A Chronotope of Containment Development: Europe's Migrant Crisis and Africa's Reterritorialisation

Europe has taken unprecedented levels of peacetime defensive actions against the perceived demands by African migrants for “absolute hospitality”. In collaboration with politicians across the Mediterranean, European political leaders are authoring a chronotope that removes Africa and Africans from global time. This discursive vision rests on an epistemological reorientation coding all Africans as potential migrants capable of threatening European and African sovereignty and security. This conceptual realignment has seeded a defensive assemblage of coercive controls, sociologies of knowledge, and a campaign to generate sedentary African subjects. Ultimately it is engendering “containment development” aimed at geographically localising Africans’ desires and imaginations. In an era of planetary entanglement and exchange, this discursively and materially excludes Africans from what it means to be fully human.     

Science and the History of the Sciences. Conceptual Innovations Through Historicizing Science in the Eighteenth Century

Science and the History of the Sciences. Conceptual Innovations Through Historicizing Science in the Eighteenth Century. The historical reconstruction of science is linked to philosophical discussions of the eighteenth century in many ways. The historiography of philosophy and the historiography of science share the conceptual problem to assemble the multitude of scientific and philosophical practices under general concepts. The historical analysis of scientific progress offers a clue by problematizing definitions of “science” and “sciences” as well as the system of sciences as a whole. By analyzing these conceptual problems and the typology of historical enterprises of the eighteenth century, this paper will discuss the close interrelations which existed between philosophical and historical discourses of eighteenth‐century reflection on science.     

Russia,China, and the universalism of modernity: the “Account of the Reforms of Peter the Great” by Kang Youwei

ABSTRACT

This paper analyzes a short essay by Kang Youwei (1858–1927) – one of the intellectual and political protagonists of late imperial and early Republican China. In it, he interpreted the historical experience of Russian modernization under Peter the Great (1672–1725) and used it as a “success story” for the renewal of Chinese monarchical institutions. It was written in 1898 and presented to the Manchu throne under the title “Account of the Reforms of Peter the Great”, and for our purposes will be the departing point for a “global intellectual circuit” through which the following questions will be addressed: Why was seventeenth and eighteenth century Russia considered as a model for China by the author? How did he manage to adapt the historical experience of Russia into a social and political conceptual framework for China? What was Kang’s historiographical method, and what kind of philosophy of history framed his reflections? What does this short essay tell us about Kang’s view on “Westernization”, on the concept of “modernity” itself, and on its use for historiographical purposes?     

Commerce and morality in eighteenth-century Italy

This paper would like to discuss some aspects of current trends in studies on eighteenth-century Eastern Europe. In the first part it addresses recent approaches devoted to the reconstruction of the conceptualization of Eastern Europe at the time of the Enlightenment, which have often been inspired by the work of Edward Said and Martin Bernal. These include Larry Woolf's Inventing Eastern Europe (1994). Michael Confino has provided a detailed critique of Woolf's approach. It can be argued that Woolf is in fact projecting Cold War divisions back into the eighteenth century.

The article argues in favour of a less “Orientalising” approach to the history of Eastern Europe, by proving an alternative overview of the historical dimensions of the eastern (and northern) regions of Europe in the eighteenth century. Eastern Europe was inextricably connected to its western European neighbours. Without Eastern Europe, European history is incomplete and incomprehensible.

In the third part the article argues that the interpretative framework of the “first crisis of the Old Regime”, which Franco Venturi outlined in his Settecento riformatore in the 19870s and 1980s represented a subtle rejection of the East/West dichotomy, and in fact foreshadowed the eventual reunification of Europe after the end of the Cold War.     

Nations Unchained: Revolution,Empire, and the Collapse of the Westphalian Order

I examine transformations of “world orders,” of the basic norms governing relations between powers and between powers and peoples. I present three historical transformations of the world order: First, the transformation at the end of the eighteenth century of the Westphalian or Vattelian order in Europe based on the equality of states and the balance of power, into a world order based on nationalism and imperialism. Second, the transformation in the aftermath of World War II in which imperial domination was rejected, national self-determination affirmed, and territorial acquisition by force outlawed (what I call “1945 rules”). Third, the present collapse of 1945 rules in the face of the Russian invasion of the Ukraine and the annexation of Crimea. I assess these transformations with help from Nicholas Onuf and the English School of International Relations.     

Between Regionalization and Centralization: The Creation of the Musée Léopold II in Elisabethville (Musée national de Lubumbashi), Belgian Congo (1931–1961)

Since “museumland” was revisited in the 1980s, different authors have studied the history of colonial museums in Europe within a broader discussion on colonial bias, the creation of traditions and the theory of representation. It has become clear, for example, how African utensils were exported to Europe, where they were exhibited as curiosa, ethnographical objects or art. But what happened when the very notion of the museum was exported back to Africa? Who created these institutes and in what context? Was the relationship between colonizers and colonized altered? Did the “social life” of the objects on show change? And what was the relationship between the “old” museums in Europe and the “new” ones created in the colony? These questions have rarely been studied. In this article, the creation of the Musée Léopold II will be used as a basis to offer insight into the links between colonial “science” and “policy”, which proved not to be as monolithic as often portrayed, but rather were complex amalgamations of different opinions and even conflicting interests.     

„[…︁] mein Recht muss mir werden!“ Hermann Bahrs Tragikomödie Der Querulant (1914)

“[…︁] mein Recht muss mir werden!” Hermann Bahr’s Tragicomedy ­ Der Querulant ­ (1914). At the end of the eighteenth century, people who became notorious for their excessive engagement in legal proceedings started being labeled as “querulents” or “paranoid litigants”. The term “querulents” first appeared in the General Order of the Court for the Prussian States (Allgemeine Gerichtsordnung für die Preußischen Staaten) from July 6, 1793. From there on, the spectrum of juridical measures undertaken against the so-labeled litigators included classifying these persons as ineligible for legal action and psychiatric hospitalization. The paper discusses to what extent Hermann Bahr rearranges psychiatric and legal knowledge about this special type of the complainer in his tragicomedy Der Querulant, premiered in 1914. This concerns, first, the theatricality of the body and speech, secondly, the use of cultural techniques of writing and, thirdly, conflicting notions of justice. Therefore, the paper analyzes the aesthetic function of querulous behavior in the dramatic structure of the play from the point of view of both media theory and literary theory.     

1. PRETEXTURES OF TIME

Textures of Time is a rich and challenging book that raises a host of important and hard questions about historical narrative, form, and style; the sociology of texts; and the core problem of ascertaining historical truth. Two that pertain to the book's main claims are of special interest to nonspecialist readers: Is register or style—“texture”—necessarily and everywhere diagnostic of “history”? Does a new kind of “historical consciousness” emerge in south India beginning in the sixteenth century, indeed as a sign of an Indian early modernity?Textures is not the first book to argue that historical discourse is constitutively marked by a peculiar style, but the claim is beset by difficulties that scholars since Barthes have detailed. Rather than textures of time—accounts of what really happened in history—what these works offer us may be only pretextures of time, textualized forms of a human experience that make claims about its degrees and types of truth through representations of various states of temporality. Instead of assessing, then, whether these works are history or something else like “myth,” we might ask whether they invite us to transcend this very dichotomy, to try, that is, to make sense of historical forms of consciousness rather than to identify forms of historical consciousness. As for modernity, nothing in south Indian historiography from 1500–1800 remotely compares to the conceptual revolution of Europe. But why should we expect the newness of the early modern world to have been experienced the same way everywhere? Modernity across Asia may have shown simultaneity without symmetry. Should this asymmetry turn out to reveal continuity and not rupture, however, no need to lament the fact. There is no shame in premodernity.     

5. TIME GARDENS: HISTORICAL CONCEPTS IN MODERN HISTORIOGRAPHY

This article argues for the analysis of temporal concepts such as “age,” “century,” and “epoch,” “past,” “present,” and “future,” formed during the Enlightenment, as an approach to the study of the history of modern historiography. Starting from the basic distinction of “empty” and “embodied” time in Leibniz's and Newton's dispute of 1715 about the philosophical nature of time, it traces the episteme of the eighteenth century using the metaphor of a “time garden” for describing some basic features of enlightened historiography. Finally, the paper discusses the consequences of the increasing employment of concepts of embodied time for the future development of the historical sciences.     

Rethinking the Creation of North Norway as a Region

Abstract

The subject of this article is the creation of North Norway from the late eighteenth century to the present day. Some initial remarks about the relationship between nations and regions are followed by a number of interpretations of recent national and nationalism debates. The former synthesis of the creation of North Norway as a region is analysed, using approaches that on the one hand could be described as an actor stage theory, and on the other as structurally modernistic. As an alternative, a new theoretical approach inspired by cultural hegemonic theories is presented. This cultural hegemonic approach uses the works of Antonio Gramsci (1891–1937) as a point of departure and is related to the concepts he developed, such as “hegemony”, “counter-hegemony”, “historic bloc”, “civil society” and “organic intellectuals”. A new synthesis of the historical regional formation process, based on a cultural hegemonic approach, is then presented, showing that North Norway as a region is the result of a long-lasting, contradictory and continuous process. Six periods are identified in the creation of the region: the period from the late eighteenth century and throughout the nineteenth century up to the second decade of the twentieth century emerges as a time-frame for a counter-hegemonic nation-building project. Since then, North Norway as a region has developed through hegemonic struggle between different kinds of region- and nation-building projects within and outside the region.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

18th‐Century pacific voyages of discovery, “big science”, and the shaping of an European scientific and technological culture

Abstract

The European exploration of the Pacific Ocean in the latter half of the eighteenth century is usually presented as part of the Enlightenment's quest for pure knowledge, knowledge which was shared freely in the “Republic of Letters”. In this essay, however, these expeditions are set against the background of a ferocious struggle between western European states to dominate the world, bringing together national political, commercial, military, and learned institutions, showing them to be more akin to today's “big science” than to an activity of free‐minded, autonomous, gentlemen. The holistic approach developed to apprehend “big science” in today's world is thus used to reexamine scientific cooperation as well as the circulation of men, objects, texts (including maps) and ideas in the politico‐economic context of early modern Britain, France and Holland, the relationship between this “big science” and eighteenth‐century, western European society, and how these shaped European scientific culture and identity. The paper ends with some reflections on the contrast between “big scientific” activity in the two periods.     

THE WORDS OF HISTORY

In From History to Theory, Kerwin Lee Klein writes a history of the central terms of the discipline of theory of history, such as “historiography,” “philosophy of history,” “theory of history,” and “memory.” Klein tells us when and how these terms were used, how the usage of some (“historiography” and “philosophy of history”) declined during the twentieth century, and how other terms (“theory” and “memory”) became increasingly popular. More important, Klein also shows that the use of these words is not innocent. Using words such as “theory” or “historiography” implies certain specific ideas about what the writing of history should be like, and how theoretical reflection on the nature of history and its writing relates to the practical issues of the discipline. In the second half of his book, Klein focuses more on the concept of memory and the memory boom since the later part of the 1980s. He observes that “memory” came to be seen as a kind of “counterhistory,” a postcolonial, fragmented, and personal alternative to the traditional mainstream discourse of history. Klein does not necessarily disagree with this view, but he does warn us about unwanted side effects. More specifically, he argues that the discourse of memory is surprisingly compatible with that of extremist right‐wing groups, and should be treated with suspicion. Although Klein certainly has a point, he presents it in a rather dogmatic fashion. However, a more nuanced version of Klein's criticism of memory can be developed by building on Klein's suggestion that there is an intimate connection between memory and identity.     

FELLOW CITIZENS AND IMPERIAL SUBJECTS: CONQUEST AND SOVEREIGNTY IN EUROPE'S OVERSEAS EMPIRES

This article traces the association between the European overseas empires and the concept of sovereignty, arguing that, ever since the days of Cicero—if not earlier—Europeans had clung to the idea that there was a close association between a people and the territory it happened to occupy. This made it necessary to think of an “empire” as a unity—an “immense body,” to use Tacitus's phrase—that would embrace all its subjects under a single sovereign. By the end of the eighteenth century it had become possible, in this way, to speak of “empires of liberty” that would operate for the ultimate benefit of all their “citizens,” freeing them from previous tyrannical rulers and bringing them under the protection of more benign regimes. In such empires sovereignty could only ever be, as it had become in Europe, undivided. The collapse of Europe's “first” empires in the Americas, however, was followed rapidly by Napoleon's attempt to create a new kind of Empire in Europe. The ultimate, and costly, failure of this project led many, Benjamin Constant among them, to believe that the age of empires was now over and had been replaced by the age of commerce. But what in fact succeeded Napoleon was the modern European state system, which attempted not to replace empire by trade, as Constant had hoped, but to create a new kind of empire, one that sought to minimize domination and settlement, and to make a sharp distinction between imperial ruler and imperial subject. In this kind of empire, sovereignty could only be “divided.” Various kinds of divided rule were thus devised in the nineteenth century. Far, however, from being an improvement on the past, this ultimately resulted in—or at least contributed greatly to—the emergence of the largely fictional and inevitably unstable societies that after the final collapse of the European empires became the new states of the “developing world.”     

Music and the Aesthetic Copernican Revolution of the Eighteenth Century

ABSTRACT

In the mid-eighteenth century music underwent a sudden and drastic revolution when composers “discovered” a new dimension to their art. This had immense repercussions on the philosophy of art, for the music created before and after this divide represents two different species of aesthetic experience, which in due course affected our understanding of the meaning and import of the other arts as well. Despite the immense aesthetic repercussions of this Copernican revolution in music, philosophers of art seem not to have taken much notice of it. This essay details the emergence of the relevant musical criteria during the eighteenth century and dwells on their long-term impacts on the philosophy of art.     

Catholics,anglicans and puritans. Seventeenth century essays

The Fair Intellectual Club was the earliest female intellectual sociability on record in Britain in the eighteenth century. A study of the club provides insights into the motivations for founding such a society. The reading list of the club contains some twenty pamphlets on a variety of subjects including the education of both sexes, friendship and moral issues. The particular question in mind while assessing these materials will be, as far as this club is concerned, what kind of philosophical understanding of sociability inspired these ladies. The Fair Intellectual Club also provides a platform for discussion of questions about the identity, the responsibility, and the gender of learned persons, in addition to their role as active agents in the production of knowledge in the eighteenth century.     

‘Taken captive by the mystery of the Great River’: towards an historical geography of British geography and Atlantic slavery

By examining the case of James MacQueen (1778–1870), this paper initiates a research agenda that contributes to what David N. Livingstone has argued remains the most pressing task for historians of geography: to write ‘the historical geography of geography’. Born in Scotland in 1778, MacQueen was one of the many ‘arm-chair’ geographers whose efforts at synthesising contemporary and historical sources were a significant feature of the encounter between Europe and the rest of the world. Indeed, although he never visited Africa, his speculations about the course and termination of the River Niger turned out to be broadly correct. What makes MacQueen a particularly significant figure was the original source of his theory: enslaved Africans in a Caribbean plantation-colony. In this light, a remark that MacQueen's imagination was ‘taken captive by the mystery of the Great River’ carries a dark double-meaning, because ‘captive’ knowledge was the very source of MacQueen's interest in African geography. Beginning with MacQueen's time in Grenada, the paper explores a series of personal relations, textual traces and West African ethno-histories to reveal how his geographical knowledge and expertise were bound up with Atlantic slavery. This shows not only how the colonial economy, centred on the Caribbean, underwrote the production of geographical knowledge about Africa, but also how British geographical discourse and practice might be probed for traces of Atlantic slavery and enslaved African lives. More generally, the case of James MacQueen illuminates a broader field of relationships between Atlantic slavery, West African exploration, and the development of modern British geography in the late eighteenth and first half of the nineteenth centuries. Examining these relationships is key to writing a ‘historical geography of British geography and Atlantic slavery’ and contributes to postcolonial histories of the discipline by revealing the tangled relationships that bound geography and slavery, knowledge and subjugation, that which ‘captivates’ and those held ‘captive’.     

1. INTRODUCTION: MULTIPLE TIMES AND THE WORK OF SYNCHRONIZATION

In this essay, which introduces the History and Theory forum on Multiple Temporalities, I want to discuss how the existence of a plurality or a multiplicity of times has been conceptualized in the historiographical tradition, partly by entering into a dialogue with recent writers, historians, philosophers, sociologists, anthropologists, and literary scholars, partly by returning to the eighteenth century, to the origin of “the modern regime of historicity” (Hartog). In these theoretical and historical investigations I aim to do two things: on the one hand, to explore and discuss different ways of conceptualizing multiple times, in terms of nonsynchronicities, layers of time, or natural and historical times; on the other hand, to trace how these multiple times have been compared, unified, and adapted by means of elaborate conceptual and material practices that I here call “practices of synchronization.” From the eighteenth century onward, these synchronizing practices, inspired by, but by no means reducible to, chronology have given rise to homogeneous, linear, and teleological time, often identified as modern time per se, or simply referred to as “progress.” In focusing on the practices of synchronization, however, I want to show how this regime of temporality during its entire existence, but especially at the moment of its emergence in the eighteenth century and at the present moment of its possible collapse, has been challenged by other times, other temporalities, slower, faster, with other rhythms, other successions of events, other narratives, and so on.     

Natural theology and ancient theology in the Jesuit China mission

ABSTRACT

This article analyzes the proselytical use of ancient theology that developed in the environment of the Jesuit China Mission in the late seventeenth and early eighteenth centuries. This period is roughly coeval with the European diffusion of deistic doctrines based on a secularized interpretation of natural theology. I argue that the threat posed by the spread of such doctrines produced a significant effect on the philosophy that Jesuits developed in order to relate to Confucianism. In particular, in the late seventeenth century, Jesuits belonging to the China Mission gradually abandoned Matteo Ricci’s natural theology and espoused an approach grounded in ancient theology. The situation changed, however, after the turn of the eighteenth century. Deism continued to spread, and even ancient theology came to be perceived as dangerously close the libertinism. The increasing suspicion towards ancient theology was reflected, in the China Mission, by the reception of the doctrines advanced by the so-called “Figurists”, a group of French Jesuits who proposed an interpretation of certain characters of the Chinese Five Classics as figurae of the Bible.