Patronage,Power and Politics in Appleby in the Era of Lady Anne Clifford 1649–1689

Abstract

'The Electoral Management of the Yorkshire Election of 1784'. In the general election of 1784 the Fitzwilliam Whig candidates for Yorkshire declined the poll the night preceding the county election and conceded victory to the pro-Pitt nominees who received organisational support from the Yorkshire Association. This paper uses the Yorkshire county election to provide a detailed case study of electoral organisation and management. It outlines the national and regional political contexts of the election and examines the political and religious prejudices of the protagonists. Furthermore, it details the costs involved and explores the logistics of bringing the enfranchised freeholders, in England's largest constituency, to poll. This paper compares the organisations set up by both sides to direct the election, demonstrating the increasingly professional approach taken by election committees towards the end of the eighteenth century. It demonstrates how in this election the experienced and near-professional committee established by the Yorkshire Association overwhelmed the amateur committee of aristocrats convened by the Earl Fitzwilliam, prompting the latter to make significant changes to his electoral organisation and electioneering strategy for future elections.     

Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museums in England, before focusing attention on the geography of school visits to museums. The results of two extensive studies of school visits to museums in the programme suggest that large numbers of visits come from schools located in areas with high indices of multiple deprivation and income deprivation affecting children. It is argued that this social geography reflects the tertiary spatialisation of museums linked to their emergence in areas of past industrial development, although practices linked to reconfigurations of the primary and secondary spatialisation as part of the Renaissance in the Regions programme may also have played some role. The paper concludes by discussing recent changes in government policy and the degree to which the ‘New Renaissance’ policy may signify reductions in the social reach of museums into areas of social deprivation and exclusion.     

Lessons in Seeing: Art,Religion and Class in the East End of London, 1881–1898

In 1881 the Reverend Samuel Barnett, Anglican incumbent of St Jude's Church, Whitechapel, established the Whitechapel Fine Art Exhibitions with his wife Henrietta. These quickly became an important part of the parochial programme ofSt Jude's. The Barnetts followed the art theories of John Ruskin and Matthew Arnold and argued that exhibiting famous and beautiful paintings would revive the spirituality of poor East Enders. In order to test this theory, they introduced the practice of ‘Voting for Your Favourite Picture’. The result, however, did not bear out straightforwardly the Barnetts' belief that paintings are ‘Windows into the other World’. The gap between the intended outcome and the actual reception of the Whitechapel Exhibitions reveals that, although they may not have adopted the Barnetts' religious aestheticism, working-class visitors were keen to engage with art on their own terms.