Abraham Lincoln and the Movies

Comparatively little work has been done on how Abraham Lincoln has been represented in American cinema. Yet movies have been a major – and during the first half of the twentieth century probably the major – influence on how his memory has been constructed in American popular culture. This article analyzes changing representations of Lincoln on screen, showing that differing cinematic constructions of the sixteenth president were shaped by a range of factors, including popular biographies and the biases of directors. They also echoed salient issues of the era in which they were produced and more general changes in American attitudes.     

In God We Trust: Abraham Lincoln and America's Deathbed Repentance

Abstract

This article maps several key moments in the evolution of religious symbolism and language on US currency, focusing largely on Abraham Lincoln's overlooked role in signing the motto "In God We Trust" into law. Interpreting the motto through the lens of Lincoln's "Second Inaugural Address"—which he delivered just one day after Congress passed the first statute allowing "In God We Trust" to be stamped on US coins—offers a counter-intuitive interpretation of the motto that functions as a deep, ironic, and historically significant critique of religious nationalism.     

Method and Memory in the Midwestern "Lincoln Inquiry": Oral Testimony and Abraham Lincoln Studies, 1865 1938

This article narrates the role of oral testimony in the fieldof Abraham Lincoln studies from 1865 through the 1930s. Collectedin the form of letters, affidavits, and face-to-face interviews,this mounting body of "eyewitness evidence" dominated the discoursefor two generations and reflective, public practice culminatedin the organization of a "Lincoln Inquiry" in the Midwest duringthe 1920s and 1930s. For a time, practitioners successfullydefended themselves against increasing positivist assaults onthe credibility of oral testimony. Their interests and effortsresonate with later oral history practice and theory about method,authorship, performance, and memory, and their story highlightsthe contingency inherent in the development of oral historicalpractice in America.