Lex: A Study on Medieval Terminology for Religion

Medieval Christian authors frequently employed the Latin word lex (“law”) and its vernacular cognates to mean something akin to the modern notion of “religion.” Like a religion, a lex was the collection of observances that marked a particular people‐group, such as Christians or Muslims. This article examines the category of lex in its historical context revealing both its similarities and differences from modern “religion.” It argues that the category of lex borrowed on Roman ethnography and Patristic exegesis and was inseparable from larger Christian ideas about society, human nature, and political order.     

The Ancient Origins of Medieval Fields: A Reassessment

This article questions the suggestions that have been made by a number of archaeologists and landscape historians concerning the Roman and prehistoric origins of large tracts of the medieval rural landscape in lowland England. It suggests that arguments for large-scale continuity of field systems, mainly based on the evidence of excavations and topographic analysis, are flawed because they fail to take fully into account the topographic contexts, and the practical functions, of field boundaries. When these matters are given due weight, much of the evidence cited in support of ‘continuity’ instead appears to suggest a significant degree of discontinuity, at least in terms of systems of land division, between Roman Britain and medieval England.     

超越的悖论——试析西欧中世纪修道院改革运动

修道是一种脱离世俗,献身宗教的生活方式,一种超越现实的精神追求。在基督教统治下的中世纪西欧,修道本应是深受尊崇的正统化现象,但奇怪的是,它却不断受到批评和谴责,改革修道院的运动此起彼伏。究其原因,是由于西欧中世纪的社会条件以及基督教的主流化地位使以出世自命的修道成为人世的捷径,修道院里弊端丛生,成为腐败渊薮。以超越现实为宗旨和初衷,却一次比一次更深地陷入现实的泥淖。修道何以出现这种悖论而无力自拔?本对此试作分析。不当之处,尚祈指正。     

《扬州画舫录》中的戏曲文化试探

《扬州画舫录》所记载的戏曲化珍贵资料,至今对研究中国戏曲史仍极富参考意义。