Theodore Caplow. Two Against One: Coalition in Triads

The authors collect information on visual artists to allow a broad historical ranking of the most prominent artists. Their purpose is to examine the birth and work locations, and the consequential pattern of labor movement, of prominent artists over a number of long time periods. The article indicates that a relatively simple column-inch approach may suffice for the purpose of identifying the thousand or so most prominent artists, but that much more detailed source material is then required to examine the labor mobility experiences of these artists. A significant bias to the home or target market country is posited in the ranking of artists across countries, even in prestigious publications. Some preliminary data are provided on the ranking of artists by country of birth, covering a very broad historical sweep.     

History,Hitler, and the Holocaust

EBERHARD JACKEL. Hitler in History. Hanover, N.H.: University Press of New England, 1984. Pp. 115; GERALD FLEMINO. Hitler and the Final Solution. Berkeley, Cal.: University of California Press, 1984. Pp. 219; MALCOLM c. MACPHERSON. The Blood of His Servants. New York: The New York Times Book Co., Inc., 1984. Pp. 310; ISABELLA LEITNER. Fragments of Isabella: A Memoir of Auschwitz. New York: Cowell Publishers, 1978. Pp. 112; JAMES BENTLEY. Martin Niemöller 1891–1984. New York: Free Press, 1984. Pp. 253; SAUL s. FRIEDMAN. The Oberammergau Passion Play: A Lance Against Civilization. Carbondale, Ill.: Southern Illinois University Press, 1984. Pp. 270; DAVID s. WYMAN. The Abandonment of the Jews: America and the Holocaust 1941–1945. New York: Pantheon Books, 1984. Pp. 445; WALTER N. BANNING. The Dissolution of Eastern European Jewry. Torrance, Cal.: Institute for Historical Review, 1983. Pp. 239.