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In early modern Europe the court of a prince was many things: the household of a prince, a point of contact between the ruler and the elites, a cultural trendsetter, a focal point of patronage and an important institution of regional and international politics. In short, the court had many functions. In this article the focus is on the main lines of development in the court culture of early modern Denmark, from the Reformation (1536) until early Absolutism. Certain structural changes are highlighted and an attempt is made to explain them in political terms. As a prelude, I offer some theoretical reflections on the meaning of court culture in general and ceremonial culture in particular. Let me say from the outset that I have found my inspiration mainly in German and American historical scholarship, which for the past twenty years or so has witnessed a continuous and fruitful debate on the early modern court.  相似文献   

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Juliette Wood 《Folklore》2013,124(2):226-227
TABOU ET TOTÉMISME À MADAGASCAR: ÉTUDE DESCRIPTIVE ET THÉORIQUE. Par ARNOLD VAN GENNEP. Paris: E. Leroux, 1904. Reviewed by E. Sidney Hartland.

THE MASAI, THEIR LANGUAGE AND FOLK-LORE. By A. C. HOLLIS, with Introduction by Sir Charles Eliot Clarendon Press, Oxford, 1905, 8vo Pp. xxxii + 364. Price 14s. net. Reviewed by N. W. Thomas.

ENGLISH AND SCOTTISH POPULAR BALLADS. Edited from the Collection of Francis James Child by HELEN CHILD SARGENT and GEORGE LYMAN KITTREDGE. London: D. Nutt 1905. Reviewed by A. Lang.  相似文献   

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二丁目  汤菁 《风景名胜》2009,(4):108-117
水边崖上的小小公国,雪地山谷的钟表佳人。摩纳哥港,停满了全世界的超豪华游轮;瑞士钟表谷,制造着全世界的超豪华钟表。这个因博彩业而生的袖珍小国,如今已成为地中海的名流场;相信来到这里的名流们,很多会戴上瑞士制造的豪华表。  相似文献   

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20世纪初,西方“文化”概念成为整理传统中国历史遗产的重要概念工具。国人编纂文化史有意展现传统中国的文化成就,反映出中西文化竞争下,国人隐秘的文化争胜意识。“文化”与“历史”结合,逐渐成为历史叙事的核心概念。文化史在史学研究的对象、价值判断、时代分期、研究方法等方面发展出自身特征,亦反映出西方文明史、文化史在理论和实践方面对中国“新史学”的影响。文化史在实践中注重对民族历史生活的呈现,表现出民族史的特征,其叙述特定群体或民族社会生活的方方面面,揭示群体的精神内核。历史、文化与民族融会一体,在西学东渐、传统文化权威失坠的情况下,文化史构建了一种彰显社会凝聚力的叙事。  相似文献   

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