Italian history and gli italiani nel mondo,part I

Abstract

Italian historians have not yet seriously grappled with the emigration of twenty‐seven million Italians as an interpretative theme. This article reviews the methodological challenges to such an undertaking. Existing works suggests that ‘Italy‐outward’ research strategies, exploration of Italian connections to its ‘diaspora’, and attention to labor recruitment and militancy, and return migration are promising approaches. Since most interpretation of Italian migration still occurs within the histories of receiving nations, Part I also provides a review of the historiography on Italian immigrants in the English‐speaking world, to be followed in Part II by a comparable review of Italians living and working in France, South America and central Europe.     

Italian history and gli italiani nel mondo,Part II

Abstract

Italian historians have not yet seriously confronted the emigration of 27 million Italians as an interpretative theme. Part II of this two‐part article studies Italian migrants’ experiences in France, South America, Switzerland and Germany, comparing ‘Latin’ and ‘Germanic’ receiving areas to the English‐speaking world discussed in Part I. A focus on these other sections of the Italian diaspora challenges some fundamental interpretations of historians of Italy about emigration: Italian migrations to these areas were neither limited to the late nineteenth century, sparked by the economic crises of those yean, nor a product of the ‘problem of the Mezzogiomo’. Italian historians have special opportunities to study return migration to Italy, and to interpret Italy's own evolution into a multicultural receiving country, by comparing it to the models of multi‐ethnic nations where Italian migrants once settled around the world.     

Endangered minority and regional languages (‘dialects’) in Italy

The Italian linguistic situation is characterised by a remarkable number of language varieties, although the development of Italian in the past 150 years has been the cause of a language shift from local languages to Italian. The degree of endangerment suffered by so-called ‘Italian dialects’ is shown using the Major Evaluative Factors of Language Vitality drawn up by a UNESCO ad hoc expert group in 2003, and the data offered by the 2006 ISTAT survey on language use. The debate in Italy on the vitality of ‘dialects’ and their future has done little to activate mechanisms and strategies to reverse the worrying language shift that both minority languages and ‘dialects’ are undergoing.     

From superabilità to transabilità: towards an Italian disability studies

This article discusses recent academic and theoretical approaches to disability in Italy, situating them in relation to Anglo-American disability studies as well as within the Italian academic context, and sketches out the contours of an emergent Italian disability studies. The discussion centres on three terms that have emerged recently in Italy: superabilità (implying both ‘ability to overcome’ and ‘exceptional ability’); diversabilità (being ‘differently abled’); and transabilità (the desire for, or identification with, a disabled body by a non-disabled subject). The article considers the role of narrative in each of these categories, as well as the way that each deals with the question of limits. While discourses in each category construct or confirm a strong disabled identity, the article argues that transabilità might also be understood as the transcendence of identity on the basis of ability. This alternative understanding puts pressure on the question of identity itself and challenges the very need for narrative (re)construction.     

In the footsteps of George Orwell: Patrick McCarthy as Italian correspondent for Tribune, 1978–1980

Abstract

This paper examines Italy's contribution to the United Nations (UN) and how effective this has been in protecting Italian interests. The first part outlines the areas where Italy's input to the UN has been most relevant in terms of ideas, policies and participation, such as for example the campaign to ban the death penalty and its participation in collective security through participation in UN peacekeeping missions. This paper also highlights the critical role that Italy's long-standing positions on UN reform and the enlargement of the Security Council have played in defining Italy's status in the international community, and asks whether there have been significant changes in the traditional Italian position and its loyalty to the UN and, more generally, to the multilateral system. The second part analyzes the origin and rationale of Italy's policies toward the UN and their effectiveness in defining and defending the national interest. It explores the idea that these policies have been determined by the ‘institutional multilateralism’ of the Italian Constitution, the ‘genetic multilateralism’ of the Italian society and the ‘forced multilateralism’ of Italy as a middle-range power. Italy's positions on the UN and its reform are examined in the light of claims that Italy's foreign policy reflects its ‘complex of exclusion’ and presumed lack of influence in the ‘major stakes’ in world diplomacy.     

Towards a chequebook democracy? Business,parties and the funding of politics in Italy and the United States

This article seeks to establish to what extent Silvio Berlusconi's entry into electoral politics as leader of Forza Italia signals an ‘Americanization’ of Italian politics. It argues that Italian party democracy is moving in an ‘American’ direction in two ways. First, Italian party organizations are declining, leading to a more candidate-centred type of electoral politics. Second, the decline of parties is enhancing the ability of business to use its financial clout to tailor public policy to its own requirements. However, these trends do not have identical effects in Italy and the United States. This article will also show that this process of ‘Americanization’ interacts with the existing political praxis and institutional framework of Italian politics to produce an outcome which differs from both the traditional Western European model and the American model of party democracy. It will be concluded that this outcome seriously undermines representative democracy in Italy.     

Between containment,confinement and dispersal: the evolution of the Italian reception system before and after the ‘refugee crisis’

In this article, I will analyse how the Italian reception system has been transformed after the ‘refugee crisis’, showing how the change cannot be reduced to a mere expansion of the reception capacity. I will do this by tracing a genealogy of the Italian reception system and highlighting its main features before and after the ‘refugee crisis’. My hypothesis is that the ‘refugee crisis’ and the sense of emergency it created has stimulated the emergence of distinct segments within the Italian reception system functioning according to radically different philosophies and objectives. This, in addition to increasing the overall lack of consistency of the system, is having a profound impact on the rights of asylum seekers, greatly increasing the risk of their spatial and social segregation within Italian society.     

‘Defending the race’: the Italian reinvention of the Hottentot Venus during Fascism

Abstract In 1938 the regime's popular periodical La Difesa della Razza published the portrait of Saartjie Baartman (a Khoisan woman known to the western world as ‘The Hottentot Venus’) to discourage miscegenation in the empire of Italian East Africa. But by 1938, Italian public and scientific interest in the Hottentot Venus had long faded away. In addition, readily available photographs of Italo-Eritreans could have been used to show the ‘outcome’ of miscegenation. Why then did the regime's organ publish a portrait of ‘The Hottentot Venus’? This article addresses this question, and explores how Baartman's story could serve the regime's aim of forging a new ‘racial consciousness’ among Italians. By focusing on the transformation of scientific discourses from the 1850s to the late 1930s, and on their silences, the article illuminates the process through which some of the regime's anthropologists constructed a new, ‘made in Italy’ story for the Hottentot Venus. Deliberately leaving out all the main issues long debated during the previous century, they turned this figure into an empty icon to support Fascist colonial obsession with the purity and prestige of the Italian race.     

Adriano Celentano and the origins of rock and roll in Italy

Abstract

This article examines the way in which American rock and roll was translated into Italian culture. It argues that Italian versions of rock and roll were not just ‘watered down’ or ‘domesticated’ versions of the original. Rather, Italian rock emerged from a context that was different in musical, ethnic, political, linguistic and religious terms. By focussing on Adriano Celentano (the most prominent ‘Italian Elvis’ of the 1950s), it is shown that Italian rock singers evolved from mere imitation to cultural forms that were more related to the Italian environment. Musically, this meant a relationship with the domestic melodic tradition, jazz and American rock and roll rather than the blues. The rebellious attitude of early singers was a function of the hostility demonstrated towards them by political and religious authorities. Once this attitude was replaced by one of co-optation, opposition was replaced by modernizing integration. A figure like Celentano managed to be simultaneously defiant and conservative, pagan and religious, conformist and non-conformist. The resulting contradictions were concealed beneath a personal magnetism partly based on an established ‘cool’ style that appealed to the new categories thrown up by social and economic changes. Celentano's fame was confined to Italy not because he merely imitated American rock but because he developed an original synthesis that was specifically adapted to Italian tastes.     

The condition of ‘Cosmo-housewives’: leisure shopping,the mainstream and its ambiguities

‘Leisure shopping’ is a particular kind of shopping activity that is devoted mainly to fashion clothes and accessories. Women are commonly represented as the main leisure shoppers, and consequently, they tend to be at the centre of shopping centres' mainstream discourses. This article argues that interpretations of representations of ‘leisure shopping’ and the corresponding practice have too often ignored the daily and seemingly ‘banal’ experiences of the social actors involved. The primary purpose of this article is to show how gender roles are performed and reified in high-end factory outlet villages in Italy. It adopts a cross-sectional approach to ‘leisure shopping’ that includes an analysis of the ‘languages’ of two Italian high-end factory outlet villages, the ‘social space’ represented by the same sites and the ‘stories’ about a few ideal-typical female shopping experiences. These aspects are situated in the Italian cultural and political context at the time the research was conducted. Very different demands – such as sensuality, efficiency and motherly care – are put on women in Italy, as well as in the majority of Western societies. The analysis reveals that through their practice of browsing in a high-end factory outlet village, women often reproduce stereotypes while simultaneously trying – though ambiguously – to challenge them.     

A colpi di cuore. Storie del sessantotto

This article attempts to tackle the problem of how a colonial culture that was elaborated through the written word may have impacted on an Italian society that was significantly more ‘backward’ than its western European counterparts. The Prima Guerra d'Africa (1885-96) has often been seen as a military campaign desired exclusively by an isolated Italian government in a society that was incapable of using the occasion to develop cultural themes that impacted on the desires and aspirations of the ‘real’ Italy. This supposed societal dysfunction meant that Italy failed to create a ‘culture of imperialism’ in the years of the Scramble for Africa in a way that has now come to be considered of such central importance for the histories of France, Britain or even Germany.

Through an analysis of the role played by primary schools in Italian culture in these years, this article attempts to reverse this view, arguing that even taking into consideration Italy's ‘backwardness’ there was not only a great awareness of what Italy was supposedly doing in Africa but also a serious attempt to load the events that occured there with a meaning that had a much more intimate relationship with Italy's population. Although defeat in Africa meant a major setback in this process, imperialism as a cultural phenomenon continued to be of fundamental importance to the progress of nation building and the development of nationalism in Italy and, Finaldi argues, it should therefore be assigned a place in Italian culture that is much more on a par to that which culture and imperialism are deemed to have held for other European nation-states.     

Italians and music. Financescape,ideoscape and mediascape

Abstract

This article explores the reasons why Italian contemporary musical life is generally considered to be below the standards set by other European and overseas countries, a situation that is all the more striking when the contrast with Italy's glorious musical tradition in past centuries is born in mind. The failings of public institutions and the inadequacies of policies have often been blamed for this, but in fact the causes are more complex. Arjun Appadurai's terminology that is cited in the title and the subsections of the article that are organized around the themes of ‘financescape’, ‘ideoscape’ and ‘mediascape’ provide the opportunity to develop a better understanding of the complex factors playing a role in the Italian music scene. In terms of structure and organization that greatest problems lay in the production system of the Opera theatres, in the progressive fall in public funds for the performing arts and in a visibly shrinking music market. These factors have created a crisis, but they have deep roots in Italian culture, one symptom being the relatively small demand for music in Italy. These different factors have combined to create a situation of immobility and conservatism that in turn weighs heavily on both serious and pop music.     

The Italian party system’s three functional arenas after the 2018 election: the tsunami after the earthquake

The aim of this article is to assess to what extent the ‘change’ after the 2018 Italian election can be observed in the electoral, parliamentary and governmental arenas. We use the indicators of party ‘volatility’ and ‘innovation’ to measure the change in each arena. The time span is the period 1948–2018, with a specific focus on the time after the watershed election of 1994. In this respect, we have identified a crucial difference between the 1994 change and that of 2013–18: if 1994 was the single moment of passage from one party system to another, in the 2010s the change did not happen in a single moment. Only after the next election, if volatility and innovation in the three arenas is reduced substantially, could we claim that a new party system has developed, that could be considered the ‘third party system’ of the Italian Republic.     

Italian Jews and their ‘political’ reactions to the fascist regime’s anti-Semitic campaign*

ABSTRACT

The article intends to emphasize the political redefinition of Italian Jews in reaction to the fascist aggression and its different answers ‘organized’. Since 1934 there arose strong divisions within Italian Judaism: the real issue of contention, however, did not reside in the attitude towards fascism, but in the judgement on Zionism and postponed a long-standing dynamics. A group of Jews, called ‘bandieristi’ from a magazine called La Nostra Bandiera, on the basis of a ‘fascist’ programme and anti-Zionism, tried to replace the official establishment of the Jewish representatives, the Union Community of Italian Jewish, as a reference to the fascist authorities. The Union was accused by the ‘bandieristi’ of being complicit with international Jewry and Zionism. The confrontation with fascism exasperated the Italian Judaism internal contradictions, putting in long-term dynamic light that preceded fascism and survived the early post-war years.     

A Daily Revision of the Past: Fascism,Anti-Fascism,and Memory in Contemporary Italy

Recent cultural and political debate in contemporary Italy, which has often been focused on Fascism and the Resistance, has seen an attempt to reconsider the importance of the constitutive moment of the Republic, namely the Liberazione from Nazism–Fascism, and to equate the memories of Fascism and anti-Fascism. The direct consequence of these confused revisionist approaches is either to rehabilitate many aspects of the Duce's regime, or on the contrary to assign this shady page of history to oblivion. The effect of this would be to marginalize anti-Fascism, and even to depict Fascism as relatively ‘harmless’ or ‘apolitical’. The danger is that this trend may construct an artificial and distorted history and thus a ‘manipulated’ public memory for Italian society. The purpose of this article is not to defend anti-Fascism but to restore the reality of ‘Fascism in action’, and to challenge distorted revisionist perceptions of the past.     

On the current absence and future improbability of political Catholicism in Italy

Clerical ‘non-negotiable values’ were actively promoted by right-wing governments in the 2000s, the Monti government that replaced them was strongly supported by the Vatican and the Italian bishops, and the current left-wing government is led by a former member of the Catholic popolari who attends Mass every Sunday. But this article argues that, rather than a new golden age of political Catholicism, the return of Catholicism to Italian politics has taken a ‘low intensity’ form which lacks the robust combination of ideas, leaders, organizations, and interests that informed earlier, genuinely political forms of Catholic engagement. The article demonstrates this by focusing on the ‘Todi movement’, which played a crucial role in the Monti government, and on Matteo Renzi’s current leadership of the Partito democratico and the national government. It also proposes a theoretical framework to explain the apparent contradiction between the high visibility and the low political relevance of Catholicism in Italian politics.     

Understanding criminal mobility: the case of the Neapolitan Camorra

Italian mafias are now present and active abroad, and many national legal economies are undermined by their activities. The American government responded to this threat in 2011 by introducing an ‘executive order’ that blacklisted the Camorra's (the Neapolitan mafia) activities in the United States. Recently, there has been a growing debate on criminal mobility and, in particular, why, when and how Italian mafiosi move out of their territory of origin and expand into new foreign territories. Recent literature suggests that Italian mafias change their behaviour across territories and will succeed in ‘transplanting’ when there are emerging new markets. This article examines some brief case studies of camorristi in Europe to discuss these concepts of mafia mobility; and it concludes by suggesting that there is no ‘one size fits all’ analysis and that more attention should be paid to the interdependence of territories.     

Construction of crime and the criminal: pathologies of the Italian legal system

This paper discusses the functioning of the Italian legal system, especially with respect to crime and immigration. While political discourse from both right and left stresses the need for the ‘security’ and ‘control’ of immigration, the larger legal-political framework only increases the number of ‘irregular persons’ whose only chance of making a livelihood is to engage in ‘irregular’ jobs. Consequently, public attitudes towards immigrants are becoming systematically tied to ‘crime’ and ‘illegality’. The Italian state draws heavily on its resources to sustain judges, prosecutors, lawyers and a large bureaucratic apparatus, repeatedly running trials that aim to punish crimes often related to the essential condition of being a migrant. Most of these crimes represent no threat to security, nor violate social norms or trust among citizens. Therefore, Italian legislation has the ultimate effect of attracting, above all, those migrants that are willing or more prone to live in a condition of illegality, rather than those that are willing to abide by the law.