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Much has been written about how the American War of Independence, a key imperial event, affected the British Isles. However, within this body of work there is limited reference to Liverpool, which was arguably becoming ‘the second city of empire’. This article attempts to fill this gap in the historiography, and addresses the economic impact of the war upon this key port town. It shows that there were four overall stages to Liverpool’s foreign commerce during this period—initially trade remained broadly steady, then there was a noticeable decline, the penultimate stage marked a sluggish improvement, and finally it was not until the post-war years that a sustained recovery took hold. That said, despite these overall trends, individual markets such as the trans-Atlantic slave trade often had their own dynamics. Although privateers (private ships of war) contributed towards the town’s eventual commercial recovery, this activity was by no means the only factor in explaining this rebound. Furthermore, the American war had an impact upon other sectors of the Liverpudlian economy, including shipbuilding and infrastructure projects. Combined, this evidence suggests that eighteenth-century warfare had positive and negative repercussions for the UK economy. As a result, we learn more about being ‘at home with the empire’.  相似文献   

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In January 1861 editor James D.B. De Bow advocated the secession of southern states from the union as he proclaimed to his readers that white Southerners “are mainly the descendants of those who fought the battles of the Revolution, and who understand and appreciate the nature and inestimable value of the liberty which it brought.” While editors on both sides of the Sectional Crisis over slavery in the 1850s and 60s claimed to be “custodians of the legacy of 1776” as they used the American Revolution symbolically in their rhetoric. By focusing on De Bow’s Review, a widely read and influential journal during this fight, we can gain a better understanding of the specific terms by which Southerners were encouraged to think of themselves not as rebels but as guardians of “the true American character.”  相似文献   

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The eclipse of the city view by the geometric plan around 1700 is a well‐documented phenomenon that traditionally has been explained by recourse to a meta‐historical narrative about the progressive triumph of science over art. In actuality, throughout the early modern period the modes of representation available to the cartographer ranged from the geometric to the pictorial, and their employment was predicated on concerns that were more cultural and political than scientific. To show how these concerns contributed to the dramatic shift in the representation of cities which occurred at the outset of the eighteenth century, the content of the languages employed in the most famous early modern view (1627) and the plan of Naples (1775) is analyzed and the ways in which their respective strategies of representation explicitly sought to accommodate or challenge the political status quo are exposed.  相似文献   

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