When Subjects Talk Back: Writing Anne Braden's Life-In-Progress

Subversive Southerner is an oral history-based biography thatleans toward being a full critical biography of Anne Braden,a southern white woman (Kentucky-born, Alabama-reared) whoseracial justice activism spans nearly six decades. The book representsan enterprise of shared authority between Braden and authorCatherine Fosl, and this essay explores the evolution of thatenterprise and reflects on the relationship between oral historybiographer and living subject. During the thirteen years thatit took to complete the book, Fosl's relationship with Bradenwent through transitions that altered the structure of the book,and raised fundamental questions—such as who but the personliving it can or should have authority over a life? One of thecentral issues in writing the book was how to address a questionthat many historians of the 1950s South have pondered: was AnneBraden ever a member of the Communist Party? Braden chose notto answer that question, and Fosl respected her decision.     

Ask and Tell: Gay and Lesbian Veterans Speak out

At the outset of Ask & Tell, Estes recalls the debates thatproduced the 1993 "don’t ask, don’t tell" policyprohibiting "homosexual conduct or activity in the armed forces"of the U.S. and laments the silenced voices of those most directlyaffected by the policy: gay and lesbian service members. Inresponse, Estes, an associate professor of history at SonomaState University, enlists oral history as an ally in the on-goingcampaign to allow gay men and lesbians in the U.S. to serveopenly in the armed forces. He argues "that historically, thesilence concerning gays in the     

Consensus,Conflict, and Partisanship in House Decision Making: A Bill-Level Examination of Committee and Floor Behavior

Although conflict and partisanship are deeply entrenched in the public's view of the U.S. Congress, political scientists have noted that consensus characterizes much of the legislative branch's operations. We build on an expanding literature that moves beyond a focus on roll call voting and explore individual bills as the unit of analysis in an attempt to obtain an accurate picture of the broader context in which House decision making occurs. Drawing on evidence spanning 24 years, we document the extent to which consensus rather than conflict typifies House decision making. Our bill-level analysis facilitates a unique examination of the context in which committees operate as well as the ensuing floor environment. The results provide insight into the factors attending to the degree of consensus and conflict associated with bills—particularly the salience of the issue and the committee of origin—while painting a more complete picture of the day-to-day environment of the U.S. House.     

三江源生态移民社会适应与回迁愿望分析

本文通过对三江源生态移民社会适应和回迁愿望的研究,针对三江源生态移民社会适应程度不高、回迁愿望不高这一悖论,分析了形成原因,提出了提高移民社会适应程度、降低回迁风险的对策。     

Archeology in Conflict and UNESCO: Legal Aspects

This article analyzes the obligations under the 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two Protocols related to the protection of cultural property in occupied territory. It goes on to provide practical examples of the return of cultural property from Iraq to Kuwait following the entry of Iraqi military forces into Kuwait in August 1990 and the legal framework of the return of Iraqi cultural property under operative paragraph 7 of the United Nations Security Council resolution 1483, adopted on 22 May 2003.     

Kosovo: Cultural Heritage in Conflict

Abstract

The secession of territory represents a unique challenge in the protection of cultural heritage in conflict. The declared independence of Kosovo has considerable implications for international cultural heritage. This paper focuses on the deliberate destruction of examples of historic architecture such as De?ani Monastery and Hadum Mosque as a means of contextualizing the nature of heritage in conflict with respect to international cultural heritage law. It offers a preliminary examination of aspects of cultural heritage in conflict, particularly in regard to the secession of territory and how it applies to historic monuments. The aim of this paper is two-fold: to address the considerations of immovable cultural property within the borders of Kosovo; and to utilize the examples of Visoki De?ani Monastery and Hadum Mosque to highlight the significance of cultural property in conflict.     

Archaeological Research in Conflict Areas: Practice and Responsibilities

This paper discusses the relationships between ethics and archaeological fieldwork. It represents the author’s reflections on her own archaeological work in an area, Lebanon, which has in recent times been wracked by considerable violence. The stimulus for the paper came mainly from the question posed by the session organizers and editors of this issue: what would constitute ethical archaeological practice, especially in situations of war and violence but also in cultural contexts in which different approaches to understanding and valuing historical knowledge predominate than those typically held by archaeologists. Two concrete examples from my own fieldwork in Beirut and Kamid el-Loz make clear how the scientific interests of historical-archaeological research and those of people who live in the research area can be reconciled despite specific instances in which they diverge.     

The Genealogical Society Library of Salt Lake City: A Source of Data for Economic and Social Historians

Abstract. Some important novelists have written a great novel early in their careers and have produced lesser works thereafter, whereas others have improved their work gradually over long periods and have made their major contributions late in their lives. Which of these patterns a novelist follows appears to be systematically related to the nature of his work. Conceptual writers typically have specific goals for their books, and they produce novels that emphasize plot; experimental writers' intentions are often uncertain, and their novels more often stress characterization. By examining the careers of 12 important modern novelists, the author demonstrates that conceptual novelists—including Herman Melville, F. Scott Fitzgerald, and Ernest Hemingway—are generally those who have declined after writing landmark early novels, while, in contrast, experimental novelists—including Charles Dickens, Mark Twain, and Virginia Woolf—have typically arrived at their most important work later in their careers. As is the case for modern painting and poetry, the ranks of great modern novelists have included both conceptual young geniuses and experimental old masters.