“We are Gauteng People”: Challenging the Politics of Xenophobia in Khutsong,South Africa

Abstract: This article seeks to shed light on the May 2008 violence against foreign Africans living in South Africa, and the issue of xenophobia more broadly, by examining the case of Khutsong, a poor township on the edge of Johannesburg that did not experience xenophobic attacks. Arguing against prevailing explanations that link xenophobia with poverty and deprivation, this study examines the opposition to xenophobia that developed in Khutsong. It highlights the centrality of a community‐based organization, the Merafong Demarcation Forum (MDF), in halting the spread of violence. In its recent struggle against municipal demarcation, the MDF nurtured a collective sense of place that granted primacy to provincial boundaries while downplaying ethnic and national divisions. The article argues for the need to examine local social struggles and their intersections with broader political‐economic trends when accounting for the presence or absence of violent xenophobia.     

Fashioning the American Man: The Arrow Collar Man, 1907–1931

This essay is about the Arrow Man, one of the most successful advertising images in early twentieth–century America, and a visual representation of the New Man. The Arrow Man was created by a noted artist, J. C. Leyendecker, to sell the Arrow collar, a new version of detachable collars, a wardrobe staple for most US men and all but working–class men in Britain and Europe since the 1840s. The Arrow Man’s story is part of the transformations in masculine ideals and physical appearance, heightened by the new visual and consumer culture. He carried messages of men’s self–management of appearance and public performance from the nineteenth century into the early twentieth, where it changed from a mark of European gentility into that of the typically American white–collar man. His story is part of fundamental shifts in the US: new occupational and social class configurations and emerging American popular culture.     

“UNABLE TO RESIST”: ON THE “POSSIBILITY” OF “IMPOSSIBILITY” AND CHRISTOPHE BOUTON'S TIME AND FREEDOM

This essay reflects critically on Martin Heidegger's remarks about authenticity and death with the aid of Christophe Bouton's Temps et liberté (2002), translated by Christopher Macann as Time and Freedom (2014). It first raises general questions concerning the possible thematic relationship between human endeavoring (action) and the experiences of finitude and freedom. Heidegger's Being and Time is particularly useful for exploring this relationship, but certain problems emerge when using this text for accessing the essay's themes. To wit: there are good reasons for mistrusting readings of Being and Time as a “practical” guide for grounding action. Against the practical reading, the essay wishes to reclaim the ontological‐existential significance of Heidegger's text. Although Bouton's treatment of Being and Time excludes its ontological dimensions and is entirely practical, even to the point of disregarding certain theoretical risks inherent in this approach, Bouton's study is indispensable for situating Being and Time in a historical‐intellectual context, whereby the experiences of freedom and time are understood within certain metaphysical presuppositions rendering them difficult to establish together on reliable grounds. Following Bouton's lead, the essay shows that the hermeneutic differences between practical and ontological readings of Being and Time can be explored through reflections on what Heidegger might have meant by the term “Möglichkeit” (“possibility”), from which Bouton infers “freedom.” It is alleged that Bouton does not fully consider all of Heidegger's assertions regarding Möglichkeit, most problematically the claim that the human being's most essential “possibility” is its “impossibility,” that is to say, its death.     

“Like Barnabas and Saul”: Malagasy Converts in Britain, 1839–1841

In 1839, six Malagasy Christians arrived in Britain under the auspices of the London Missionary Society. The group had been persecuted in Madagascar for their faith. They were introduced to the British evangelical community as saints and martyrs who were dependent on the missionary society, but their decision to undertake the long journey was shaped by their spiritual beliefs, their desire to develop their education, and their wish to eventually become evangelical missionaries in Madagascar. At public meetings around the country, the Malagasy used a Christian frame of reference to describe their personal stories and their hopes for the future of Christianity in Madagascar. As speaking subjects, not merely objects of spectacle and display, they communicated to British audiences their credibility as fellow Christians, educated individuals, and civilised human beings.     

“We’ve Lost Our Bearings”: Place,Tourism, and the Limits of the “Mobility Turn”

Abstract: The “mobility turn” claims that conceding analytical priority to the study of mobility is the best way to overcome methodological approaches based on fixed and stable categories argued to be unviable in a world that is increasingly mobile. In this paper I argue that the mobility approach, far from reaching this goal, in fact reifies the cleavage between mobility and immobility, relegating immobility to a passive, undertheorized position, and collapsing the complex workings of power, thus foreclosing a dialectical understanding of the contradictory albeit co‐produced processes of mobilization and immobilization. Drawing on an ethnographic analysis of the impacts of changing patterns of accumulation of the tourist industry on the urban space of Palma (Majorca, Spain), I suggest a relational approach attentive to the dialectics of mobility and stability, continuity and change.     

“Partitioning the Sensible” at Park 51: Rancière,Islamophobia, and Common Politics

Abstract: This paper uses Jacques Rancière's conception of the partition of the sensible to interrogate the aesthetic regimes and spatial coordinates that animated public debate about Park 51—the Islamic community center near the World Trade Center site in Manhattan. Understanding conflicts over mosques as potential struggles over the conditions of membership in a community, I suggest that many of the arguments in favor of Park 51 reinforced a partition of the sensible in which Islamophobia could resonate. At stake in these debates—which turned on different understandings of the distance that separated the proposed center from the WTC site—is the relationship between American Muslims and the narratives of trauma constructed around the September 11th attacks. I conclude by exploring the projects proposed by Park 51 organizers as potential sites of everyday micropolitics that could subtly “jolt” existing orders in the interest of reconfiguring the “common sense” of a community.     

Unpacking “Accumulation By Dispossession”, “Fictitious Commodification”, and “Fictitious Capital Formation”: Tracing the Dynamics of Bahrain's Land Reclamation

We explore the interrelationships between the concepts of fictitious commodities, fictitious capital and accumulation by dispossession. We do so through a detailed examination of the dynamics of land reclamation in the Kingdom of Bahrain during the years 2001–2014. Particularly, we dissect in‐depth the ensemble of social relations and chain of events involved in two specific real estate projects, Norana and Bahrain Financial Harbour, that have come to symbolize Bahrain's neoliberal era. Reclamation was a unique process in which land was explicitly produced as a commodity for market purposes. Primary material of land deeds, company registration documents, and news articles were used to map out the social relations across the state–finance–real estate nexus. We emphasize that our understanding of accumulation by dispossession involving land is greatly enhanced if we view it as a process of reconfiguring the ensemble of social relations using fictitious commodification and fictitious capital formation.     

Draper,the “Conflict Thesis” and Secularising Politics in Late Nineteenth‐Century Argentina

Despite appearances to the contrary, late nineteenth‐century Buenos Aires (Argentina) seems to be a suitable scale model to explore the relationships between the “conflict thesis” and secularisation. John W. Draper's History of the Conflict between Religion and Science (1874) arrived in the country in the midst of political battles over the shape of the future relationships between the state and the majoritarian Catholic Church. In the decade between 1875 and 1885 variants of the “conflict thesis” were expounded, discussed, and used as rhetorical weapons in the battles over the issue of religious teaching in elementary schools. This article analyses the discussions over the “conflict thesis” between liberal secularists and Catholics in newspaper articles, public speeches, parliamentary debates, and other forms of public discourse during that period. Against the backdrop of a weak institutional church, a vigorous growth of nascent scientific institutions, and a cultural atmosphere permeated by positivism, the opposing parties argued about the “conflict thesis” while each reclaimed for itself the legitimacy of science. The episode permits a close look at how the intellectual leaders who conceived the project of a secularised state utilised science‐based philosophies for purposes of political argument and ideological legitimation.     

“The Old Man is Dead”: Hip Hop and the Arts of Citizenship of Senegalese Youth

The 2012 Senegalese presidential elections engulfed the country in unprecedented controversy, violence, and protest. Urban youth in Dakar animated the massive opposition movement that eventually led to the incumbent's defeat through voter registration, public critique, and mass mobilization. Two prominent factors fomenting youth action were the direct engagement of a host of well known rappers and the pervasive power of hip hop culture. This article probes the valence of the globalized art form of hip hop as a medium of political identity formation and a language of resistance in these elections through considering the spatial practices and imaginaries of rappers and their followers. It argues that hip hop fosters new geographies of citizenship inspiring urban youth to transgress prescribed boundaries in allowed speech and political behavior to make new claims on their city and nation. Insight is drawn for understanding youth politics, the power of music, and questions of urban citizenship.