1. AT HOME AND IN THE WORKPLACE: A HISTORICAL INTRODUCTION TO THE “SPATIAL TURN”

This introduction places the forum contributions in the wider context of the “spatial turn” within the humanities and social sciences. Following a survey of the historical trajectories of the field, a review of impulses from different disciplines, and a sketch of general developments over the last few decades, the editors exemplify key approaches, methods, and conceptual advances with reference to gender studies. The focus then turns to the structure, main themes, and specific contents of this collection, which features both case studies and theoretical reflections. In conclusion, the essay underlines the significance and further potential of the “spatial turn.”     

7. SPACES,PLACES, AND THE HISTORIANS: A COMMENT FROM A GERMAN PERSPECTIVE

This article discusses from a specifically German point of view the “spatial turn” in history and the approaches of this forum. Many recent interventions have suggested that “space” (as opposed to “time”) was for many years a marginalized category in the German historiographical debate because of the ideological contamination of the category “space” by the Nazis. In the context of the vivid, lively “provincial” or “regional” history practiced in Germany, however, “space” has always played an important role. The debates around the spatial turn nevertheless provide the opportunity for deliberate reconceptualization. This comment proposes a relational understanding of “space” as the core of the new approach and identifies some central elements and terms for it: the differentiation of “spaces,”“places,” and “locations”; movement in space; the division of space in the form of boundaries; finally, the ordering and classification of space in the form of written or visual representations.     

4. PARTISANS AND POPULATIONS: THE PLACE OF CIVILIANS IN WAR,ALGERIA (1954–62)

Carl Schmitt's influential text The Theory of the Partisan (1963) serves in this article to read the history of civilians in modern warfare, examining the case of Algeria (1954–62). Schmitt's argument that the partisan leads to a dangerous conceptual blurring in war, confusing soldier and civilian, friend and enemy, reveals important questions about the war, questions that are otherwise invisible in conventional readings of the archives. Notably it places in relief the figure of the “population,” a way that the French military conceptualized Algerian civilians and their place on the battlefield. The article argues that the population, as constituted in military theory, needs to be understood as the partisan's partner in contributing to the normlessness of violence. This offers both a new reading of the war in Algeria and the violence suffered by civilians, as well as a correction to Schmitt's politically one‐sided explanation of the problem of normlessness and modern warfare. Whereas Schmitt's revolutionary partisan is a figure of the left, the notion of the population originated among counter‐revolutionary French officers who rethought war in an effort to stop decolonization and reshape their own society along military lines. For them Algerian civilians served as a primary weapon against the National Liberation Front (FLN) by breaking up the nationalists’ claim to lead a single, undivided, and sovereign Algerian people. In effect, the notion of the population made Algerian civilians appear as potential enemies to the FLN, blurring the nationalists’ own understanding of the political configuration of the war, directly exposing civilians to its violence.     

3. BEYOND REPRESENTATION: PICTORIAL TEMPORALITY AND THE RELATIONAL TIME OF THE EVENT

Pictures are often connected with the mediation of the event but, paradoxically, not with temporality as such. Although there are several existing approaches that focus on the interplay between the event and its literary representation, the relation between pictorial time and the temporal constitution of the event remains unexplored. The field of image theory has offered insights into the multiple dimensions of the picture's temporality. It has shown that the picture's temporality concerns not only the depicted event but also the picture's immanent modes of producing different temporalities within one pictorial plane. The picture thus not only makes visible but also generates multilayered times of the event. This article brings together insights from image theory and from theories of historical times to demonstrate the relationship between the times of the event and the inner logic of the picture. In order to identify the various qualities of the picture that structure the times of the event, this article uses the case study of Reinhart Koselleck's practical and theoretical work with pictures. This article reads Koselleck's approaches to pictures alongside new insights concerning the relationality of time to the event and the picture. By exploring the picture's agency with regards to the politics of time, this article lays bare the picture's potential to structure the times of the event.     

2. CONSTRUCTIONS OF “HOME,”“FRONT,” AND WOMEN'S MILITARY EMPLOYMENT IN FIRST‐WORLD‐WAR BRITAIN: A SPATIAL INTERPRETATION

In First‐World‐War Britain, women's ambition to perform noncombatant duties for the military faced considerable public opposition. Nevertheless, by late 1916 up to 10,000 members of the female volunteer corps were working for the army, laying the foundation for some 90,000 auxiliaries of the official Women's Services, who filled support positions in the armed forces in the second half of the war. This essay focuses on the public debate in which the volunteers overcame their critics to understand how they obtained sufficient popular consent for their martial work. I explain the process in terms of shifting hegemonic understandings of space. As critics' arguments in the debate indicate, the gender attribution of war participation was organized and represented spatially, assigning men to the warlike “front” as warriors and women to the peaceful “home” as civilians. To redefine the meaning of these gendered wartime spaces, women volunteers deployed rival spatial discourses and practices in their campaign for martial employment. The essay explores the progress of these competing definitions through feminist and spatial theories, including gender performativity, discursively constructed and constructive spaces, and heterotopias. I argue that the upheaval caused by the war in gender and spatial norms undermined absolute conceptualizations of space with dichotomous binary areas on which critics drew for their arguments and reinforced more recent, relative spatialities, including the cultural construction of militarized heterotopic sites in between and paralleling both “home” and “front” for soldiers in training or recovery. The volunteers' efforts to gain access to military employment both contributed to and were supported by this shift. Heterotopic sites offered ideal discursive locations for constructing the new gender role of auxiliary soldiering through the performance of martial training and work, and competing spatial definitions provided arguments through which they could justify their activities to both critics and supporters.