Mapping Spain in the Sixteenth Century: The Escorial Atlas and Pedro de Esquivel’s Notebook

ABSTRACT

The twenty-one maps of Spain that comprise the Escorial atlas (El atlas de El Escorial) and the later notebook compiled by Pedro de Esquivel for another map of Spain have long been confused. Recently identified documents in the Royal Library, Stockholm, have allowed us to recognize the two works as completely separate and to shed new light on each. In this article we describe their respective histories, starting with the Escorial atlas, now known to have been commissioned by Emperor Charles V from the Sevillian cosmographer Alonso de Santa Cruz, who between c.1538 and 1545 produced an index map and 20 regional sheets drawn to the scale of 1:400 000. We then go on to show how, later in the century (between c.1552 and 1565), Pedro de Esquivel was using a version of the topographical methods described in Peter Apian’s Cosmographia to assemble data for the map of Spain commissioned by Philip II before and just after he became king in 1556. Esquivel died in 1565 before all the data had been collected, his map was never drawn, and his notebooks, with all his astronomical measurements and calculations of angles and distances, took a curious journey that ended in Stockholm in the archives of the Royal Library of Sweden.     

Cordiform Maps since the Sixteenth Century: The Legacy of Nineteenth‐Century Classificatory Systems

The heart‐shaped, or cordiform, maps of the sixteenth century, including those by Oronce Fine, Peter Apian and Gerard Mercator, have long intrigued historians. Most writers have considered the heart shape a product only of mathematics, but some have recently offered other interpretations for the use of the heart. A classificatory system devised by d'Avezac in 1863, however, has impeded our understanding of the cordiform map, particularly in the matter of what is considered to be such a map. The nature of his classification and its reception by other writers since the late nineteenth century are examined in order to elucidate new directions for the study of the use of the heart shape in sixteenth‐century cartography.     

The Idea of the Social Contract in the History of ‘Agreementism’

One of the recurrent motifs in political thought is the idea of the social contract, according to which a society, a government, or moral principles depend for their existence on agreements between voluntary agents. This association between the social contract and “agreementism” implies that there is nothing about the terminology of contracts that distinguishes it from that of other types of agreements constitutive of normativity. This essay tests this assumption by surveying the terminology of the social contract and by proposing two hypotheses. The first is that all attempts at analysing the idea of the social contract require a formal conceptual frame of reference that is distinguishable from agreementism. The second is that social contract theories can be grouped into four trends, even if the authors of each of these trends are unable to form a coherent body of doctrine. These trends are the Iberian Catholic version of the Counter-Reformation; the Protestant individualist trend of the Enlightenment; the quasi-dialectical trend of the radical Enlightenment; and the contemporary trend of public morality.     

The kingdom of Portugal,homage and papal ‘fiefdom’ in the second half of the twelfth Century

This paper examines the relationship between the newly formed kingdom of Portugal and the papacy in the second half of the twelfth century. The kings of Portugal sought a close alliance with the papacy and their relationship has been seen as that of ‘vassal’ and overlord. However, it seems likely that this alliance owed more to the tradition of monastic protection grants. The act of homage performed to the papal legate by King Afonso I is an example of a wider use of the homage ceremony. Homage was not only used to cement ‘feudal’ bonds, but also to make peace or to confirm pacts and agreements. The annual census paid by the kingdom to Rome was part of the same grant of protectio. The papal–Portuguese letters used the same language and terminology as ecclesiastical protectio, which was awarded by the papacy to monasteries, churches and eventually kingdoms and kings.     

The General as Statesman: The Virtues of Measuredness and Daring in Thucydides’ Account of Brasidas

Abstract

This article explores the virtues of daring and measuredness in the character of Brasidas in Thucydides’ History of the Peloponnesian War. These two virtues prove to be necessary for Brasidas to fulfill his role as a general. However, they are incomplete for a statesman concerned with the domestic affairs of a regime. In emphasizing these two virtues and displaying Brasidas only in his position as a general, Thucydides makes an important statement about the relationship between generalship and statesmanship, and to what degree the former is subordinated to the latter. Brasidas’ virtues become especially clear when contrasted with two other generals from the Peloponnesian War, Pausanias and Nicias.     

Vintages of the Sāqī-nāma: Fermenting and Blending the Cupbearer's Song in the Sixteenth Century

Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.     

Francisco Faleiro and Scientific Methodology at the Casa de la Contratación in the Sixteenth Century

Henricus Martellus's four world maps of c.1489 show a non‐existent Asian peninsula east of the Aurea Chersonesus (the Malay peninsula). For some decades a group of scholars in Latin America has been claiming that this so‐called ‘Dragon's Tail’ peninsula is really a pre‐Columbian map of South America. In this paper, the cartographical and place‐name evidence is examined, showing that the identification has not been proved, and that perceived similarities between the river and coastal outlines on this ‘Dragon's Tail’ peninsula and those of South America are fortuitous. Ptolemy's depiction of an enclosed Indian Ocean was invalidated when Bartolomeu Dias rounded the Cape of Good Hope. Consequently, a year or two later, Martellus adapted the east Asian section of Ptolemy's world map, providing China with an east coast and turning the southward extension of Asia into a peninsula. The non‐Ptolemaic place‐names on these maps were derived from Marco Polo's writings.     

The Calibanisation of the South in the German public ‘Euro crisis’ discourse

This article highlights the renaissance of the essentialist topos of the ‘lazy and irrational’ ‘Südländer’ (Southerner, Southern countries, South) in the German political and media discourses during the ‘Euro crisis’. It argues that it served to legitimate the political and economic measures taken in Southern European countries that pushed them into still more peripheral positions within the European Union (EU) and deepened the cleavage between North and South. Culture, or better culturalism and racism as its political ideological version, thus were used as a trap, as an intellectual battleground for justifying extremely complex economic and political decisions in a simplistic fashion throughout a crucial period of European history. The article furthermore demonstrates how a postcolonial reading may productively decode the processes of Othering taking place within Europe itself, especially between the so-called core and peripheral countries.