high altar dossal at so comparatively early a date. The apostolic and eucharistic iconography of the paintings is also held to argue for such a function.     

Historical Notices of ISLIP,Oxfordshire1

Reginald Taylor and Lord Fletcher Essay Prize Winner

One of the most architecturally stimulating features of the Old Town Bridge Tower in Prague is the net vault over the ground level, designed by Peter Parler. Often assumed to have been built after the net vault of Prague Cathedral’s choir, this article looks more closely at the masonry, the heraldry and the sculptures of the Tower to suggest that the Bridge Tower vault predates the choir vault. After setting this vault as the first net vault in Bohemia, the article examines how this particular formt fits within the evolution of Parlerian vault designs in Prague. In addition, the article explores the larger implications of a design process where smaller spaces are used to experiment and develop new designs before utilising those designs on a larger scale.     

A child's burial in unconsecrated ground in early modern Dorchester,Dorset

Abstract

Re-examination of a child burial found during excavations in advance of the construction of new offices for Dorset County Council in the north-west quarter of Dorchester in 1937 indicates that it is of early modern, rather than of Roman date, as originally believed at the time of excavation. A possible context is explored for the burial of a child in unconsecrated ground in the 17th century.