Towards a history of emotion, 1562–1660

Abstract

This article examines uses of the word emotion during the seventeenth century, arguing that the term's meaning at this time was in flux. OED gives three principle definitions of emotion, the first as meaning ‘political turmoil or agitation’, the second as meaning literally ‘movement or motion’, and the third as meaning ‘strong feelings or passing’. I argue that a great many uses of emotion during the seventeenth century apply the word in the second sense to the physiological movements of humours. This being so, I suggest that in emotion's seventeenth-century uses it is possible to read a transition in the word's meaning. Through its frequent use with references to humours in motion, the word begins to take on the characteristics which would allow it to develop into meaning ‘feelings or passions’.     

The Carolingian local ecclesia as a ‘temple society’?

This article assesses the question to what extent the model of a ‘temple society’ can be fruitfully employed as a tool of analysis for the Carolingian ecclesia, by which we mean not only the rich, well-endowed churches, but also the small, local ones. An investigation of the many different forms of ecclesiastical land-holding, and of the various functions a church and its ministers did (and did not) fulfil for early medieval Christians, shows the shape of the Carolingian ‘ecclesia-society’ as it took shape in the course of the ninth century.     

‘In common for everyone’: shared space and private possessions in the English parish church nave

ABSTRACT

Medieval historians have long emphasised the social significance of the installation of fixed and owned seats in English parish churches, but its impact was affective and ideological too. Since the late thirteenth century, church authorities had decreed that all worshippers should have equal access to the nave but seating introduced an object with many of the characteristics of private property into space theoretically held in common. Judges and bishops not only rued this as a corruption of Christian egalitarianism but also feared the opportunities for sensory enrichment, privacy and conflict that came with purchased pews. A new proprietary culture developed in churches that stimulated new practices, affective bonds and ideas about how entitlements and hierarchies from parochial life should or could be transplanted into the nave space.     

Lexicographic and syntactic explorations of doubt in twelfth-century Latin texts

What follows is a preliminary sortie into the largely untouched field of doubt in twelfth-century Europe. That the word ‘doubt’ in English is ambiguous soon became clear when I had to keep explaining that my study was not intended simply as a chapter in the history of philosophical scepticism or as an investigation of medieval atheism, but was to encompass uncertainty in all its forms. Obviously if there were problems about the meaning of doubt in English, identifying doubt in twelfth-century Latin texts would not be straightforward. This paper tests the correspondence between our current ideas on doubt and their expression in English, and doubt in twelfth-century contexts. Examination of the lexicography and syntax of doubt found in a variety of twelfth-century Latin writings not only enabled me to identify a rich array of doubt-words but to suggest an explanation for their underlying ambiguity and to determine the methods by which it was countered. Analysis of the words and images expressing doubt in these passages also provides a preliminary indication of medieval attitudes towards doubt.     

On Crystals of Augury

Abstract

Salisbury cathedral is usually seen as a ‘one period’ building, a ‘complete’ 13th-century cathedral. As a result, the later medieval work at Salisbury has rarely been considered in its own right. This neglect has been compounded by the subsequent loss of many of its most important elements: the two eastern chantry chapels, St Osmund’s shrine and half the library. The aim of this paper is to redress this imbalance. Salisbury’s original appearance was transformed dramatically in the early 14th century by the construction of the high tower and spire, and in the later 15th century, following the canonisation of St Osmund, when the east end was substantially remodelled. As at other great churches, the interior was continuously adapted to enable the cathedral to meet the spiritual needs of late medieval society. These were principally the performance of the liturgy, the commemoration of the dead, the augmentation of devotional cults and the promotion of learning. These themes are explored in the discussion of the new library, major monuments, the shrine of St Osmund and the construction of four new chantry chapels. Thus the cathedral evolved significantly in the two and a half centuries after Bishop Ghent’s consecration in 1297.     

Four English ‘Bohemians’ Manqués: A Short-Term Resident,a Lost Opportunity,One to Do Without,and a Case of Confused Antecedents

Abstract

The article reflects the author’s longstanding interest in the appearance in the English lexicon of items emanating from the Bohemian/Czech environment, including the incidence of the very word Bohemian/bohemian. It discusses four cases where ‘Bohemian’ does not feature, though might well do so. These are: one bird name, the waxwing, once the ‘Bohemian waxwing’, which name survives only in American English because of the local need to distinguish the bird from another in the family; one spring flower, the early star-of-Bethlehem, restricted in Britain to a single site on the Welsh border, which could, on the basis of its Latin name, Gagea bohemica, have become the ‘Bohemian star-of-Bethlehem’; one pernicious hybrid knotweed, Reynoutria × bohemica, which has no common English name, but was identified and named in Bohemia, and would be potentially nameable geographically as ‘Bohemian knotweed’, like one of its parents, the Japanese knotweed; and one modest vegetable, the swede, which owes its name to a perceived origin in Sweden, though it is conjectured that during or after the Thirty Years’ War it was first taken to Sweden from Bohemia and so might have become analogously the ‘bohemian’. The article contains other conjectures as to the items’ origins and explores the history of their naming in Czech and German as well as English.     

‘Because their patron never dies’: ecclesiastical freedmen,socio-religious interaction,and group formation under the aegis of ‘church property’ in the early medieval west (sixth to eleventh centuries)

In the early medieval west, patronate, as adapted from Roman law, was a fundamental category in determining the legal status of freedmen. In many cases it entailed a basic set of obligations. In an increasing number of situations, however, the patron became an ecclesiastical institution, since slaves and freed persons were often given to churches and monasteries. As ecclesiastical institutions regarded their patronal rights over freed persons as part of inalienable church property, the patronal relationship became permanent and inheritable. In Eastern Francia (the Rhineland and beyond) this transformed ecclesiastical freedmen into religiously defined social groups with potentially distinct aims, religious tasks, and organizational structures, and a shared notion of freedom. From the Carolingian period onward, it even became attractive to enter voluntarily into this status. It is argued here that with its underlying network of socio-religious relations, patronate over ecclesiastical freedmen and censuales can be better understood when considered as an element of a ‘temple society’.     

Perennial crisis and the loss of flexibility

Crisis interrupts routine in unwelcome ways with an uncertain outcome. The Greek word krisis (κρíσις), which is etymologically close to criterion and criticism, was occasionally used in relation to social ailments. However, more often, it was used to refer to a medical condition characterized by a high fever. A critical condition in English and other European languages refers to a similar situation. Two possible outcomes were envisioned in ancient Greece: you died or you recovered. In the contemporary world, the term ‘crisis’ can be of limited relevance since crisis is endemic and chronic in one or several domains virtually everywhere. There are two general causes for this: accelerated, runaway globalization generates unpredictable, unintentional side effects; and different parts of a lifeworld change at different speeds, leading to disjunctures and destabilization. Perhaps volatility is a more appropriate term.     

Das Arabische als Vermittler und Anreger europäischer Wissenschaftssprache

The role played by the ‘Arabs’, i. e. the peoples of Arabic-Islamic civilization, in the transmission and development of the sciences — from Antiquity and into medieval Europe — is well known. In the present contribution it is discussed in which way the ‘Arabs’ formed their own scientific terminology and in which way they contributed to the formation and development of the Western, European scientific terminology. In the translations of scientific works from Arabic into Latin in the middle ages, mainly four ways of rendering the Arabic terminology are observed: simple transliteration; modified Latinized transliteration; literal translation; and free rendering by newly formed or inherited Latin or Greek terms. In the course of time, transliterated Arabic terms were more and more suppressed — though many of them live on among us until today — and supplied by corresponding Western terminology.     

The Tames of Fairford

Abstract

Based on evidence collected by surveying a sample of Norfolk churches, this paper presents a reappraisal of the presumed ubiquity of chancel screens in late medieval parish churches. Building on this foundation, evidence is presented and discussed regarding the supposed homogenous form of chancel screens, and the relationship of these screens to other elements such as lofts and beams. By considering the broad period of c. 1330–1537, during which chancel screens were being constructed or renewed, this paper sets out the major changes in their structure, decoration and patronage. Whilst perhaps not ubiquitous, chancel screens did achieve and retain a widespread popularity during a protracted period. The paper offers explanations for their prevalence and argues that, in being representative of the gates of heaven, chancel screens were an important element in the setting of the medieval liturgy at parish level. It concludes with a discussion of patronage which is intended to reinforce the points made about the symbolic and physical centrality of these furnishings in Norfolk parish churches.     

The Military and Edinburgh Society, 1660–1760

Abstract

The most terrible words in all writing used to be ‘There they crucified Him’, but there is a sadder sentence now—‘I know not where they have laid Him’…Surely ‘missing’ is the cruelest word in the language. (Anonymous, To My Unknown Warrior, 1920.)     

A Note on the Meaning of Ḥamas in Ezekiel

ABSTRACT

The entries for ?amas in the biblical lexicons read “violence, wrong”; “treat violently”; or “theft, exploitation, social oppression;” namely, this word is understood as referring to the social sphere. On this basis, in the usual exegesis of the verses in which it appears in Ezekiel, ?amas is understood to refer to social violence. I suggest, however, that a closer examination of each of the seven occurrences of this term in Ezekiel indicates that it refers to the sins of the people that led to the destruction of the Temple—including idolatry and bloodshed—and that Ezekiel utilized and adjusted this pentateuchal concept to his prophetic needs.     

Some remarks on ethnicity in medieval archaeology

Recent critiques of the culture‐historical approach to ethnicity have denounced the idea that archaeological cultures are ‘actors’ on the historical stage, playing the role that known individuals or groups have in documentary history. But the critique has gone as far as to claim that, because archaeologists supposedly have no access to the meaning of cultural traditions, medieval ethnicity cannot be studied by archeological means. Ethnicity should be banned from all discussions, if medieval archaeology is to make any progress in the future. The paper examines the theoretical malaise at the root of this scepticism verging on nihilism. The understanding of the archaeological record not as an imprint, but as a text allows for much learning about meaning in the past. Symbols, style and power are the key concepts that currently guide anthropological research on ethnicity as a ‘social construction of primordiality’. As several archaeological examples show, medieval ethnicity was a form of social mobilization used in order to reach certain political goals. Ethnic identity was built upon some pre‐existing cultural identity, in a prototypic manner.     

Somatic Styles of the Early Middle Ages

‘Somatic Styles’ examines how classical modes of gender played significant roles in carving out competitive arenas between clerical and lay elites, c.600–900 CE. The paper explores the hermeneutical obstacles standing between the contemporary theorist of gender and the complex nature of the early medieval texts under scrutiny. The analysis reconstructs classicising techniques of gender deployed by early medieval churchmen, and it does so in a way that both challenges the stranglehold of the ‘one‐sex’ model on pre‐modern understandings of gender and heals the ‘rupture’ between the ‘Ancient’ and the ‘Dark Age’. Finally, the essay maps early medieval somatic and gendered styles onto an architectural space where lay and consecrated bodies met – a ninth‐century monastic basilica.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

A note on the death of Leo Sgurus in A.D. 1208

Abstract

Leo Sgurus, archon and ‘tyrant’ of Argolis and Corinthia from c.1200 with an impressive career in the period until c.1208, succeeded in establishing an extensive albeit short-lived Territorialstaat in the NE Peloponnesus following the Latin capture of Constantinople on 12/13 April 1204 and the subsequent Latin onslaught in Greek territories. Truly among the most outstanding figures of the late Byzantine era, Sgurus has been characterized by Dionysios A. Zakythenos as one of the last 'defenders of Greek independence’ following the Frankish conquest of 1204, for this local archon seems to have constituted the sale realistic hope of the mainland Greece populations for an effective stance against the marching crusaders of Boniface of Montferrat, though, as the late George Kolias observed thirty years ago, he unwisely directed his activities rather against his compatriots than against the Latin invader. Yet, it has recently been said by Michael J. Angold that Sgurus ‘almost certainly enjoyed local backing in his expeditions’.     

On the Geography of the Wars Between the Saxons of Northumberland and the Northern Britons,from the Battle of Menao to that of Kaltraez

Abstract

The techniques of spatial analysis are deployed to gain insights into the ways in which smaller churches of the 11th and 12th centuries were designed to be used. A range of plan types is discussed, including churches with one, two and three cells, linear and cross-shaped plans, and ‘round’ churches. The resulting analysis of the forms of buildings is then placed in the historical context of ecclesiastical reform, and it is argued that some of the changes in church layout were designed to separate the clergy from the laity, mirroring their increasing legal and social differentiation. It is also argued that the ways in which clergy used space were similar in all types of church examined, and that they show continuity from early Christian buildings to the late 12th and 13th centuries, when rising belief in the transubstantiation of the Host led to the evolution of new forms of clergy space