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In the post World War II era, the strain in the trilateral relation between the United States, Greece and Turkey is one of the most disquieting and vexatious elements to emerge from American foreign policy. The so-called southeastern flank of the North Atlantic Treaty Organization (NATO) is currently beset with tensions that threaten to impede its contributory role in NATO's overall defense strategy for southeastern Europe (if they have not already done so). In this political drama, the principal antagonists, Greece and Turkey, have a number of outstanding differences which on occasion have brought them to the precipice of war. As a result, the United States has intervened as the protagonist and consequently has become the recipient of the enmity of these two NATO allies for not recognizing their ‘special’ claims or interests. As in the characteristic classical Greek drama, the chorus of NATO partners offer a common chant: they are united in proclaiming that the current state of affairs seems to portend failure to the concerted effort to defend Western Europe.  相似文献   

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This article uses Antonio Gramsci's theory of cultural hegemony to analyze how a relatively small Irish-American bourgeoisie legitimated its authority over the broader Irish ethnic community during the antebellum era. As part of the massive wave of immigrants that left Ireland during and after the Great Famine of the mid-1840s, the Irish Catholic middle class was saddled with a dually marginal status. On the one hand, its members maintained only tenuous authority over the hundreds of thousands of peasants and laborers that made up the bulk of the Irish-American community. On the other hand, they were deeply distrusted by important elements of native American society that associated them with the supposed superstition, laziness, and violence of their lower-class fellow countrymen. The bourgeoisie responded by using the celebrity status of Irish political exiles to achieve the twin project of simultaneously obscuring intra-ethnic class tensions while proving its suitability for American domestic politics. Famous personalities and the editors who lauded them employed celebrity to consolidate their leadership status in America.  相似文献   

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This article examines the attitudes of US, British, and Soviet policy-makers as they planned for the forthcoming peace during the Second World War. It charts how they moved from planning a ‘peace by dictation’ of the great powers, to planning one which would be based on a model of collective security involving all members of the United Nations alliance. The latter plan would reflect both the great powers’ special responsibilities for maintaining international peace and security and the stake which lesser powers had in such a venture. In addressing these historical developments the article employs two concepts familiar to International Relations scholarship, namely concert and hierarchy. It shows how the understandings which the principal post-war planners had of these concepts – and crucially of their inter-relationship - changed over time and the consequences of these changes. The article makes two core claims: firstly, that as post-war planning progressed, the attitudes of the Big Three towards the acceptable nature of the great power–lesser power hierarchy changed radically; and secondly, that the structure and nature of today's United Nations Organisation is in significant part a consequence of these changes.  相似文献   

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Between 1862 and 1878, the view of the United States government towards the nation's money was transformed. Early in the Civil War, the government got into the bank note printing business out of necessity, printing and issuing the first-ever federal currency. Over the following years, debates raged whether the national currency should be printed privately or by the government's bank note printer, the United States Bureau of Engraving and Printing (BEP). Matters came to a head in 1878 when Congress debated the future of the BEP. That year, in a radical departure from the past, Congress gave the Bureau of Engraving and Printing a monopoly on the production of currency, forever changing the role of the government in the nation's economy. Money, be it in the form of coin or currency, was now the exclusive province of the government – not private banks or bank note companies. This change was the result of a rare consensus between Democrats and Republicans and between the forces of the antimonopoly tradition, Greenbackism, and hard money. For various reasons, they were unanimous in believing that the government, especially Congress, should be in control of those matters affecting the monetary affairs of the country.  相似文献   

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How German were German anarchists in the United States and Brazil? Did the experience of exile and immigration preserve or even heighten a national identity among radicals who openly espoused revolutionary internationalism? Anarchists distinguished between nation and nationality on the one hand, and the state and nationalism on the other. This article examines expressions of nationality by a handful of German anarchist editors and writers from the 1880s to the end of World War II. They wanted to be stateless, but not nationless. This article argues that German exile anarchists in the United States and Brazil expressed a militant, countercultural, antistatist and anticlerical nationality. They were ‘rooted cosmopolitans’: They identified with the international revolutionary tradition and at the same time remained attached to Germany's heritage of radical politics, arts and humanities. There was a remarkable consistency in their commentary levelled against Bismarck, the Kaiser, the Weimar government and the Nazis either in Germany or in the host country. Anarchists advocated for a borderless global federation of free communities and, to that end, rejected nationalism and urged people to stop ‘seeing like a state’ by exposing the false promises and crimes of statism.  相似文献   

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