The Rise and Fall of the Post-War Settlement

The People's Peace: British History, 1945–1989. By Kenneth O. Morgan.
Power, Competition and the State : Vol. 2, Threats to the Postwar Settlement: Britain, 1961–74. By Keith Middlemas.
Power, Competition and the State: Vol. 3, The End of the Postwar Era. By Keith Middlemas.
Selecting the Party Leader: Britain in Comparative Perspective. By R. M. Punnett.
British Politics Since 1945: The Rise and Fall of Consensus. By David Dutton.
UK Political Parties Since 1945. Edited by Anthony Seldon.
British History, 1945–1987: An Annotated Bibliography. By Peter Catterall.     

The Rise,Fall, and Transformation of Native American Cultures in the Southeastern United States

The culture area of Southeast United States saw the rise of the most complex societies in Native America north of Mexico before European contact. Many of these societies developed with matrilineal kinship systems. Some built impressive mounds. The “Southeast” volume of the Handbook of North American Indians presents numerous chapters that reconstruct the prehistory, history, and cultures found in this region and chronicle the European exploration and colonization that impacted the region's cultures. The differences between the prehistoric and postcolonial cultures are so great that they appear as different cultural traditions.     

繁昌窑的兴衰

本文以繁昌柯家冲窑为基点展开论述,揭示繁昌窑被发现、被认知的过程,阐述了繁昌窑与传世名画的关系,繁昌窑与周边同时期窑址烧造(青)白瓷的可比性,以及繁昌窑(青)白瓷发展的三大原因:市场需求、技术迁移、工艺先进。同时讨论了繁昌窑衰落的三大原因:瓷土品质粗劣、战争频繁带来经济滞后、防御水灾的能力较弱。     

Command Celebrities: The Rise and Fall of Hanzelka and Zikmund

In the 1950s and 1960s, the travellers, explorers, authors, and filmmakers Ji?í Hanzelka and Miroslav Zikmund became celebrities both in Czechoslovakia and abroad. The Communist cultural authorities actively supported the transformation of the two men into cultural icons, which could be exploited as a model for the suppression of ‘old’, ‘decadent’, and indeed ‘popular’ culture, and as a tool for recruiting members of the intellectual, cultural, and social elites into its service. Hanzelka and Zikmund’s multimedia travelogues, as well as their dashing public personae, blended in a unique way the ‘high’ and ‘low’, the accessible and unreachable, the familiar and the exotic, in the officially promoted culture of the time. But in the later 1960s, as Hanzelka and Zikmund’s political loyalties towards some form of reform socialism became more blatant, the two men fell into disfavour, and they found themselves banished from the public sphere following the events of 1968 until the regime fell in 1989. This article investigates how the curious ‘command celebrity’ of ‘H&Z’ straddled socialist ideology and capitalist consumerism, political affirmation and cultural critique.