Front and Back Covers,Volume 31, Number 1. February 2015

Front and back cover caption, volume 31 issue 1 Front cover CHINESE DEVELOPMENT ASSISTANCE The front cover shows a Chinese foreman, a migrant worker from Anhui province, and two Ethiopian labourers, working on a ditch along a road under construction in southeastern Tigray, northern Ethiopia, 2 December 2011. China's engagement with Africa is based on ‘win‐win cooperation’, Chinese diplomats claim, and is therefore fundamentally different from Western initiatives on the African continent. However, the situation on the ground tells another story. In this issue, Miriam Driessen offers a glance at daily life on Chinese road building sites in Ethiopia, revealing the striking parallels between Chinese development activities in Ethiopia and Western aid. Central to these parallels is the profound discrepancy between the expectations of Chinese workers prior to migration and the much less rosy realities faced on the construction site. Convinced of the goodwill nature of their activities, Chinese migrants were puzzled by the apparent ingratitude of local Ethiopians, their lack of cooperation, and, worse, repeated attempts to sabotage the building work. In this regard, Chinese struggles with development assistance in Ethiopia strike a familiar chord when we consider the reception of Western aid projects in Africa and elsewhere. Not new is the hiatus between optimistic and sometimes presumptuous development narratives and the frustration that follows in the face of the realities on the ground. Chinese struggles with development assistance in Ethiopia prove, once again, that development aid projects often do not work out as anticipated, because abstract and simplistic development policies may fail to fit complex realities. Back cover UNDOCUMENTED, UNACCOMPANIED MINORS IN US CUSTODY A rescue from the Rio Grande River: US Customs and Border Protection provide assistance to unaccompanied children after they have crossed the border into the United States. Until recently, news stories on immigration have exposed the appalling conditions of adult immigration detention facilities and chronicled the massive enforcement machinery that has resulted in record numbers of deportations since 2008. However, they have largely ignored the plight of unaccompanied Mexican and Central American children who cross the border alone, are apprehended by immigration authorities, and land in federal custody. The frenzied media coverage of desperate young migrants crossing the border in the summer of 2014 has galvanized the public but also created powerful myths about who these children are, why they are coming to ‘El Norte’, and what we need to do with them after their apprehension. In this issue, Susan Terrio tells the story of the Central American and Mexican migrants who are driven from home by violence and deprivation and embark alone, risking their lives on the perilous journey north. They suffer coercive arrests at the US border, land in detention, and wage an uphill battle to obtain legal status. It sheds light on a shadowy juvenile detention system run by the US government that has escaped public scrutiny for years. It shows how the government got into the business of detaining children and what we can learn from this troubled history.     

Front and Back Covers,Volume 31, Number 2. April 2015

Front and back cover caption, volume 31 issue 2 Front cover CHARLIE HEBDO SHOOTING On 11 January 2015, in the wake of the killings at Charlie Hebdo's offices and in a kosher supermarket, 4 million people took to the streets in France, including an estimated 1.5 million in Paris, many of them carrying the sign ‘Je suis Charlie’. The heart of the march in the capital was the Place de la République, where demonstrators climbed on the monument erected to Marianne, the national symbol of the Republic. In this issue, Didier Fassin discusses this unprecedented mobilization in defence of the ‘values of the Republic’: liberty, equality, fraternity – as inscribed in the 1789 Declaration of the Rights of Man and the Citizen – and more recently, laïcité, the French version of secularism inherited from the 1905 law on the separation of Church and State. He shows that this unanimity was, however, soon disrupted, as some, particularly those from low‐income neighbourhoods, questioned the double standard in the implementation of these principles – a contestation that was harshly repressed within the education and justice systems. To account for such dissonance, the article analyzes the discrepancy between the principles of the Republic and their applications in France. Laïcité, long implemented in a flexible and pragmatic manner, only became more strictly enforced in relation to Islam. Liberty, notably free speech, has recently been subjected to various legal and practical limitations. Equality, which exists under the law, is seriously undermined by social disparities and racial discrimination. Fraternity, which translates into solidarity and welfare, is increasingly weakened by discourses which stigmatize minorities. These discrepancies affect with particular intensity, immigrants from North and sub‐Saharan Africa and their descendants, most of them Muslims – a legacy of France's colonial past. Although they might seem untimely in such moments of unity, these meditations call for a critical reflection on the contradictions of contemporary democracies. Back cover AN ANTHROPOLOGICAL MANIFESTO Ratu Tanoa Visawaqa, the dominant ruling chief of the Fijian island of Bau 1829–1832 and 1837–1852, prior to the commencement of British colonial rule in 1874. Drawing by Alfred Thomas Agate. This is one of the earliest depictions of the rare black‐lipped pearl‐shell breast plates, civa. On Ratu Tanoa's head is the turban‐like bark cloth (masi) head scarf, i‐vauvau. It is said to have concealed the scar from a wound inflicted by a brother who was a rival for the title of Vunivalu, the war king of Bau: the active ruler in a diarchy whose counterpart was the sacerdotal king, the Roko Tui Bau. With Adi Savusavu, one of his nine wives, Ratu Tanoa was the father of Ratu Seru Cakobau, who succeeded in unifying most of Fiji into a single kingdom. In his anthropological manifesto in this issue, Marshall Sahlins argues that our main theories of ‘economic determinism’ represent a self‐consciousness of modern capitalist societies masquerading as the science of others. In the great majority of societies known to anthropology and history, power consists in the direct control of people, from which comes the ability to accumulate wealth, rather than control of their means of livelihood, of capital wealth, from which comes the control of people. Indeed in many cases the notion of ‘production’ itself would be inappropriate insofar as the ancestors or the gods are the creative agents, the fundamental sources of human subsistence – which people thus receive rather than make simply by their own labour. It follows that the principal political beneficiaries of economic prosperity are shamans, priests, garden magicians, chiefs, divine kings, and the like by virtue of their mediation of the spiritual origins of people's livelihoods. All this is not mere ‘false consciousness’ but the way these societies are organized: their own constituted anthropology, from which we must develop ours.     

Front and Back Covers,Volume 31, Number 4. August 2015

Front and back cover caption, volume 31 issue 4 Front cover India's godly democrats In 2007 a temple priest designed a poster depicting the Chief Minister of Rajasthan, Vasundhara Raje, as the bread‐giving goddess Annapurna. Miss Raje appeared crowned and mounted on a lotus throne, from which she showered an assembly of parliamentarians, legislators and ministers gathered below with rays of light and golden coins. The poster sent ripples of nervy amusement through the Anglophone press, which saw in this a spectacle of all that is ludicrous and embarrassingly backward about India's popular politics today. Speaking to Anastasia Piliavsky, whose narrative is featured in this issue, the priest turned out to be neither a kook nor a serf, but a man strikingly astute, witty, assertive, and conspicuously sane. He explained that he depicted Miss Raje as the bread‐giving Goddess because she expanded the midday meal scheme in primary schools. ‘In India’, he said, ‘we respect seniors and people who have the power to bring good to people. This is an old Indian tradition. Worship is a way to show our respect’. Indeed, the worship of politicians as kings, heroes and gods is widespread in India: Congress Party President Sonia Gandhi; the head of the People's Party Mayawati; Bengal's Chief Minister Mamata Banerjee; and the Tamil Chief Minister Jayalalitha have all attracted colourful forms of mass devotion. External observers and India's cosmopolitan elite see this as a sign of a political malady, a degeneracy of their most cherished political values, most of all the equality and autonomy on which modern democracies ought to rest. But the very citizens who worship their political representatives as gods and goddesses have proven exceptionally good at democracy, both in the scale and the intensity of their involvement, and in their remarkable political choosiness. Their story – full of colour and fun as it is – holds serious political and intellectual lessons whose implications reach far beyond the subcontinent. Back cover LAW IN MYANMAR Open‐air displays of cartoons and caricatures are new to Myanmar since press freedom was introduced in 2012. Recently, Aung San Suu Kyi, the ‘icon of democracy’, has become a favourite target. This cartoon, which was displayed during a cartoon festival in 2013, depicts Suu Kyi staring at the country's constitution while a famous love song plays in the background. With parliamentary elections due later this year and presidential elections next year, the former prisoner of conscience has devoted much of her energy – so far, unsuccessfully – to campaigning for an amendment to the 2008 constitution, which in its current form prevents her from being nominated as presidential candidate. The army, which dominates the legislature, has refused to accommodate her demands. Aung San Suu Kyi is the daughter of much‐loved General Aung San, who played a crucial role in the country's independence from British colonial rule in 1948. Having spent much of her life under house arrest in her family home in Yangon, she returned to the political sphere in 2010 as the head of her party, the National League for Democracy. Since then, the Nobel Peace Laureate has pushed for legal reforms. Meanwhile, in spite of some hard‐won liberties, human rights violations continue. In this issue, Judith Beyer examines the difficulties citizens experience in locating the specifics of their legal rights amidst a confusing array of legal texts, many of which they do not have access to.     

Front and Back Covers,Volume 31, Number 5. October 2015

Front and back cover caption, volume 31 issue 5 Front cover Shark attack! July 2015 marked the 40th anniversary of Jaws, the blockbuster film directed by Steven Spielberg and based on the novel of the same name by Peter Benchley. At the time, the enormous success of the film was attributed to the way it tapped into the primal instincts of the audience, exposing people to primitive fears usually hidden in their collective unconscious. In later years, Benchley became a committed conservationist and announced that he would never again write a story in which an animal was depicted as ‘a conscious villain’. Benchley was by no means repudiating his earlier work. He claimed he was simply acknowledging that society (in his case, the USA) had moved on, that ideas about animals had progressed, and that portraying animals as villainous creatures was no longer socially acceptable. Writing from South Australia where some of the original footage for Jaws was filmed, Adrian Peace argues that great white sharks continue to be construed by many Australians as rational and ruthless killers (‘assassins’). Peace takes as problematic the idea that sharks occupy a particular place in the Australian psyche, especially when commentators draw on evolutionary psychology to explain the response to great whites in terms of an instinctual and hard wired primal fear. By carefully unpacking the current public discourse surrounding shark attacks in Australian waters, Peace provides a cultural interpretation of the relationship between Australians and great white sharks which is firmly focused on current beliefs and contemporary interpretations. Back cover EUROPE'S REFUGEE CRISIS Irish naval personnel from the LÉ Eithne rescuing migrants in the central Mediterranean, June 2015. The Irish vessel took part in Joint Operation Triton, coordinated by the European border agency Frontex and by Italian authorities. Following a series of shipwrecks off the Libyan coast, in late April 2015 European Union (EU) leaders agreed on the need to extend Triton's scope to 138 nautical miles south of Sicily. The EU is expected to finance Operation Triton throughout 2016. Several countries are participating in the operation, with vessels, helicopters, planes, and teams of border agents. Transshipping migrants takes time and is a skilled task that requires specific training. There have been cases of boats in distress capsizing upon sighting a rescue vessel, as passengers suddenly move to one side. Thus, large navy vessels usually dispatch two smaller units, approaching migrant boats from both sides. Everyone is immediately instructed to sit down, and then to don a lifejacket. How do we distinguish between a humanitarian and a border patrolling exercise? In this issue, Maurizio Albahari looks at what is by now the most serious refugee crisis in Europe since World War II.     

Front and Back Covers,Volume 31, Number 6. December 2015

Front and back cover caption, volume 31 issue 6 Front cover AI and humanity A statue by Stephen Kettle of Alan Turing, sitting pensively at one of his code‐breaking machines in Bletchley Park. Made up from half a million pieces of Welsh slate, this statue was a landmark feature for the Life and Works of Alan Turing exhibition in 2012, which was curated following a public campaign to save the Turing‐Newman Collaboration Collection, a rare collection of his mathematical papers. Members of the Turing family additionally contributed some of the mathematician's personal belongings, including a teddy bear he used to practise his lectures on. Bletchley Park is now a huge heritage attraction, more so since The Imitation Game, a film based on the life of the pioneering computer scientist, came out. Previously known as the UK Government Code and Cypher School, this is now a site for the National Museum of Computing, which ncludes the huts and blocks that hosted a group of codebreakers whose work is said to have helped shorten the war by two years. In this issue, Ting Guo looks at Turing's personal trajectory in life and asks to what extent his search for artificial intelligence was inspired by considerations other than purely technical ones. To design artificial intelligence is to reproduce what is the essential ‘us’, what Pamela McCorduck refers to as an ‘odd form of self‐reproduction’. The desire for such machines, she argues, is a desire equally rooted in fear and allure, which reflects not only the drive for knowledge and human progress, but the discovery of the human self, which is itself driven by fundamental problems of being human. Back cover WORLDS IN MINIATURE Miniature worlds fascinate us. Taking familiar objects, scenes and environments and scaling them down to the minute generates a sense of wonder, forming a special connection between object and audience across which information can flow in subtle and unexpected ways. For centuries, people have used miniaturization to create tiny settlements with streets down which traffic doesn't flow and shops where no purchases are made. In doing so, they generate a fantasy, an idealized portrayal of a world they wish to see, not the one they inhabit. One of the most famous of these miniature communities is Madurodam in the Netherlands. Attracting more than 700,000 visitors a year, this park seeks to replicate particular dioramas of Dutch life, employing a dedicated team of professional modellers focusing on specific aspects of Dutch architecture and urban environments to portray a particular, explicitly positive, image of the Netherlands. The choices made at this site, and others like it all over the world, are part of a complex process of representation in miniature, a selection of iconography and design intentionally assembled to create unconscious impressions in visiting tourists, particularly children, about the full‐sized communities they resemble. As such, their representative powers are partial, a carefully curated miniature snapshot of certain aspects of an entire nation designed to act as a cultural and educational ambassador. In this issue, Jack Davy explores how the process of miniaturization, as evidenced by a Lego figurine, can encapsulate and transmit complex and controversial themes in a child‐like, non‐threatening manner. These processes operate subtly and inexplicitly, shaping our understanding of the wider world around us through the affordances of the small.     

Front and Back Covers,Volume 31, Number 3. June 2015

Front and back cover caption, volume 31 issue 3 Front cover AFRICAN ART This slightly larger than life‐size terracotta head (height 35 cm.) was found face down below some 4 metres of deposit in a tributary of the Nok valley, Rafin Dinya, in Kaduna State, Nigeria. Estimated age is mid first millennium BC. This image was published by Bernard Fagg, archaeologist and museum curator, in Man (old series) vol. 56, July 1956, p.89. Bernard Fagg (1915–1987), William's younger brother, was the first to identify the Nok culture in 1943. He established the Jos Museum in 1952 in Jos, Nigeria. (Collection: National Museum, Lagos, Nigeria). In this issue, Jonathan Benthall assesses Bill Fagg's legacy in the African art scene. Back cover SAKHA CARTOON HEROES In the Republic of Sakha (Yakutia), northeast Siberia, activists from the Sakha nationalist intelligentsia are making strenuous efforts to revive their peoples' epic tradition, the Olongkho. Olongkho recitals undergirded this indigenous Siberian community's position within a complex and shifting animist cosmos, incorporating ancestors, demons, area spirits and gods, until they petered out during the second half of the 20th century, under the influence of Soviet modernization. Bards would travel from homestead to homestead, drawing their audiences into improvised recitations that would continue through the night. Most Sakha people now are unable to understand the elaborate language these bards used. Teachers, politicians and academics are investing large amounts of time and money into a cultural form that brings little pleasure to its dutiful audiences. They are displaying much ingenuity in rendering the Olongkho palatable to young people, in particular – such as creating a cartoon version of a famous text. But why are they trying so hard? The answer lies in the reified notion of ethnicity that has become integrated into the reproduction of social differentiation through popular taste, throughout Russia. Specific understandings of ethnic identity and cultural production were promoted throughout the Soviet period, as part of the Soviet state's massive social engineering project. These notions recur in contemporary public spaces and performances: they are implicit in the statue pictured to the right of this text, which incorporates a Sakha epic hero into a monument to those killed in World War Two. They have borne fruit in a capacity to associate a particular moral stance and social standing with a taste for one's own ethnic cultural heritage. As analyzed by Eleanor Peers in this issue, it is this association that accords Putin's actions in the Crimea their power to legitimate and reinforce the current Russian state.