‘Impressions of Weird Fate’: Revision and Crisis in ‘The Lady of Shalott’

Alfred Tennyson disliked the engraving of ‘The Lady of Shalott’ produced by William Holman Hunt for the 1857 Moxon edition of Tennyson’s Poems, accusing the artist of taking too many liberties in depicting the Lady’s hair and the threads of her weaving as ‘wildly tossing’ around her. This essay traces the histories of both Hunt’s image and Tennyson’s text, arguing that the poet’s objection is grounded in the fact the engraving reproduces the fierce agency that characterizes the Lady in Tennyson’s 1832 original but not his 1842 revision. That pattern of revision, I suggest, reflects the poet’s distress over the 1833 death of his beloved friend Arthur Hallam and is motivated by his new ways of thinking, in the wake of that catastrophe, about the crisis of desire and the perpetual trauma of communication between the living and the dead.     

Camp evolution and Israel's creation: Between ‘state of emergency’ and ‘emergence of state’

This paper examines the central role of the camp in the early Israeli state period and its spatial and geopolitical evolution. Unlike official Israeli history, which presents the immigrant camps as an inevitable improvised response to the unexpected problem of mass immigration, I examine the camp as a strategic modern biopolitical instrument that allowed for the state's profound geopolitical changes and was itself altered according to them. The paper analyses the ways in which the camp facilitated the creation of Israel as a state formed by two seemingly contradictory, but in fact complementary, conditions: on one hand, a product of a chaotic ‘state of emergency’ and a form of ‘ordered disorder’ created by mass immigration, and on the other hand, a product of a comprehensive, tightly controlled modernist project combining physical planning and social engineering. This duality reveals the role of these immigrant camps, which were created both in Israel and abroad, as spatial ‘black holes’ which swallowed the contradiction between the radical geopolitical transformation and the rational self-image of the Israeli state-building project. The evolving and hybrid typologies of the camp in Israel's pre-state and early-state periods expose it as a versatile instrument, highlighting the need for informed spatial and geographical genealogies of the camp in order to illuminate its various transformations.     

Reassessing the ‘Crisis of Faith’ in the Victorian Age: Eclecticism and the Spirit of Moral Inquiry

This article examines both recent scholarship in the field of Victorian religion and conviction alongside new research on secularization that have cast doubt on an older historical narrative about the ‘crisis of faith’ and the ‘triumph’ of the secular. My discussion challenges the emergence of an alternative narrative of crisis that focuses on the ‘crisis of doubt’ rather than the ‘crisis of faith’. In particular, it answers the recent work of Timothy Larsen who argues that many past (and some present) approaches to Victorian religious culture have overemphasized doubt at the expense of considering enduring forms of Christian religiosity. By reappraising the career histories of the radical secularists (notably, Annie Besant) that Larsen uses to support his thesis, I test some of the key assumptions and conclusions of his influential account. My analysis questions the positioning of faith and scepticism as polar opposites and the usefulness of the idea of ‘crisis’ when examining either belief or doubt. Changes in individuals' convictions and practices might be better seen as part of their life-long quest for an all-embracing morality.     

Anton Dumitriu,the ‘Axiomatic Culture’ and the ‘Crisis of the West’

Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.     

‘Black and’ Cause I'm Black I'm Blue: Transverse racial geographies in Toni Morrison's The Bluest Eye

The aim of this article is to address how Toni Morrison's first novel, The Bluest Eye, points to different experiences of geographical scales and space that simultaneously complicate and reiterate the meaning of being black. Places, bodies and minds, as they intertwine, fluctuate, and ostensibly stay the same, play off each other in complicated ways in Morrison's novel. Drawing on anti-racist theory and from anti-racist and feminist geographies, this article examines Morrison's novel and characters in order to bring forth the links between the interrelated categories of race, racism, gender and place. It illustrates how material realities, corporeal differences and subjective understandings of place, race and racism are mutually constructed. It addresses how the meaning of being black in a white-dominated society, in The Bluest Eye at least, is illustrative of complex subjectivities that are situated in places, communities and nations that deny comfortable and coherent lived experiences.     

‘Making Black More Beautiful’: Black Women and the Cosmetics Industry in the Post-Civil Rights Era

This article explores how the ‘Black is Beautiful’ movement transformed attitudes towards beauty standards within black communities and how the cosmetics industry tried to capitalise on these shifts in their marketing strategies. It charts how redefined beauty standards generated a proliferation of cosmetics companies and products exclusively for black women, and their success attracted widespread attention from across the industry. However, this article demonstrates that while the cosmetics industry removed certain racialised barriers to mainstream American beauty culture, the commodification of the language and imagery of “Black is Beautiful” in cosmetics advertising often reinforced gendered expectations as well as heightening tensions within black communities in regard to colourism and business ownership.     

‘Chilling’ and ‘hopping’ in the ‘teenage space network’: explorations in teenagers’ geographies in the city of Mechelen

Within the field of children's geographies several calls have been made to develop ‘teenagers’ geographies’ as a complementary field of research and practice. It has been stated that teenagers remain ‘invisible’ or ‘marginalised’ in public debates as well as in research and practice, even within childhood studies and children's geographies. Further explorations in teenagers’ geographies could contribute to the research on ‘diverse childhoods’. This article explores the spatial worlds of teenagers (approximately 12–16 years) in Flanders (Belgium), a region characterised by a dense network of smaller cities and ‘urban sprawl’. Based on street interviews and observations in a small city several mental maps and patterns of teenagers’ use of public space were identified. Starting from a case study in the city of Mechelen, this article suggests how these perspectives can be integrated into urban planning by identifying and tying together relevant planning layers, thus creating a more closely knit ‘teenage space network’. Wouter Vanderstede is an urban planner, anthropologist and historian. He is a researcher and staff member at Childhood & Society Research Centre–Onderzoekscentrum Kind & Samenleving vzw. Child friendly and teenager friendly planning and design of public space is one of the main research themes of the institute. View all notes     

Salutary Lessons: Native Police and the ‘Civilising’ Role of Legalised Violence in Colonial Australia

Over much of the nineteenth century, recurring problems of covert and opportunistic conflict between settlers and Indigenous peoples produced considerable debate across the British settler world about how frontier violence could be legally curbed. At the same time, the difficulty of imposing a rule of law on new frontiers was often seen by colonial states as justification for the imposition of order through force. Examining all the mainland Australian colonies from the 1830s to the end of the nineteenth century, this paper asks how this contradictory dilemma played out through deployment of ‘native police’ and the ‘civilising’ role of legalised violence as a strategy for managing the settler frontier. In light of wider debate about a humanely administered empire, Australia’s first native police force established in New South Wales in 1837 was conceived as a measure that would assist in the conciliation and ‘amelioration’ of Aboriginal people. In the coming decades, other Australian colonies employed native police either as dedicated forces or as individual assistants attached to mounted police detachments. Over time, the capacity they held to impose extreme violence on Aboriginal populations in the service of protecting pastoral investments came to reflect an implicit acceptance that punitive measures were required to bring order to disorderly frontiers.

By tracing a gradual shift in the perceived role of native police from one of ‘civilising’ Aboriginal people to one of ‘civilising’ the settler state itself, this paper draws out some of the conditions under which state-sanctioned force became naturalised and legitimated. It concludes that, as an instrument of frontier management, native policing reflected an enduring problem for Australia’s colonial governments in reconciling a legal obligation to treat Aboriginal people as subjects of the crown with a perceived requirement to bring them under colonial authority through the ‘salutary lessons’ of legalised violence.     

Bridgeheads, ‘Colonial Places’ and the Queensland Financial Crisis of 1866

This article provides a new perspective on the links between British imperialism and metropolitan finance by showing how formal power reinforced ‘money power’ at a formative stage in the political development of the colony of Queensland. In 1866, despite the contraction of the bridgeheads of formal British authority in eastern Australia, local imperial representatives quickly aligned with private interests when British investments appeared to be threatened by a proposal to introduce a fiduciary note issue. Subsequently, Queensland politicians continued to contest the control of money and the scope of government intervention in the colonial economy. Ultimately, however, the inflow of British capital created new bridgeheads of British power in Queensland, re-constituting it as a ‘colonial place’ in the informal empire of investment and influence.     

White gloves,feminist fists: race,nation and the feeling of ‘vintage’ in femme movements

This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.     

General Cariappa encounters ‘White Australia’: Australia,India and the commonwealth in the 1950s

There have been a number of studies of the White Australia policy and some examination of white Australia's relationship to the new, multiracial Commonwealth that emerged after the Second World War. Drawing extensively on Indian sources, this article examines how Australia was viewed by India's high commissioner to Australia and New Zealand, General K. M. Cariappa. In the period from September 1953 to April 1956 he sparked considerable controversy by suggesting that the White Australia policy ran the risk of alienating Asian opinion and undermining the Commonwealth ideal in India and Pakistan. Cariappa maintained a high public profile throughout his stay in Australia and was widely regarded as one of the most prominent diplomats posted to Canberra in the 1950s.     

‘White as Cheese’: A Discussion of ‘Jbene’, the Palestinian Oicotype of ATU 403

This article examines the oral versions of the Palestinian tale ‘Jbene’, an oicotype of ATU 403, focusing on the relationships between two plot details that neutralize each other: whitening the heroine, as an act of creation/blessing; and blackening her in an attempt to ruin/destroy her. Socio-cultural aspects are examined, taking into consideration the status of female sexuality in Palestinian society, as well as the Palestinian–Israeli conflict. The oicotype is viewed as both strengthening Palestinian collective identity and at the same time conveying messages to young women on how to handle their sexuality within a patriarchal society.     

‘A Terrific Ogre’: The Role of the Devil in Victorian Popular Belief

The Devil played a vital role in Victorian popular belief. He was a multifaceted figure who could be humorous or terrifying, depending on the occasion. While he struggled for space with an array of supernatural figures, the Devil managed to maintain a presence in a wide variety of supernatural narratives and beliefs.     

‘The True Love of the People and the Motherland’: The concept of socialist patriotism,socialist nation and anti-nationalism in Hungary in the 1960s and 1970s

In the late 1950s, the concept of socialist patriotism in Hungary was reformulated as a basic political concept in the ideology and propaganda of state socialism. The definite appropriation of Leninist contraposition of socialist patriotism and bourgeois nationalism became paramount in the second half of the 1950s because of the nationalist sentiments of the 1956 revolution. I trace the history of the concept of socialist patriotism in the 1960s and 1970s in socialist Hungary. During this period, socialist patriotism served as a slightly undetermined, yet didactic counter-concept to set against ‘bourgeois nationalism’ which was characterised as a xenophobic sense of nation. From the late 1960s, the doctrine of socialist patriotism confronted a new ideological enemy: supra-nationalism or cosmopolitanism. In the mid-1970s, a new ideological equilibrium was elaborated in Hungary between socialist patriotism and proletarian internationalism, which served the economic and political integration of the Eastern bloc countries. In this sense, socialist patriotism was meant to express a link with socialist political order, its achievements and its institutions, in contrast to the ethnic character and revanchist tendencies of nationalism.