Barbed Bone Points: Tradition and Continuity in Saharan and Sub-Saharan Africa

Examination of African barbed bone points recovered from Holocene sites provides a context to interpret three Late Pleistocene occurrences from Katanda and Ishango, Zaire, and White Paintings Shelter, Botswana. In sites dated to ca. 10,000 BP and younger, such artifacts are found widely distributed across the Sahara Desert, the Sahel, the Nile, and the East African Lakes. They are present in both ceramic and aceramic contexts, sometimes associated with domesticates. The almost-universal presence of fish remains indicates a subsistence adaptation which incorporates a riverine/lacustrine component. Typologically these points exhibit sufficient similarity in form and method of manufacture to be subsumed within a single African tradition. They are absent at Fayum, where a distinct Natufian form occurs. Specimens dating to ca. 20,000 BP at Ishango, possibly a similar age at White Paintings Shelter, and up to 90,000 BP at Katanda clearly fall within this same African tradition and thus indicate a very long-term continuity which crosses traditionally conceived sub-Saharan cultural boundaries. L'étude des pointes barbelées en os del' Holocène africaine fournit un contexte à l'interprétation de trois gisements du Pleistocene superieure, notamment, Katanda et Ishango (en République Démocratique du Congo, ex-Zaire), et White Paintings Shelter au Botswana. Cettes pointes ont une distribution étendue à travers le Sahara, le Sahel, le Nil et les grands lacs du rift d'Afrique orientale, notamment sur certains sites datant de 10,000 ans avant notre ère. Ces pointes sont associées avec des types d'industries céramiques ou acéramiques, avec ou sans squelettes de faune domestiques, mais toujours avec des squelettes de poisson, indiquent une subsistence comportant des ressources lacustres ou riveraines. Sur le plan typologique, cettes pointes présentent une telle ressemblance, soit de forme, soit de manufacture, qu'elles constituent une tradition unique africaine. Au Fayum en Egypte, les formes des pointes rappellent, par contre, plutôt les series Natufiennes du Levant. Les pointes barbelées d'Ishango, datant de 20,000 ans environ, celles de White Paintings Shelter, datant probablement de la même époque, et celles de Katanda datant au maximum de 90,000 ans BP, appartiennent à la même tradition africaine, ce qu montre ainsi l'existence d'une continuité de très longue durée àtravers les frontières culturelles traditionelles.     

Annual Report and Accounts for 2015

Abstract

This paper presents a case for identifying the Westminster Retable as the thirteenth-century high altarpiece of Westminster Abbey. It considers the evidence of the construction and size of the panel, and argues for the suitability of a panel painting for the high altar dossal at so comparatively early a date. The apostolic and eucharistic iconography of the paintings is also held to argue for such a function.     

Marijuana,Guns, Crocodiles and Submarines: Economies of Desire in the Purari Delta

Traded down the Purari River by male youth through a network of friends, kuku dipi, as marijuana is known in the Purari Delta, is consumed locally, and traded for guns it is rumoured that the American Mafia bring in submarines. The movement of kuku dipi is part of a constellation of informal trade that has emerged alongside the large‐scale logging and oil projects in the Gulf Province. These networks involve the exchange of alcohol, pornography and radios by logging ship crews for live birds, crocodile skins and other local flora and fauna. Numerous sets of speculations have arisen about the seen and unseen transactions that these exchanges are felt to entail. Focusing on aspects of kuku dipi's use and movement in the Delta, I examine some of the explanations and anxieties around this illicit commodity. Doing so provides insight into kuku dipi's social impact and illuminates how the Purari's engagement in this trade is an attempt to transcend and cope with the economic and political disparities caused by the current resource extraction projects.