Jacobitism and the English people, 1688–1788

This essay investigates the marginalisation in eighteenth-century literary theoretical discussions of a category of emotion, ‘the affections’, which plays a significant role elsewhere in eighteenth-century thought, especially in moral philosophy and theology. It proposes that affections are incompatible with a series of principles that underpin dominant concepts of the literary in early and mid-eighteenth-century literary criticism by authors including Kames, Burke, Alison, Duff, Brown, Du Bos, Trapp and Beattie, many of whom were associated with the Scottish Enlightenment. By analysing eighteenth-century theories of the perceived obscurity of literary emotions in comparison with the emotions of the other fine arts (in particular, painting and music), and by highlighting the perceived distinction of literary emotions from what theorists of the period term ‘reality’, it shows how the supremacy of the belief that literary merit is tied to the individuality, particularity, and plausibility of represented emotion gives rise to a prioritisation of passions over affections in literary critical discussions about the emotions.     

The Military and Edinburgh Society, 1660–1760

Abstract

The most terrible words in all writing used to be ‘There they crucified Him’, but there is a sadder sentence now—‘I know not where they have laid Him’…Surely ‘missing’ is the cruelest word in the language. (Anonymous, To My Unknown Warrior, 1920.)     

The Marketing of Norwich Stuffs,c. 1660–1730

Abstract

This essay examines late nineteenth- and early twentieth-century handcrafted Irish lace as material object related to both its conditions of production and its consumption with an emphasis placed upon the consumption of what was consistently referred to in the contemporary press as 'real lace'. Why, for example, would a woman specifically choose handmade Irish lace for her elegant court gown or bridal costume? What might have influenced a consumer to select Irish lace rather than imported lace? Did the wearing of 'real' Irish lace have any symbolic or social meaning beyond adornment? Might the relationship between patrons and workers be viewed through the lens of today's fair trade movement, thereby expanding the consumers' intentions and complicating the workers' conditions?     

The growth of the pottery industry in England, 1660–1815

This paper summarizes the author's attempts to quantify the growth of the pottery industry in England before 1815. It begins by considering the nature and limitations of the large body of miscellaneous data about trade, including the exports of glass and earthware and the imports of china-ware. It continues by presenting some new calculations of the growth of the industry based on a count, at five-yearly intervals, of the numbers of potteries at work and their sizes. The results of these estimates are presented in nine tables in the appendix. The third part of the article uses this new evidence to analyse the patterns of growth from 1660–1815 and concludes that this provides a framework for further, and more detailed, studies.     

The English Interpreters in Dahomey, 1843–1852

ABSTRACT

Commercial and diplomatic relations between Africans and Europeans in West Africa in the pre-colonial period depended on the existence of persons who had sufficient knowledge of both European and African languages to be able to act as interpreters between the parties, and such persons were more usually Africans than Europeans. This article collates biographical information on four persons who served as interpreters to successive British visitors to the kingdom of Dahomey between 1843 and 1852, including official government missions seeking to persuade the Dahomian king to cooperate in the suppression of the Atlantic slave trade. The lives of such men may be thought of as involving the ‘transcending’ of ‘boundaries’, not only in acting as brokers in contacts between Africans and Europeans, but also in themselves occupying an ambiguous liminal position between the two. In their role as interpreters, they were subject to contradictory pressures, from the Dahomian state and the various European interests involved in the negotiations, and at the same time sought to advance their own personal interests. Beyond the intrinsic interest of these biographies, this article is conceived as a methodological exploration of the possibility of extracting an African voice and perspective from mainly European sources.