French Eighteenth-Century Materialists and Natural Law

Summary

This article looks at the discussions of natural law by the eighteenth-century French materialists Julien Offray de La Mettre, Denis Diderot, Paul Thiry d'Holbach and Claude-Adrien Helvétius. It is particularly concerned with their discussion of moral values and their attempt to find a materialistic basis for them as part of their rejection of religion. The discussion brings out the différences between them and analyses their dialogues on this question, including the other materialists' rejection of La Mettrie's amoralism, which threatened to undermine their attempt to found a natural law taught by experience and based on human nature. Particular attention is paid to Diderot's many writings which grapple with the subject, beginning with his Encyclopédie article droit naturel, probably written in 1754. He discussed the question in many of his later writings, including in his annotations on the works of Helvétius, who based natural law on the general interest. These writings reveal a tension between Diderot's emphasis on the search for individual happiness and the interests of society as he, together with d'Holbach, attempted to provide a natural basis for morality and government from which to criticise existing institutions.     

Trading Places: Competitive Cities in the Global Economy

This paper reports the findings of an ESRC funded study of innovation in five European cities. It is argued that the contemporary emphasis on local production clusters as the basis of economic growth provides only a limited explanation, in certain types of cities, of what drives growth. The argument developed here is that export base theory should be revisited as a more likely explanation of virtuous circles of growth. The evidence presented suggests that such circles are composed of innovation and trade in the context of the types of externalities found in core metropolitan international gateway cities.     

The Poison and the Spider's Web: Diderot and Eighteenth-Century French Epicureanism

This article argues that the term ‘Epicurean’ had multiple meanings in the moral and political thought of the eighteenth century. Concentrating on the reception of Epicureanism in France, it shows that some critics focused on Epicurus’ hedonistic moral psychology and labelled Epicurean those thinkers who denied natural sociability; for others, who instead focused on Epicurus’ materialist natural philosophy, to label a thinker an Epicurean was to label them an atheist. This polyvalence is presented as a salutary caution against essentialising claims about the content of eighteenth-century Epicureanism per se. Despite this sceptical stance, however, the article goes on to argue that it is nevertheless fruitful to investigate the engagement with Epicureanism by particular thinkers or in particular texts. Indeed, a comparative reading of Denis Diderot's Encyclopédie entry on ‘Epicuréisme’ and his source material in Johan Jakob Bruker and Pierre Bayle demonstrates that Diderot used his discussion of Epicureanism to intervene directly in contemporary theological controversies over the immortal soul and a providential god.     

Variation in Venues of Slavery and Freedom: Interpreting the Late Eighteenth-Century Cultural Landscape of St. John, Danish West Indies Using an Archaeological GIS

An archaeological GIS is used to examine the late eighteenth-century cultural landscape of St. John, US Virgin Islands. Land use patterns are reconstructed using a combination of historic maps, tax records, and survey reconnaissance. The study demonstrates significant, heretofore undocumented, transitions taking place that reflect dynamic cultural and economic change within Danish West Indian plantation society that includes a significant trend towards land ownership by free-colored St. Johnians more than a half a century before emancipation. These venues of freedom are discussed in relation to broader patterns of estate consolidation and economic shifts.     

殖民文化与伪满洲国的“娱民电影”

本文从日方导演与中方导演的电影制作这样两个角度,勾勒了东北沦陷时期的“满洲映画协会”拍摄、放映的“娱民电影”的整体轮廓;意在通过影片的具象特征揭示日本殖民者对东北人民的思想和文化方面殖民统治的实质,阐明“娱民电影”的主旨并不在于娱乐,而是奴化东北人民的典型的殖民化影片。