Introduction: Religious toleration in the Age of Enlightenment

ABSTRACT

This article is an introduction to a special issue on ‘Religious Toleration in the Age of Enlightenment’. It begins by characterizing the Enlightenment's attitude towards religion as an opposition to bigotry and ecclesiastic authority based on a particular interpretation of the European Wars of Religion. Then it acknowledges the problematic nature of the phrase ‘Age of Enlightenment’, which seems to push some of the most relevant eighteenth-century realities to the margins of history. Next, it challenges some common scholarly assumptions regarding Enlightenment ideas on tolerance. In particular, it disputes that these ideas were essentially principled, secular, pluralist and liberal. By way of conclusion, this introductory article suggests that the Enlightenment's main contribution to the history of toleration is found not in the originality or subtlety of its ideas, but rather in the promotion of a new mentality according to which toleration came to be regarded as an essential feature of modern civilization.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

Margaret Beaufort,Royal Tapestries,and Confinement at the Tudor Court

The English royal household ordinances document the important role tapestries played in Tudor court ceremony. This paper re-examines one specific aspect of the 1493 ordinances: whether or not Margaret Beaufort, mother of Henry VII, dictated the textile practices surrounding royal childbirth. Once widely believed to have done so, scholars have abandoned the idea for lack of evidence. The issue is more complicated than it seems, in part because of longstanding bibliographic error and also because texts associated with two events involving Margaret — the birth of Princess Margaret and the publication of William Caxton’s Blanchardyn and Eglantine — suggest that she was highly attuned to the importance of royal spectacle as mandated by the household ordinances.     

中国新石器时代的宗教遗迹

本从宗教遗迹的界定、现有重要宗教遗迹的考古发现、通过宗教遗迹探讨宗教在社会发展特别是在明起源过程中的作用等几方面出发,对中国新石器时代的宗教遗迹做一大体梳理,以加深对中国史前社会宗教这一重要社会现象的了解。     

Thangka The Colorful and Splendid Religious Art

As I through,they lift their little heads,stare and then smile at me.Looking at them, their shy faces and small hands are daubed with colored inks,but their sparking eyes are always exceptionally clear and pierce deeply into my heart.     

Catherine II: The Stimulation of Literature by Royal Decree

The present reflection seeks to establish the chronotope as an operating unit in the act of reading inasmuch as it strives to reconstruct the coherence of the novel's universe and to uncover the essence of things. Of the equal value is the Bakhtinian principle of dialogism, which proves propitious in rendering explicit the connections between different chronotopical units.